Tag Archive: turquoise


Goddess Wohpe

“White Buffalo Woman” by Barbara Ann Brown

“Wohpe’s themes are wishes, peace, beauty, pleasure, cycles, time and meditation. Her symbols are falling stars, sweetgrass and peace pipes.  This Lakota Goddess’s name literally means ‘meteor’. Among the Lakota She is considered the most beautiful of all Goddesses. She generates harmony and unity through the peace pipe and pleasure from the smoke of sweetgrass. Stories also tell us that She measured time and created the seasons so people could know when to perform sacred rituals. When a meteor falls from the sky, it is Wohpe mediating on our behalf.

Go stargazing! At this time of year, meteors appear in the region of the Perseids, as they have since first spotted in 800 A.D. People around the world can see these (except for those who live at the South Pole). If you glimpse a shooting star, tell Wohpe what message you want Her to take back to heaven for you.

To generate Wohpe’s peace between yourself and another (or a group of people) get some sweetgrass (or lemon grass) and burn it on any safe fire source. As you do, visualize the person or people with whom you hope to create harmony. Blow the smoke in the direction where this person lives, saying,

‘Wohpe, bear my message sure; keep my intentions ever pure.
Where anger dwells, let there be peace. May harmony never cease.’

Afterwards, make an effort to get ahold of that person and reopen lines of communication.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Buffalo Maiden” by David Penfound

“In Lakota mythology, Wóȟpe (less correctly spelled ‘Wohpe’) is a Goddess of peace, the daughter of Wi and the Moon, Haŋhépi-Wi. She was the wife of the south wind. When She visited the Earth, She gave the Dakota Native Americans (Sioux) a pipe as a symbol of peace. Later, Wóȟpe became the White Buffalo Calf Woman. An alternative name for Wóȟpe is Ptehíŋčalasaŋwiŋ.” [1]

“White Buffalo Calf Woman” by Lynne Foster Fife

Here is one story of White Buffalo Woman, “the Lakota Goddess of secret knowledge. Also called Ptesan-Wi, (which translates as ‘White Buffalo Calf Woman’), She appeared one day to two hunters. She was dressed all in white and carried a small bundle on Her back. One of the men was overcome with lust for Her, but the second man recognized that this was no ordinary woman. The first man approached White Buffalo Woman, intending to embrace Her, and She smiled at him. No sooner had he reached Her than a white cloud of mist surrounded them. When the mist cleared away, nothing was left of the man but his bones. White Buffalo Woman explained to his companion that She only given him what he had desired, and in that moment he had lived a lifetime, died, and decayed.

 

The second hunter was sent back to his village to prepare the way for White Buffalo Woman. She told the people that She had come from Heaven in order to teach them the seven sacred rituals–the sweat lodge, the naming ceremony, the healing ceremony, the adoption ceremony, the marriage ceremony, the vision quest, and the sundance ceremony. From the bundle on Her back, She gave the people all the tools they would need for the rituals, including the chununpa, the sacred pipe. She taught of the connection of all life, and the importance of honoring Mother Earth. White Buffalo Woman told the people that She would return to them when needed, to restore their spirituality and harmony with the land.

 

As she walked away from the village, She looked back and sat down. When She stood again, She had become a black buffalo, signifying the direction west and the element earth. After walking a little further, She lay down again, this time rising as a yellow buffalo, signifying east and the sun. A third time, She walked, lay down, and arose as a red buffalo, signifying south and water. Finally, She rose as a white buffalo, signifying north and air. With one last look back at the people, She galloped off and disappeared.” [2]

“White Buffalo Calf Woman” by Mary Selfridge

 

ASSOCIATIONS (White Buffalo Calf Woman):

General: White buffalo, peace-pipe, circle (hoop), and the numbers 4 and 7.

Animals: Buffalo and bison, eagle and hawk.

Plants: Buttercup, pulsatilla (Pasque flower), and spruce.

Perfumes/Scents: Sage, wisteria, tangerine, and rose geranium.

Gems and Metals: Agate, rose quartz, gold, silver, and red clay.

