Tag Archive: isis


Full Harvest Moon – September

This Full Moon is all about emotions, healing, and balancing. “This powerful Gateway is an opportunity to greatly accelerate your spiritual growth and to promote Balance in your life. Divine Masculine supports the Divine Feminine. As they come together in Sacred Marriage, you realize that one without the other is not balanced. So, do not act unless it is aligned with your Integrity; your Heart. Be inspired and then take a step toward your dream.” – Ascension: Soulstice Rising .

Additional links: “Celestial Twinkle: Full Moon in Pisces – September 19th, 2013” by Dipali Desai; “The Illumining Harvest Moon: Full Moon in Pisces” by Aepril Schaile; “Bringing Your Magic to Earth – Pisces Full Moon” on Virgo Magic; “Pisces Full Moon: Th. Sep. 19, 2013, 7:13 a.m. EDT, Sun 26.41 Virgo, Moon 26.41 Pisces” by Robert McDowell; “Pisces Full Moon: Dancing with the Leaves” by By April Elliott Kent; “3 Minute Moon Ritual“.

Journeying to the Goddess

The Farmer’s Almanac tells us that this full moon’s name is attributed to Native Americans because it marked when corn was supposed to be harvested. Most often, the September full moon is actually the Harvest Moon, which is the full Moon that occurs closest to the autumn equinox. In two years out of three, the Harvest Moon comes in September, but in some years it occurs in October. At the peak of harvest, farmers can work late into the night by the light of this Moon. Usually the full moon rises an average of 50 minutes later each night, but for the few nights around the Harvest Moon, the Moon seems to rise at nearly the same time each night: just 25 to 30 minutes later across the U.S., and only 10 to 20 minutes later for much of Canada and Europe. Corn, pumpkins, squash, beans, and wild rice the…

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Full Strawberry Moon – June

Sorry this is late guys – it’s been a jam packed busy week concluding with an amazing Summer Solstice celebration yesterday afternoon that lasted into the night….Hope you are all enjoying your Solstice celebrations and the Super Moon! Here are some additional links for this year’s Full Moon:

Summer Solstice and Full Super Moon 2013: Heart, Soul, and Summer Flowers” by Aepril Schaile.

Full Moon in Capricorn – June 23rd, 2013” by Dipali Desai.

Feeling the Fear, Reclaiming Authority – Tonight’s Super Full Moon in Capricorn” by Emily.

The Wheel Turns: Solstice” by Dana Gerhardt.

Capricorn Full Moon: The Business of Taking Care” by April Elliott Kent.

Full Strawberry Moon” by Robert McDowell.

3-Minute Moon Ritual” by Dana Gerhardt.

Journeying to the Goddess

The Farmer’s Almanac tells us that June’s full moon is known as the Strawberry Moon.  This name was universal to every Algonquin tribe. However, in Europe they called it the Rose Moon. Also because the relatively short season for harvesting strawberries comes each year during the month of June . . . so the full Moon that occurs during that month was christened for the strawberry!

According to the Wise Witches Society, this moon is known as the Mead Moon.  During late June and most of July the meadows were mowed for hay.

“June’s moon is also known as Mead Moon, Strawberry Moon, Honey Moon and Flower Moon. This moon is the moon of summer, and we can start looking forward to the warm nights to come. This is also the time for lovers. Before the height of summer use this time to strengthen your weaknesses. The zodiac association is Gemini

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Goddess Nephthys

“Nephthys” by Hrana Janto

“Nephthys’ themes are death, ghosts, rebirth and devotion. Her symbols are sunset and the hawk (Her sacred animal).  Just as Isis embodies life’s energies in Egypt, Her sister Nephthys is the force of death and reincarnation. Traditionally, Nephthys dwells in tombs, building and welcoming spirits into the afterlife. Her name means ‘death which is not eternal’, referencing the Egyptian belief in the soul’s rebirth to a new existence.

Following on the heels of Hallows and All Saints’ Day, All Souls’ Day honors the faithful departed. In early times children would go ‘souling’, collecting small cakes believed to rescue souls from purgatory.  In keeping with this idea, go out at sunset to honor Nephthys with a small cake or cracker. Leave this in a natural location and ask the Goddess to bring peace to any restless souls in Her care.

Oddly enough, Romans announced engagements today (likely as a way of stressing life’s continuance). So if you’ve been thinking of deepening a relationship, or making a commitment to a beloved project, this is one date that might suit the occasion.  Again, go outside at sunset, and as the sun slips behind the horizon pray to the Goddess. Tell Her your goal or speak your pledges in Her name. Ask Her to rejuvenate your determination so that tomorrow you might be born anew to your task or relationship.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Nephthys” by C. Temares

This another duplicate entry in Patricia Telesco’s book.  Click here to read September 13’s original entry on the Goddess Nephthys.

 

 

 

 

Suggested Links:

Ashwood, Moonwater. Order of the White Moon, “Nephthys: Goddess of Transition“.

Crystalinks.com, “Nephthys“.

Goddess-guide.com, “Nephthys the Egyptian Goddess“.

Hill, J. Ancientegyptonline.co.uk, Nephthys“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Nephthys“.

Seawright, Caroline. Touregypt.net, “Nephthys, Sister of Isis, Mistress of the House…“.

Touregypt.net, “Egypt: Gods – Nephthys“.

Wikipedia, “Nephthys

Full Harvest Moon – September

The Farmer’s Almanac tells us that this full moon’s name is attributed to Native Americans because it marked when corn was supposed to be harvested. Most often, the September full moon is actually the Harvest Moon, which is the full Moon that occurs closest to the autumn equinox. In two years out of three, the Harvest Moon comes in September, but in some years it occurs in October. At the peak of harvest, farmers can work late into the night by the light of this Moon. Usually the full moon rises an average of 50 minutes later each night, but for the few nights around the Harvest Moon, the Moon seems to rise at nearly the same time each night: just 25 to 30 minutes later across the U.S., and only 10 to 20 minutes later for much of Canada and Europe. Corn, pumpkins, squash, beans, and wild rice the chief Indian staples are now ready for gathering.