Colors: White, yellow, red, and black.                        [3]

 

“White Buffalo Calf Woman” by Cher Lyn

“Wohpe as peace represents harmony, meditation and cycles of time.  Sacred stone of Wóȟpe is turquoise that ranges in color from sky blue to blue-green and green. This stone has been prized for centuries and was used in ancient Egypt, Persia for jewelry and amulets. Also was known and used by the Aztecs and other people of South and Central America, but is probably better known because of its use by North American native peoples. For them it was prized by medicine men who used it for healing, to bring rain and for protection. It has also long been a symbol for friendship, some say one should either give or receive it as a gift for the magic to work.” [4]

 

 

In an interview for White Buffalo: An American Prophecy, Arby Little Soldier comments on the birth of a sacred White Buffalo – Lightning Medicine Cloud – on the Lakota Ranch in Texas, and what it means for humanity.

 

Sadly, this buffalo calf was killed and butchered back in April 2012 (click here to read the story).  As far as I know, the killers are still at large.

 

 

 

Chief Arvol Looking Horse, 19th generation Keeper of the Sacred White Buffalo Calf Pipe is the leader of the Lakota Dakota Nakota Oyate, the great Sioux nation and is a man with a vision.  Here in this video, he has a great urgent message to all world religious and spiritual leaders

 

 

 

Sources:

Wikipedia, “Wohpe“.

Goddessgift.com, “Goddess Symbols of White Buffalo Calf Woman“.

Sabrina. Goddess A Day, “White Buffalo Woman“.

 

 

Suggested Links:

Chasing Horse, Joseph. Native American Indian Resources, “White Buffalo Calf Woman“.

Consciouslyconnecting.blog.com, “White Bison Prophesy: A Sign from the Spirits“.

Crystalinks.com, “White Buffalo Calf Woman“.

Gaeagoddessgathering.com, White Buffalo Calf Woman – Walk Your Talk“.

Goddessgift.com, “White Buffalo Calf Woman: The Mother of Life”.

Legendsofamerica.com, “Lakota Story of Wohpe (by HinTamaheca)“.

Lightningmedicinecloud.com, “The Legend & Importance of the White Buffalo“.

Sioux.org, “Lakota Sioux Creation Myth – Wind Cave Story“.

Walker, James R. Lakota Belief and Ritual.

White Buffalo Calf Woman Society, Inc.

White Buffalo Woman – Resource Page (TCG).

WhiteBuffaloCalfWoman.org.

Whitehorse, Peace. Order of the White Moon, “White Buffalo Calf Woman“.

Wikipedia, “White Buffalo Calf Woman“.

University of California, “Lakota Ceremony“.

Goddess Aphrodite

“Aphrodite” by LinzArcher

“Aphrodite’s themes are love, romance, passion, sexuality, luck, fertility, beauty and pleasure. Her symbols are roses, copper, turquoise and sandalwood.  Since 1300 B.C.E., Aphrodite has been worshipped as the ultimate Goddess to inspire passion, spark romance, increase physical pleasure, augment inner beauty and improve sexual self-assurance. Consequently, many artistic depictions show Her naked, with erotic overtones. Aphrodite’s name means ‘water born’ or ‘form born’, intimating a connection with the ocean’s fertility.

Follow the Greek custom of Rosalia and shower whatever Goddess image you have at home with rose petals, or dab it with rose-scented oil. If you don’t have a statue, poster or painting, any visually beautiful object can serve as a proxy. This gesture honors and entreats Aphrodite, who responds by granting good luck, especially in matters of the heart.

Another tradition is bathing yourself in rose water to emphasize Aphrodite’s comeliness (both within and without). Rose water is available at many Asian and international supermarkets. Or you can make it easily be steeping fresh rose petals in warm (not hot) water and straining. If you don’t have time for a full bath, just dab a little of the rose water of the region of your heart to emphasize this Goddess’s love and attractiveness where it can do the most good – in you emotional center.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

Patricia Monaghan tells us that “one of the most familiar of Greek Goddesses, Aphrodite was not originally Greek at all.  She was the ancient mother Goddess of the eastern Mediterranean who established Herself first on the islands off Greece before entering the country itself.  There, Her journey with the sea traders who brought Her across the waters was expressed in a symbolic tale” (p. 50).

“The Birth of Venus” by Sandro Botticelli

“In the Iliad, She is the daughter of Zeus and the Titoness Dione, though the usual legend is that She was born from the blood and foam on the surface of the Sea after Ouranos was castrated by Kronos.” [1]  “[Kronos’] penis fell into the ocean and ejaculated a final divine squirt.  The sea reddened where it fell, and then the foam gathered itself into a figure riding on a mussel shell (whence the epithet Anadyomene, ‘she who rises from the waves’).  She shook off the seawater from Her locks and watched drops fall, instantly turning to pearls at Her feet.  She floated to the islands off Greece, for which She is sometimes named Cytherea or Cypris.  She landed at Cyprus and was greeted by the lovely Horae, who provided attire worthy of Her beauty and who became Her constant companions.

The story of Her birth is an obvious description of this Near Eastern Goddess to Her new home in Greece.  It is also allegorical: the sky god impregnates the great sea womb with dynamic life, a story that the Greeks reiterated in the alternate version of Aphrodite’s birth by sea sprite Dione and the sky god Zeus” (Monaghan, p. 51).

“Birth of Venus” by Brenda Burke

“Graceful and gorgeously seductive, Aphrodite possessed a magic girdle that made Her irresistable to all who saw Her (and which She often lent out to other Goddesses such as Hera). She was officially married to Hephaestos, the crippled god of the forge, though Her numerous affairs resulted in numerous children. By Ares She bore Phobos (‘Fear’) and Deimos (‘Terror’); by Hermes, Hermaphrodite; by  DionysosPriapos; and by Anchises, a mortal, the hero Aeneas.” [2]  Aphrodite also had fallen in love with a beautiful young man named Adonis (click here to read their story).  This story bears many similarities between the story of Ashtart and Adon, or Inanna and Dumuzi.

“In their attempt to assimilate the alien Goddess, the Greeks converted Aphrodite into a personification of physical beauty.  But She remained so problematic that Plato distinguished Her by two titles: Urania, who ruled spiritualized (platonic, if you will) love; and Aphrodite Pandemos, the Aphrodite of the commoners, who retained Her original character in debased form.  in this form, She was called Porne, the ‘titillater.’

It was this later Aphrodite who was worshiped at Corinth, where the Near Eastern practice of sacramental promiscuity deteriorated into a costly prostitution about which the Greeks warned travelers, ‘The voyage to Corinth is not for everyone.’ However degraded the practice became in a patriarchal context, the ‘hospitable women’ (Pinder) who engaged in it were highly valued, serving as priestesses in public festivals, and of such rank and importance that at state occasions as many hetaerae as possible were required to attend” (Monaghan, p. 51- 51).

Born from the Sea, She is also Goddess of sea-voyages who protected sailors and seamen and She represents the creative powers of nature and the sea.

Offerings to Aphrodite include flowers and incense.

Some of Her myriad epithets include: Doritis (‘Bountiful’), Pontia (‘Of the Deep Sea’), Pasiphaë (‘Shining on All’, also the name of the mother of Ariadne), Ourania (‘the Heavenly’), Aphrogeneia (‘Foam-born’), Anadyomene (‘Rising From the Sea’), and Pornos (‘Whore’).” [3]

To read Her tale, go here.

Her Roman counterpart was Venus.

“Aphrodite” by lilok-lilok


ASSOCIATIONS:

Pantheon: Olympian

Element: Water

Sphere of Influnce: Love and beauty

Best Day to Work with: Friday

Best Moon Phase: Waxing

Strongest Around: Litha

Suitable Offerings: Pomegranates, limes  [4]

General: Scallop shell, seashells, mirrors, golden apples, the Evening Star (planet Venus), number 5, the ocean, the triangle and heart.

Animals: Dolphin, swan, dove, sparrow, bees and goats.