September Moon is also known as Harvest Moon, Barley Moon. The harvesters would gain extra time in the fields by the light of the harvest moon. This is a time of organizing and preparing for the coming months. The zodiac association is Virgo. [1]

“Harvest Moon Painting” by Samuel Palmer

SEPTEMBER: Harvest Moon (September) Also known as: Wine Moon, Singing Moon, Sturgeon Moon, Haligmonath (Holy Month), Witumanoth (Wood Month), Moon When Deer Paw the Earth
Nature Spirits: trooping faeries
Herbs: copal, fennel, rye, wheat, valerian, skullcap
Colors: brown, yellow-green, yellow
Flowers: narcissus, lily
Scents: storax, mastic, gardenia, bergamont
Stones: peridot, olivine, chrysolite, citrine
Trees: hazel, larch, bay
Animals: snake, jackal
Birds: ibis, sparrow
Deities: Demeter, Ceres, Isis, Nephthys, Freyja, Thoth
Power Flow: rest after labor; balance of Light and Dark. Organize. Clean and straighten up physical, mental, emotional, and spiritual clutter. [2]

 

 

 

 

 

 

Sources:

The Celtic Lady. The Olde Way, “Individual Moons Explained“.

Farmers’ Almanac, “Full Moon Names and Their Meanings“.

Willow Grove, “The Witch’s Esbats“.

 

 

Suggested Links:

The Fine-Arts and Bluesband & Poetry Press, “The Names of the Moons“.

National Geographic, “Full Moons: What’s In A Name?

The Old Farmer’s Almanac, “Full Corn Moon” .

What-Your-Sign.com, “Symbolic Native American Full Moon Names“.

* Check out Mooncircles.com every month, or better yet, subscribe to their monthly newsletter to get the scoop on each month’s Full and New Moons, find out more about Moon Astrology  and read blogs.  They even have a different 3-Minute Moon Ritual for each Full Moon! 

Goddess Hathor

“Hathor ‘s themes are joy, love, femininity, beauty, sexuality and the sky. Her symbols are mirrors, cows, sandalwood and rose incense and rattles.  One of the most beloved sky Goddesses in Egypt, Hathor brings happiness, romance and an appreciation for musical arts into our lives. Sacred or erotic dances are a welcome offering for Hathor, as is any effort to beautify the body. As the patroness of the toilette, She also protects women and embodies the pinnacle of feminine qualities. Her favorite musical instrument, the sistrum (a kind of rattle), was said to banish evil wherever it was played.

[Known as the Month of Hathor] from September 17 until October 16, Hathor reigned in Egypt. To honor this Goddess, make an effort to make yourself as physically appealing as possible, then spend some time with a significant other or in a social setting. In the first case, Hathor’s favor will increase love and passion; in the second, She’ll improve your chances of finding a bed partner.

To fill your living space with Hathor’s energy, take rice or beans and put them in a plastic container (this creates a makeshift rattle). Play some lusty music and dance clockwise around every room of the home shaking the rattle. Perhaps add a verbal charm like this one:

‘Love, passion and bliss
By Hathor’s power kissed!’

This drives away negativity, generates joyful vibrations, promotes artistic awareness, and increases love each time you kiss someone in your home.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“One of the world’s greatest Goddesses, Hathor was worshiped for more than a millennium longer than the life, to date, of Christianity. For more than 3,000 years Her joyful religion held sway over Egypt.

Small wonder, then, that a profusion of legends surrounded Her, or that She was depicted in so many different guises: at once mother and daughter of the sun, both a lioness and a cow, sometimes a woman, and sometimes a tree.  Goddess of the underworld, She was also ruler of the sky. Patron of foreigners, She was mother of the Egyptians. Like Ishtar to the east, She was a complex embodiment of feminine possibilities.

“Hathor” by Hrana Janto

One of Hathor’s most familiar forms was the winged cow of creation who gavebirth to the universe. Because She bore them, She owned the bodies of the dead; thus She was queen of the underworld. Again, She appeared as the seven (or nine) Hathors who materialized at a child’s birth and foretold its inescapable destiny. Then too, She was the special guardian spirit of all women and all female animals.

‘Habitation of the hawk and birdcage of the soul,’ Hathor was essentially the body in which the soul resides. As such, She was patron of bodily pleasures: the pleasures of sound, in music and song; the joys of the eye, in art, cosmetics, the weaving of garlands; the delight of motion in dance and in love; and all the pleasures of touch. In Her temples, priestesses danced and played their tinkling tambourines, probably enjoying other sensual pleasures with the worshipers as well. (Not without cause did the Greeks compare Her to Aphrodite.)

Her festivals were carnivals of intoxication, especially that held at Dendera on New Year’s Day, when Hathor’s image was brought forth from Her temple to catch the rays of the newborn sun, whereupon revels broke out and throbbed through the streets. (In this capacity She was called Tanetu.) She was a most beloved Goddess to Her people, and they held fast to Her pleasureful rites long into historical times” (p. 145 -146).

J. Hill tells us that “She was known as ‘the Great One of Many Names’ and Her titles and attributes are so numerous that She was important in every area of the life and death of the ancient Egyptians. It is thought that Her worship was widespread even in the Predynastic period because She appears on the Narmer palette. However, some scholars suggest that the cow-headed Goddess depicted on the palette is in fact Bat (an ancient cow Goddess who was largely absorbed by Hathor) or even Narmer himself. However, She was certainly popular by the Old Kingdom as She appears with Bast in the valley temple of Khafre at Giza. Hathor represents Upper Egypt and Bast represents Lower Egypt.

She was originally a personification of the Milky Way, which was considered to be the milk that flowed from the udders of a heavenly cow (linking her with NutBat and Mehet-Weret). As time passed She absorbed the attributes of many other Goddesses but also became more closely associated with Isis, who to some degree usurped Her position as the most popular and powerful Goddess. Yet She remained popular throughout Egyptian history. More festivals were dedicated to Her and more children were named after Her than any other god or goddess of Ancient Egypt. Her worship was not confined to Egypt and Nubia. She was worshipped throughout Semitic West Asia, Ethiopian, Somlia and Libya, but was particularly venerated in the city of Byblos.

She was a sky Goddess, known as ‘Lady of Stars’ and ‘Sovereign of Stars’ and linked to Sirius (and so the Goddesses Sopdet and Isis). Her birthday was celebrated on the day that Sirius first rose in the sky (heralding the coming innundation). By the Ptolemaic period, She was known as the Goddess of Hethara, the third month of the Egyptian calendar.

As ‘the Mistress of Heaven’ She was associated with NutMut and the Queen. While as ‘the Celestial Nurse’ She nursed the Pharaoh in the guise of a cow or as a sycamore fig (because it exudes a white milky substance). As ‘the Mother of Mothers’ She was the Goddess of women, fertility, children and childbirth. She had power over anything having to do with women from problems with conception or childbirth, to health and beauty and matters of the heart. However, She was not exclusively worshipped by women and unlike the other gods and Goddesses She had both male and female priests.

Hathor was also the Goddess of beauty and patron of the cosmetic arts. Her traditional votive offering was two mirrors and She was often depicted on mirrors and cosmetic palettes. Yet She was not considered to be vain or shallow, rather She was assured of Her own beauty and goodness and loved beautiful and good things. She was known as ‘the mistress of life’ and was seen as the embodiment of joy, love, romance, perfume, dance, music and alcohol. Hathor was especially connected with the fragrance of myrrh incense, which was considered to be very precious and to embody all of the finer qualities of the female sex. Hathor was associated with turquoise, malachite, gold and copper. As ‘the Mistress of Turquoise’ and the ‘lady of Malachite’ She was the patron of miners and the Goddess of the Sinai Peninsula (the location of the famous mines). The Egyptians used eye makeup made from ground malachite which had a protective function (in fighting eye infections) which was attributed to Hathor.

She was the patron of dancers and was associated with percussive music, particularly the sistrum (which was also a fertility fetish). She was also associated with the Menit necklace (which may also have been a percussion instrument) and was often known as ‘the Great Menit’. Many of Her priests were artisans, musicians, and dancers who added to the quality of life of the Egyptians and worshipped Her by expressing their artistic natures. Hathor was the incarnation of dance and sexuality and was given the epithet ‘Hand of God’ (refering to the act of masturbation) and ‘Lady of the Vulva’. One myth tells that Ra had become so despondent that he refused to speak to anyone. Hathor (who never suffered depression or doubt) danced before him exposing Her private parts, which caused him to laugh out loud and return to good spirits.

As the ‘lady of the west’ and the ‘lady of the southern sycamore’ She protected and assisted the dead on their final journey. Trees were not commonplace in ancient Egypt, and their shade was welcomed by the living and the dead alike. She was sometimes depicted as handing out water to the deceased from a sycamore tree (a role formerly associated with Amentet who was often described as the daughter of Hathor) and according to myth, She (or Isis) used the milk from the Sycamore tree to restore sight to Horus who had been blinded by Set. Because of Her role in helping the dead, She often appears on sarcophagi with Nut (the former on top of the lid, the later under the lid). She occassionally took the form of the ‘Seven Hathors’ who were associated with fate and fortune telling. It was thought that the ‘Seven Hathors’ knew the length of every childs life from the day it was born and questioned the dead souls as they travelled to the land of the dead. Her priests could read the fortune of a newborn child, and act as oracles to explain the dreams of the people. People would travel for miles to beseech the Goddess for protection, assistance and inspiration. The ‘Seven Hathors’ were worshiped in seven cities: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the constellations Pleiades.

However, She was also a Goddess of destruction in Her role as the Eye of Ra – defender of the sun god. According to legend, people started to criticise Ra when he ruled as Pharaoh. Ra decided to send his ‘eye’ against them (in the form of Sekhmet). She began to slaughter people by the hundred. When Ra relented and asked Her to stop She refused as She was in a blood lust. The only way to stop the slaughter was to colour beer red (to resemble blood) and pour the mixture over the killing fields. When She drank the beer, She became drunk and drowsy, and slept for three days. When She awoke with a hangover She had no taste for human flesh and mankind was saved. Ra renamed Her Hathor and She became a Goddess of love and happiness. As a result, soldiers also prayed to Hathor/Sekhmet to give them Her strength and focus in battle.

“O Gold, Hathor” by ~MysticalMike

Her husband Horus the elder was associated with the pharaoh, so Hathor was associated with the Queen. Her name is translated as ‘The House of Horus’, which refers both to the sky (where Horus lived as a Hawk) and to the royal family. She had a son named Ihy (who was a god of music and dancing) with Horus-Behdety and the three were worshipped at Denderah (Iunet). However, Her family relationships became increasingly confusing as time passed. She was probably first considered to be the wife of Horus the elder and the daughter of Ra, but when Ra and Horus were linked as the composite deity Re-Horakty She became both the wife and the daughter of Ra.

This strengthened Her association with Isis, who was the mother of Horus the child by Osiris. In Hermopolis (Khmunu) Thoth was the foremost god, and Hathor was considered to be his wife and the mother of Re-Horakhty (a composite deity which merged Ra with Hor-akhty).

Of course, Thoth already had a wife, Seshat (the Goddess of reading, writing, architecture and arithmetic), so Hathor absorbed Her role including acting as a witness at the judgement of the dead. Her role in welcoming the dead gained Her a further husband – Nehebkau (the guardian of the entrance of the underworld). Then when Ra and Amun merged, Hathor became seen as the wife of Sobek who was considered to be an aspect of Amen-Ra. Yet Sobek was also associated with Seth, the enemy of Horus!

“Hathor” by Deborah Bell

She took the form of a woman, goose, cat, lion, malachite, sycamore fig, to name but a few. However, Hathor’s most famous manifestation is as a cow and even when She appears as a woman She has either the ears of a cow, or a pair of elegant horns. When She is depicted as entirely a cow, She always has beautifully painted eyes. She was often depicted in red (the color of passion) though Her sacred color is turquoise. It is also interesting to note that only She and the dwarf god Bes (who also had a role in childbirth) were ever depicted in portrait (rather than in profile). Isis borrowed many of Her functions and adapted Her iconography to the extent that it is often difficult to be sure which of the two Goddesses is depicted. However, the two deities were not the same. Isis was in many ways a more complex deity who suffered the death of Her husband and had to fight to protect Her infant son, so She understood the trials and tribulations of the people and could relate to them.  Hathor, on the other hand, was the embodiment of power and success and did not experience doubts. While Isis was merciful, Hathor was single minded in pursuit of Her goals. When She took the form of Sekhmet, She did not take pity on the people and even refused to stop killing when ordered to do so.” [1]

 

 

 

Sources:

Hill, J. Ancientegyptonline.co.uk, “Hathor“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Hathor”.