Plants: Rose (especially any fragrant rose), quince, myrtle, mint, grape (fruit, leaves and vines), apples, artichokes, laurel, ash and poplar trees.

Perfumes/Scents: Stephanotis, musk, verbena, vanilla, incense, vervain and rose.

Gems and Metals: Pearls, gold, aquamarine, rose quartz, jade, sapphire, silver and copper, pink tourmaline, emerald (pink or green stones), garnet, smoky quartz.

Colors: Red, pink, violet, silver, aqua, pale green (seafoam), and any shade of light blue.  [5]

 

 

 

Sources:

Goddessgift.com, “Goddess Symbols of Aphrodite“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Aphrodite”.

Pagannews.com, “Aphrodite/Venus“.

Took, Thalia. A-Muse-ing Grace Gallery, “Aphrodite“.

 

 

Suggested Links:

Aspen Willow. Order of the White Moon, “Aphrodite“.

Goddessgift.com, “Aphrodite, Greek Goddess of Romance and Beauty“.

Revel, Anita. igoddess.com, “Aphrodite: self-acceptance to self-love“.

Goddess Ix Chel

“Medicine Woman” by Lisa Iris

“Ix Chel’s themes are weather, children, fertility, and health.  Her symbols are water, turquoise, jade, silver, and blue or white items.  The aqueous Mayan Goddess of water, the moon, medicine and childbirth, Ix Chel lives in the land of mists and rainbows. Art shows Her wearing a skirt that flows with fertile waters, dotted with water lilies, and adorned with tiny bits of turquoise and jade. This skirt reaches all the way to earth, filling our lives with Ix Chel’s well-being and enrichment.

Believing that the Frost Spirit lives in the cliffs of Santa Eulalia, people brave the sheer stones once a year and make prayers to the weather deities to keep away further intrusion by the frost, which would ruin crops. Ix Chel is present to witness, being part of the frost and part of the nurturing rains, for which the priest also pray. For our purposes this equates to calling on Ix Chel’s energy to ‘defrost’ a frozen or emotionally chilly situation, or to rain on us with her healing power.

To protect your health specifically, carry a turquoise, which also safeguards you during your travel today. To inspire productivity or fertility, wear blue and white items, repeating this incantation as you put them on:

Ix Chel, be in this <…….> of blue
so my thoughts stay fixed on you
Ix Chel, be in this <…….> of white
bring abundance both day and night.'”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Ix Chel” by Hrana Janto

Ix Chel (pronounced ‘ee shell’) is the Maya Goddess of the Moon, Water, Weaving and Childbirth. She was worshipped among the Maya of the Yucatan peninsula.  She is the Mother of all of the Mayan deities and rules over the cycles of life and death.  As the ‘Keeper of Souls’, She is constantly evolving from a young beautiful maiden into the wisened old crone who shares the wisdom of the ages with Her people.

Ix-Chel was almost too beautiful, this girl with opalescent skin who set in the skies brushing Her Shimmering hair for hours on end.  All the gods were captivated by Her.  All but one, that is.  Kinich Ahau, the Sun God, seemed immune to Ix-Chel’s charms. Yet he was the only one She really ever wanted. For years She had longed for him as She watched him glide across the sky in all his golden splendor.

But the more Ix-Chel followed him around, the worse the weather on earth became.  As She chased after him the tides would rise, creating floods that inundated the fields and caused the crops to die. So enamored was She, that Ix-Chel did not even notice the havoc She was causing.

Like many moon Goddesses Ix-Chel was a fine weaver, and it was the beautiful cloth She wove that finally captured Kinich Ahau’s attention. Soon they had become lovers.

“Mayan Myth – Goddess Ixchel” by emanuellakozas

Out of disapproval, Her grandfather hurled lightning jealously at Her, killing the girl. Grieving dragonflies sang over Ix Chel for 13 days, at the end of which time She emerged, whole and alive, and followed Her lover to his palace. But there the sun in turn grew jealous of the Goddess, accusing Her of taking a new lover: his brother, the morning star. He threw Ix Chel from heaven; She found sanctuary with the vulture divinity; the sun pursued Her and lured Her home; but immediately, he grew jealous again.