 

 

Suggested Links:

Altunay, Erhan. Thewisemag.com, “Hathor and Isis: The Great Goddesses of Ancient Egypt“.

Barkemeijer de Wit, Rhiannon. Pyramidcompany.com, “Who Is Goddess Hathor…“.

Goddess-guide.com, “Hathor the Egyptian Goddess“.

Houser, Kelly. Order of the White Moon, “Hathor, Queen of Heaven“.

Journal of a Poet, “Hathor“.

Mydailygoddess.blogspot.com, “Hathor: Pleasure“.

Revel, Anita. igoddess.com, “Hathor: shape-shift & shine“.

Seawright, Caroline. Thekeep.org, “Hathor, Goddess of Love, Music and Beauty…“.

Starlight. Goddessschool.com, “Hathor“.

Took, Thalia. A-Muse-ing Grace Gallery, “Hathor“.

Thewhitegoddess.co.uk, “Hathor – Eye of Ra“.

Wikipedia, “Hathor“.

Goddess Nephthys

Appropriate in light of remembering 9/11 and the recent tragedies…

“Nephthys” by Hrana Janto

“Nephthys’s themes are death, spirits and rebirth. Her symbols are fire, baskets and Myrrh.  This Egyptian funerary Goddess had a hawk for a sacred animal. Together they guide and watch the souls of our loved ones in the afterlife. In Egyptian tradition, Nephthys lives in the east, where She can receive the rising sun, a symbol of the hopefulness she can instill and of resurrection.

Today was Nephthys’s festival day in ancient Egypt. As with other festivals for the dead, it was a time not only to propitiate the Goddess with offerings of aromatic incense like myrrh but also to satisfy any wandering spirits. If someone you care about passed away during the last year, burn some incense for this Goddess and leave a small basket filled with a token for her on your altar. This acts as a prayer to Nephthys to keep a watchful eye on that souls and grant them peace.

If you find your sense of hopefulness waning under everyday pressures, light a candle honoring Nephthys today, and every day, until you sense a difference in attitude. Try to choose a candle whose color represents hope and change to you (sprout green is one good choice). Inscribe the candle with a symbol of what you most need to turn things around so that this Goddess can shine dawn’s revitalizing light into your heart and begin relieving some of that heaviness.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

J. Hill from Ancient Egypt Online writes: “Nephthys was an ancient Goddess, who was referenced in texts dating back to the Old Kingdom. She was a member of the Ennead of Heliopolis as the daughter of Geb and Nut and the sister of OsirisIsis and Horus and the sister and wife of Set. When the Ennead and Ogdoad merged, Nephthys was given a place on Ra’s boat so that She could accompany him on his journey through the underworld. Nephthys is the Greek pronunciation of Her name. To the Ancient Egyptians She was Nebthwt (Nebhhwt or Nebthet) meaning ‘the Mistress of the House’. The word ‘hwt’ (‘house’) may refer to the sky (as in Hwt-hor, the ‘House of Horus’ – the name of Hathor), but it also refers to either the royal family or Egypt as a whole. The latter makes a great deal of sense as She was described as the head of the household of the gods and was thought to extend Her protection to the head female of every household. She was sometimes associated with Ptah-Tanen in representing Lower Egypt, while Khnum and Isis represented Upper Egypt.

It seems that She was originally conceived of as the female counterpart of Set. He represented the desert, while She represented the air. Set was infertile (like the desert that he represented) and was frequently described as either bisexual or gay and so Nephthys was often considered to be barren. As a Goddess of the air, She could take the form of a bird, and because She was barren She was associated with the vulture – a bird which the Egyptians believed did not bear children. The Egyptians thought that all vultures were female (because there is very little difference in the appearance of a male vulture), and that they were spontaneously created from the air. While the care shown by a mother vulture for her child was highly respected, the Egyptians also recognised that vultures fed on carrion and associated them with death and decay. As a result, Nephthys became a Goddess of death and mourning.

“Nephthys” by C. Temares

Professional mourners were known as the ‘Hawks of Nephthys’, in recognition of Her role as a Goddess of mourning. It was also believed that She protected Hapi in his role as of the Four sons of Horus (who guarded the organs stored in the four canopic jars). Hapi protected the lungs, and as a Goddess of the air Nephthys was his guardian. She was also one of the four Goddesses who guarded the shrine buried with the Pharaoh. She appears with Isis, Selkit (Serqet) and Neith on the gilded shrine of Tutankhamun, but was often depicted with IsisBast and Hathor in this role. Yet, She was also said to be the source of both rain and the Nile river (associating Her with Anuket) and was thought to protect women in childbirth (with the assistance of Her sister, Isis). Thus She was closely associated with both death and life.

“Nephthys” by ~deadheart82

Although She was technically infertile, later myths claimed that She was the mother of Anubis by either Osiris or Set (depending on the myth). This came about because Anubis’ position as the god of the dead was usurped by Osiris when the theologies of the Ennead and the Ogdoad merged. According to one myth Nephthys disguised Herself as Isis to get the attention of Her neglectful husband Set, but instead seduced Osiris (who apparently did not realise that it was Nephthys). An alternative myth made it clear that Nephthys intended to seduce Osiris from the beginning and drugged his wine to make Her task easier, while a less common myth held that She did trick Her husband into a brief daliance in order to concieve Anubis. It is suggested that this tale also explained the flowering of a plant in a normally barren area because Set apparently discovered the adultery when he found a flower left by his brother Osiris.

Isis and Nephthys were very close despite Nephthys’ alleged infidelity with Osiris (the husband of Isis) and Her marriage to Set (the murderer of Osiris). Nephthys protected the body of Osiris and supported Isis as She tried to resurrect him. The Goddesses are so similar in appearance that only Their headdresses can distinguish them and they always appear together in funerary scenes. Together Isis and Nephthys could be said to represent day and night, life and death, growth and decay. In Heliopolis, Isis and Nephthys were represented by two virginal priestesses who shaved off all of their body hair and were ritually pure.

Nephthys was usually depicted as a woman with the hieroglyphs of Her name (a basket on top of the glyph representing the plan of an estate) on Her head. She could also be depicted as a mourning woman, and Her hair was compared to the strips of cloth used in mummification. She also occasionally appears as a hawk, a kite or a winged Goddess in Her role as a protector of the dead. Her major centers of worships were Heliopolis (Iunu, in the 13th Nome of Lower Egypt), Senu, Hebet, (Behbit), Per-mert, Re-nefert, Het-sekhem, Het-Khas, Ta-kehset, and Diospolites.” [1]

 

 

Sources:

Hill, J. Ancientegyptonline.co.uk, Nephthys“.

 

Suggested Links:

Ashwood, Moonwater. Order of the White Moon, “Nephthys: Goddess of Transition“.

Crystalinks.com, “Nephthys“.

Goddess-guide.com, “Nephthys the Egyptian Goddess“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Nephthys“.

Seawright, Caroline. Touregypt.net, “Nephthys, Sister of Isis, Mistress of the House…“.

Touregypt.net, “Egypt: Gods – Nephthys“.

Wikipedia, “Nephthys

Goddess Sopdet

“Sopdet” by BlueSilver

“Sopdet’s themes are fertility, destiny and time. Her symbols are stars and dogs.  The reigning Egyptian Queen of the Constellations, Sopdet lives in Sirius, guiding the heavens and thereby human destiny. Sopdet is the foundation around which the Egyptian calendar system revolved, Her star’s appearance heralding the beginning of the fertile season. Some scholars believe that the Star card of the Tarot is fashioned after this Goddess and Her attributes.

The long, hot days of summer are known as the ‘Dog Days‘ because they coincide with the rising of the dog star, Sirius. In ancient Egypt this was a welcome time as the Nile rose, bringing enriching water to the land. So, go outside tonight and see if you can find Sirius. When you spy it, whisper a wish to Sopdet suited to Her attributes and your needs. For example, if you need to be more timely or meet a deadline, she’s the perfect Goddess to keep things on track.

If you’re curious about your destiny, watch that region of the sky and see if any shooting stars appear. If so, this is a message from Sopdet. A star moving on your right side is a positive omen; better days are ahead. Those on the left indicate the need for caution, and those straight ahead mean things will continue on an even keel for now. Nonetheless, seeing any shooting star means Sopdet has received your wish.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Sopdet – Cosmic Auset” by TRSkye (available for purchase on Etsy.com).

“Sopdet (‘skilled woman’, also known as Sothis) represented Sirius, the Dog-Star. Sirius was the most important star to ancient Egyptian astronomers because it signalled the approach of the inundation and the beginning of a new year. New year was celebrated with a festival known as ‘The Coming of Sopdet’.

In fact, the ‘Sothic Rising’ only coincided with the solar year once every 1460 years. The Roman emperor Antoninus Pius had a commemorative coin made to mark their coincidence in CE 139. The Sothic Cycle (the periods between the rising of the star) have been used by archaeologists trying to construct a chronology of Ancient Egypt.

Sopdet was the wife of Sahu (‘the hidden one’), the constellation Orion, and the mother of Sopdu (‘skilled man’), a falcon god who represented the planet Venus. This triad echoed the trio of Osiris, Isis and Horus, but the connections were not always simple. Sopdet became increasingly associated with Isis, who asserts that She is Sopdet (in ‘the lamentations of Isis and Nephthys‘ c 400 BCE) and will follow Osiris, the manifestation of Sahu. However, as well as being considered to be the spouse of Orion (Osiris), She is described by the pyramid texts as the daughter of Osiris.

 

Although Sopdet started out as an agricultural deity, closely associated with the Nile, by the Middle Kingdom She was also considered to be a mother Goddess. This probably related to Her growing connection with the Goddess Isis. This connection was further strengthened by Sopdet’s role in assisting the Pharaoh find his way to the imperishable stars. It may be no coincidence that Sirius disappeared for seventy days every year, and mummification took seventy days.

         

In the first Dynasty ivory tablets Sopdet was depicted as a reclining cow with a unidentified plant-like emblem (possibly signifying representing the new year) between Her horns. However, She was most often depicted as a woman wearing the white crown of Upper Egypt topped by a star or a headdress with two plumes.

Less often, She is portrayed as a large dog, and by the Roman period the hybrid Goddess Isis-Sopdet was depicted as a woman riding side-saddle on a large dog.

Sopdet was occasionally shown as a male deity. During the Middle Kingdom the male Sopdet was in associated with Horus as one of the gods who held up the four corners of the earth and held Nut (the sky) in place. During the Greek period She was linked to Anubis as Sopdet-Anubis, possibly because of Her canine associations.” [1]

 

 

 

Sources:

Ancientegyptonline.co.uk, “Sopdet“.

 

Suggested Links:

Agaliha. Mysticwicks.com, “Thread: Sopdet/Sothis {Goddess of the Week}“.

Cowofgold.wikispaces.com, “Sopdet“.

Crystalinks.com, “Sirius“.

Egyptianmyths.net, “Sopdet“.

Thegoddesshouse.blogspot.com, Sopdet – The Goddess of the New Year“.

Herebedragons.weebly.com, Ancestral Memories,”Get Sirius“.

MXTODIS123. An Inner Journey: The Moon, Mythology and You, “Sopdet“.

Sabrina. Goddess A Day, “Sopdet“.

Schwader, Ann K. Goddessschool.com, “Sothis/Sopdet: Star of the Eastern Horizon“.

Seawright, Caroline. Articles by Caroline Seawright, “Sopdet, Goddess of Sirius, New Year and Inundation…“.

Tribe.net, “Sopdet“.

Wikipedia, “Sopdet“.

Writing, Jimmy Dunn. Touregypt.net, “Sah and Sopdet (Sothis), the Egyptian Astral God and Goddess“.

Full Strawberry Moon – June

“Rose Moon” by thamuria

The Farmer’s Almanac tells us that June’s full moon is known as the Strawberry Moon.  This name was universal to every Algonquin tribe. However, in Europe they called it the Rose Moon. Also because the relatively short season for harvesting strawberries comes each year during the month of June . . . so the full Moon that occurs during that month was christened for the strawberry!

According to the Wise Witches Society, this moon is known as the Mead Moon.  During late June and most of July the meadows were mowed for hay.

“June’s moon is also known as Mead Moon, Strawberry Moon, Honey Moon and Flower Moon. This moon is the moon of summer, and we can start looking forward to the warm nights to come. This is also the time for lovers. Before the height of summer use this time to strengthen your weaknesses. The zodiac association is Gemini.” [1]

JUNE: Mead Moon (June) Also known as: Moon of Horses, Lovers’s; Moon, Strong Sun Moon, Honey Moon, Aerra Litha (Before Lithia), Brachmanoth (Break Month), Strawberry Moon, Rose Moon, Moon of Making Fat
Nature Spirits: sylphs, zephyrs
Herbs: skullcap, meadowsweet, vervain, tansy, dog grass, parsley, mosses
Colors: orange, golden-green
Flowers: lavender, orchid, yarrow
Scents: lily of the valley, lavender
Stones: topaz, agate, alexandrite, fluorite
Trees: oak
Animals: monkey, butterfly, frog, toad
Birds: wren, peacock
Deities: Aine of Knockaine, Isis, Neith, Green Man, Cerridwen, Bendis, Ishtar
Power Flow: full but restful energy; protect, strengthen, and prevent. A time of Light; Earth tides are turning. Decision-making, taking responsibility for present happenings. Work on personal inconsistencies. Strengthen and reward yourself for your positive traits. [2]

 

 

 

 

 

* Check out Mooncircles.com every month, or better yet, subscribe to their monthly newsletter to get the scoop on each month’s Full and New Moons, find out more about Moon Astrology  and read blogs.  They even have a different 3-Minute Moon Ritual for each Full Moon!  

 

 

Sources:

The Celtic Lady. The Olde Way, “Individual Moons Explained“.

Farmers’ Almanac, “Full Moon Names and Their Meanings“.

Willow Grove, “The Witch’s Esbats“.

Wise Witches Society, “Full Moon Names and Their Meanings“.

 

 

Suggested Links:

The Fine-Arts and Bluesband & Poetry Press, “The Names of the Moons“.

National Geographic, “Full Moons: What’s In A Name?

The Old Farmer’s Almanac, “Full Strawberry Moon“.

What-Your-Sign.com, “Symbolic Native American Full Moon Names“.

Goddess Seshat

“Seshat’s themes are honor, learning, history, time and Karma. Her symbols are books and writing implements. Seshat is the Egyptian record keeper of the gods and a Goddess to whom history, writing and books are all sacred. Seshat reminds us that to change both our collective and our individual futures, we must first learn from the past. Measuring time and helping people plan out sacred buildings, Seshat often appears in art with a severn-pointed rosette and a wand (likely to inscribe Her notes).

A time to remember people who have died in battle, Memorial Day also affords us a moment to remember those who have fought for freedom in alternative faiths. For the phrase, ‘never again the burning’ to mean something, we have to open our ‘broom closets’ and begin education the public about the beauty of magical traditions instead of using the usual hype. If you know someone who’s been curious about magic, sharing your knowledge today honors Seshat and all the people who have kept records of our metaphysical legacy even when rising their lives.

Attend to your magical books today: read, write, make notes of your experiences with all due diligence and ask Seshat to help you see the bigger picture. Don’t dawdle today! Commit yourself to eliminating the phrase ‘pagan standard time’ from your vocabulary. Being timely is something this Goddess appreciates.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

 

Art by Jenny Carrington

“Seshat (Sesha, Sesheta or Safekh-Aubi) was a Goddess of reading, writing, arithmetic and architecture who was seen as either the female aspect of Thoth, his daughter or his wife. They had a child called Hornub. This actually means “gold Horus“, so Seshat was sometimes associated with Isis. She was the scribe of the pharaoh, recording all of his achievements and triumphs including recording both the booty and the captives taken in battle. She was also thought to record the actions of all people on the leaves of the sacred persea tree.

Seshat, inscribing the years of reign for the king on the palm-leaf rib which served for tallying up the years and so had become the hieroglyph for “year”.

She was known by the epithet ‘Mistress of the House of Books’ because She looked after the library of the gods and was the patron of all earthly libraries. She was also patron of all forms of writing, including accounting, auditing and the taking of census. According to one myth, it was actually Seshat who invented writing, but it was her husband Thoth who taught the people to write. It is interesting to note that She is the only female character who was actually depicted in the act of writing. A number of other women were depicted holding the scribes palette and brush, indicating that they could write, but not actually engaged in writing.

She was also given the epithet ‘Mistress of the House of Architects’ and from at least the Second Dynasty She was associated with a ritual known as ‘pedj shes’ (‘stretching the cord’) which was conducted during the laying of the foundations of stone buildings. The ‘cord’ refers to the mason´s line which was used to measure out the dimensions of the building. She was occasionally associated with Nephthys. For example, in the Pyramid Texts She is given the epithet ‘The Lady of the House’ (nbt-hwt, ie Nephthys) while Nephthys is described as ‘Seshat, Foremost of Builders’.

So far, no temple specifically dedicated to Her has been located and there is no documentary evidence that one ever existed. However, She was depicted on a number of other temples and we know that She did have Her own priests because Prince Wep-em-nefret (Dynasty Four) was described as ‘Overseer of the Royal Scribes’ and ‘Priest of Seshat’. However, it seems that as Thoth grew in importance he absorbed Her roles and Her priesthood.

She was depicted as a woman wearing a leopard skin dress (as worn by Sem preiests) wearing a headdress composed of a flower or seven pointed star on top of a pair of inverted horns. She was ocassional called ‘Safekh-Aubi’ (or ‘Safekh-Abwy’ meaning ‘She of two horns’) because of this headdress, although it is also suggested that ‘Safekh-Aubi’ was in fact a seperate (if rather obscure) Goddess. However, others have suggested that the horns were originally a crescent moon, representing Her husband (or alter ego) Thoth. Finally, it is sometimes suggested that the ‘horns’ actually represent a bow. Unfortunately there is no clear evidence to confirm which view is correct. Her headdress also represents Her name which was not spelled phonetically (the semi-circular breadloaf and the seated woman are both female determinatives). She is often shown offering palm branches (representing ‘many years’)to the pharaoh to give him a long reign.” [1]

 

 

 

Sources:

Hill, J. Ancient Egypt Online, “Seshat“.

 

 

Suggested Links:

Aleff, H. Peter. Recoveredscience.com, “Seshat and Her Tools“.

Goddess-Guide.com, “Seshat The Egyptian Goddess“.

Isis-Seshat Journal, “Who Is Seshat?

Seawright, Caroline. Tour Egypt, “Seshat, Female Scribe, Goddess of Writing Measurement“.

Wikipedia, “Seshat“.

Virgin Mary

“Mary’s themes are miracles and the sun.  Her symbols are the sun (or yellow/gold items) and rosary beads.  It is no coincidence that many of the world’s Goddesses have ‘ma’ as part of their name, being mothers of humankind. The virgin Mary became the maiden, virginal Goddess archetype in Christianity, faithfully interceding for people with the gods and attending to our needs.

If you feel like you need a miracle, be sure to wear yellow- or gold-colored items today. As you don each one, say:

 ‘Mary hear me
Mary see me
Mary free me’

This date commemorates the appearance of Mary in Fatima, where children praying for peace began a cycle of visitors all looking for this Goddess to appear again. According to the story, when seventy thousand people were gathered there on this day, the rain stopped and the sun began to dance for joy as if guided by Mary’s hand. Whenever the sun shines again today, it is a sign of Her blessing.

To make your own prayer beads (to beseech Mary or any Goddess), cook rose petals in a little water in an iron pot until nearly black and pasty. Add a little orris powder and rose-scented oil, and shape the beads to two times the size you want them to be when dry. Pierce them with a needle and string tem, turning them regularly until they’re dry. Bless them in a manner suited to your path, then use the beads to energize your prayers by holding them as you entreat the Goddess.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

 Judaeo-Christian theology attempted to bury Our Mother God, but She reappears as the Blessed Virgin Mary, capturing the hearts of Her Children.

“It is well known that the earliest human civilizations known to archaeology are dominated by the iconography of the Supreme Mother God [see The Feminine Heritage].  Gradually, as the feminine-centered civilization weakened, She was depicted with decidedly inferior male consorts (often lunar or earthly in symbolism contrasting with the Solar and Heavenly iconography of the Supreme Mother).

Then, as true patriarchy takes hold, the male consort is promoted above God the Mother in an attempt to justify male domination on earth with a newly patriarchal ‘heaven’. The Solar and Heavenly symbolism is transferred to the former consort, while the Our Mother is given the Earth and Moon iconography which had been given to the masculine god in the days of his subordinate status; but which had originally belonged to the Daughter.

Eventually, the pantheons of the world were dominated by male gods with Our Mother God and Her various Aspects and Angelic Emanations being represented by subsidiary figures or “Goddesses”, often married, and subordinate, to “Gods”.

Finally, with the Abrahamic religions, we have a return to the pure monotheism of the earliest times, only this time it is as purely masculine as the original Faith of humanity was purely feminine.

Such, at any rate, was the intention. In reality, at every stage, wherever the patriarchy was not strong enough to suppress it – whenever there was even a momentary break in the patriarchal lockdown – the original faith blossomed again and Her children turned back to Our Mother.

As the Prophet Jeremiah angrily records:

“The children gather wood, and the fathers kindle the fire, and the women knead their dough, to make cakes to the Queen of Heaven.” – Jeremiah 7:18

 The women are by no means ashamed of this, but proclaim:

“We will do everything we said we would do. We will burn incense to the Queen of Heaven and pour out wine offerings to Her.” – Jeremiah 44:17

The Queen of Heaven! Let us note how gloriously Our Mother returns! From the rigid exclusion of Her attempted by the patriarchy, the people do not move shamefacedly back to depicting Her in Her intermediate status as a subordinate Earth Goddess. No, She is the Queen of Heaven, as She was in the beginning.

“The Crowning of the Virgin by the Trinity” by Diego Velázquez

The very words ‘Queen of Heaven’ are an abomination to the prophet. Who, then, would have imagined that a thousand years later, followers of the most widespread branch of the Abrahamic faith would return officially to the worship of the Queen of Heaven? Yet this is the very title given to the Blessed Virgin Mary.” [1]

 

Mary Protectress, Mother, Goddess & Saint

“Mary is celebrated around the world as the Divine Feminine by millions of people, many of them Catholics. Those who are devoted to Mary, honor Her as the mother of Jesus. The Blessed Virgin Mary is known as the dispenser of mercy, the ever patient mother, and protectress of humanity, and special protectress of women and children.

Many believe that with the rise of Christianity and papal power, the Goddess slowly disappeared from western culture and faded into the Mists of Avalon . . . So great was devotion to the Goddess that She was resurrected in the hearts of the people by a new Goddess, Mary, Mother of Jesus, the Christian version of the Green Man.

Officially, the Catholic Church teaches that Mary was mortal and is not a Goddess, but despite this official position, many Catholics honor Mary as a Goddess. Other Catholics revere Mary as Mother of Jesus, but not as divine.

Visions of the Virgin Mary have appeared to thousands of people around the world. Her sacred shrines are at Lourdes in France and Guadalupe in Mexico, as well as many other places. Her apparitions are often to children.

 

Artemis Diana of Ephesus

 

 

Reconstruction of the Temple of Artemis

Mary was declared to be the ‘Mother of God’ by the Christian church in the 7th century at Ephesus, Turkey. Ephesus was the home of a magnificent temple to the Goddess, Artemis Diana, one of whose sacred titles was ‘Queen of Heaven’.  Mary is a more recent and much loved incarnation of the Great Goddess of the ancient Middle-eastern cultures. Mary shares many standard Goddess attributes and symbols.

The Christian church also conferred the Goddess’s title on the Mother of Jesus. They called Her, ‘Mary, Queen of Heaven‘ and ‘Mary, Queen of the Angels’ both are very ancient titles of the widely worshipped Great Goddesses on the Middle-east.

Isis suckling Horus

The Madonna and child have been revered since the earliest times. Isis and Her son Horus, Mary and Her son Jesus, Demeter and Her daughter Kore, all have attracted a devout following. Long before Isis, and long before Mary or Demeter, the human psyche fashioned Madonna and child icons and placed them in sacred shrines. In ritual caves and worshipped the icons as sacred representation  in sacred groves, to honor the Mother & Child. Mary is always shown wearing a head covering like Muslim women today, a head covering was required for women throughout Christian history. In 1983 the rule requiring woman to cover their hair in Church was omitted from the updated official revised Catholic Canon pertaining to such matters.

Through time, the names and sometimes the images of the Madonna and child have changed, but the location of these shrines and the wide devotion to them has remained constant. in many cultures.  Image of the Madonna & Child are central to Catholicism, as they were often central to the Pagan worship of the Goddess Isis and other Goddesses in the ancient world. Below are Demeter and her daughter Kore.

 Demeter and Persephone / Kore

 


One of the most beloved images in all Christianity is The Black Madonna. Devotion to the Black Virgin has never been stronger; Her shrines attract thousands of worshippers each year. The Black Madonna is revered throughout the world, particularly in France, Poland, Italy, and Spain. She is the Blessed Virgin Mary of the Crusades and holy pilgrimages. There are thousands of these beautiful sacred Madonna Icons.

The Black Madonna is honored as a true Goddess figure, and has been since Christianity entered Europe. She is honored by many as Isis, Gaia, Kali, Mary, “the Other Mary” (Mary Magdalene), Diana, Sheela Na Gig, and the Ancient Primal Earth-Mother Goddess.  All are beloved all are revered; each region has their own traditions.

For many European Christians, the blending of their ancient Goddesses with the Blessed Virgin Mary has been a well-accepted fact of their faith for centuries, there is no conflict. The holy Black Madonna, be She called Isis, or Mary, or Kali, or Diana, embodies all the aspects of Female Divinity for many millions of people. Mary’s blessings and intervention are still sought daily by millions who pray to the Mother.

Mary Magdalene

Mary Magdalene is believed by many to have been the wife of Jesus, or his most favoured Apostle, though most Catholics today vigorously reject this idea. At the very least, Mary Magdalene was Jesus’ chief Apostle and a Priestess of early Christianity in her own right. Church fathers have tried for two thousand years to erase Mary Magdalene as a woman of importance, spirituality and power. They have failed, Mary Magdalene remains a figure of  importance for women. The Apostle Mary Magdalene is not a fallen woman, she is a free woman, and one of the “Three Marys” of the New Testament who shared the life and labors of Jesus.  Fragments have survived of ‘The Gospel of Mary‘ written in the first century or two of Christianity.  We will probably never recover a copy of the complete Mary Gospel, but what has been found  profoundly alters our perceptions of the role of women in early Christianity.  Women were church leaders and teachers in the early years after the death of Jesus; Mary Magdalene and Phoebe were among them.


Pope John Paul II was deeply devoted to the Blessed Mother and did much to bring honor and vitality to Her worship. Many millions of Catholics around the world share his deep devotion to Mary. It is because of the love for Mary that the Church considered elevating the Blessed Virgin Mary to the role of Co-Redeemer with her son Jesus Christ. This is a controversial issue in the church.” [2]

“In Christianity, you see, the patriarchal doctrine is carefully sealed. There was and is no room doctrinally for a Co-Redeemer, let alone a Creatrix and officially, the importance of the Blessed Virgin Mary is simply that She was the physical vehicle of Christ’s incarnation.

However, both Her titles and Her iconography tell a different story. Despite the official theology, the image of the Supreme Mother is returning to the West.

She was called Mother of God – an extraordinary title which logically implies that She is antecedent to, and the Cause of, any other Divinity.

 

The ancient titles of the Supreme Creatrix were bestowed on Her – Queen of Heaven; Star of the Sea; Rose of the World. She was pictured ‘clothed in the Sun’ like the Solar Mother, with the moon at Her feet. She was depicted crushing the head of the serpent just like Eurynome, the Mother-Creatrix of ancient European religion.

Even theologically, the Divinity of the Blessed Virgin Mary was hard to suppress. The doctrine of the Immaculate Conception means that She was conceived without sin. Now, according to Christian doctrine, all humans are conceived in original sin, and only Christ can redeem that sin. But the Blessed Virgin Mary, before the incarnation of Christ, was sinless, unlike any human being, and made the redemption possible.

Within the strict patriarchal economy of Christianity, the Blessed Virgin Mary cannot be recognized as God; but in Her iconography, Her titles and Her devotional cultus (none of which have a great deal to do with the biblical and historical Mary), She is clearly God the Mother.

Western devotees of Our Mother God look upon the statues of the Blessed Virgin Mary with love and devotion: easily and naturally recognising Her as Our Lady. The question that then arises is: ‘Can we, and should we, take these beautiful images back? Or, since they are made within a patriarchal tradition that denies Her Divinity, would that be wrong?’

This is a question that each must consider for herself.” [3]

 

 

 

* A note on the term “virgin” – “The Virgin Mary was also said to have been a temple priestess. In the time, there were hierodules in the Temple of Jerusalem.  Mother Mary is said to have been dedicated to Temple work, she lived there, wove tapestries, altar cloths, and prayed for the betterment of the people. She is repeatedly called a ‘Temple Virgin’. The term ‘virgin’ doesn’t have a connection to her actual physical state. The term ‘almah’ can be translated to mean ‘virgin’ or ‘maiden’ all of which would be used to identify an unmarried girl. In Goddess worship, the term ‘virgin’ means simply that she is beholden to no man, free to love as she chooses; ‘one in herself, to be true to her own nature and instinct. Unexploited, not in man’s control.’  It is interesting how a minor change in translation can change the entire meaning of who Mary, the Virgin Mother was. The connection between the Goddess creation myths and the stories of Mary’s virgin birth are strikingly clear. As Elinor Gadon writes, ‘There is no more matriarchal image than the Christian mother of God who bore a child without male assistance.'” [4]

Sources:

A Chapel of Our Mother God, “The Blessed Virgin Mary – Our Mother God Cannot be Banished“.

Moonwise, Lotus. Order of the White Moon, “Mary: Virgin & Magdalene“.

Willowroot, Abby. Spiralgoddess.com, “Mary“.

Suggested Links:

Acharya S/D.M. Murdock. Truth Be Known, “Who is the Virgin Mary?

Brother Markus. Woman Thou Art God, “The Tradition of Mary, the Great Goddess“.

Burns, Anita. The Messenger, “The Great Goddess – MARY“.

A Chapel of Our Mother God, “The Goddess Mother Mary“.

Esoteric Theological Seminary, “Books About Mary“.

Esoteric Theological Seminary, “Mary as Goddess: Virgin, Mother, Queen“.

Hayhouse.com, “Mary Queen of Angels by Doreen Virtue“.

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