During the time the two were together, Ix Chel had born the Sun God four sons.  They are the jaguar gods who are able to creep through the night, sight unseen.  They were named for the ‘Four Directions’, and it is said that each one is responsible for holding up his corner of the earth.

“Ix Chel” by Susan Seddon Boulet

Ix-Chel finally realized that Kinich Ahau was not going to change and decided to leave him for good. Waiting until he fell asleep, She crept out into the night, taking the form of a jaguar and becoming invisible whenever he came searching for Her.

“Ix Chel” by Marcia Snedecor

Many nights She spent on Her sacred island, Cozumel, nursing women during their pregnancies and childbirth. Ix-Chel, like other moon Goddesses, governed women’s reproductive systems so it was quite understandable that She would become the protector of women during pregnancy and labor.  Mayan women were expected, at least once in their lifetime, to complete a pilgrimage to Her sacred island to offer Her gifts and to receive Her blessings.  For hundreds of years, these women made the twelve mile trip by boat, and many of the Mayan shrines dedicated to Her are still standing today.

The small Isla Mujeres (“Island of Women”) was devoted to the worship of Ix-Chel. Comfortable with all phases of life, She was honored as the weaver of the life cycle. She protected the fertility of women and was also the keeper of the souls of the dead.

“Ix Chel” by Meg Easling

As the ancient fertility Goddess, Ix Chel was responsible for sending the rains which nourished the crops, and while She was fulfilling that function, She was called ‘Lady Rainbow’.  Ix stands for Goddess and Chel for rainbow. [1] [2] [3]

“Ix Chel is shown below in three of Her many aspects. Left to right: Chak Chel, the Old Moon Goddess, called the Midwife of Creation; Ix Chel in Her main form as Mother Goddess and Weaver who set the Universe in motion; and the Young Moon Goddess, shown with Her totem animal the rabbit.

“Ix Chel” by Thalia Took

Ix Chel is a great Water Goddess, the consort of the chief God of the Maya pantheon, Votan. Her name means “Lady Rainbow”, and She is said to have founded the city of Palenque at the command of the Gods. She is a Weaver Goddess, whose whirling drop spindle is said to be at the center of the motion of the Universe. She has many aspects and titles, such as Ix Kanleom, the ‘Spider’s Web Catching the Morning Dew’, and Ix Chebal Yax. Her Nahua (Mexican/Aztec) counterpart is said to be Chalchiuhtlicue.

Chak Chel, ‘Great (or Red) Rainbow’ is the Goddess who brings about the destruction of the third creation by causing a great flood. By pouring the waters from Her jar, She prepared the way for the next age, known in Maya legend as the Fourth Sun. She is shown as an old midwife, for experienced elderly women helped younger women to give birth, and were traditionally caretakers of children. Chak Chel also helped the Maize God to be reborn, and helped in the birth of His own sons. She is shown in a pose traditional to Her, with the twisted hair-do of elderly women (though they usually wrapped it up with a strip of cloth rather than a snake).

The Young Moon Goddess may have originally been a different Goddess of the Moon who was later absorbed into Ix Chel’s legend. She is often depicted with a rabbit, for the Maya, like the Chinese, saw a rabbit in the markings on the face of the Moon. She is said to be of a merry and somewhat loose character, and rabbits are also famed for their reproductive abilities. She (as Ix Chel) had a great shrine on the island of Cozumel (one of the places to which hurricane Wilma recently caused great destruction) to which pilgrims came from all over. The crescent-shaped chair on which She sits is the Maya glyph for the Moon, Her symbol.

Thalia Took pained Ix Chel in modern Maya traditional clothing featuring the astonishing gorgeous handwoven textiles still made in remote areas of Maya country (mostly modern-day Guatemala). She sits upon a Sky-Bar, known from Maya glyphs and carvings and used as a symbol of the sky; figures drawn above or over the Sky-Bar are usually deities, or the dead. Chak Chel pours water from a jar marked with the glyph for water, and the color scheme and water critters are taken from the beautiful Maya-style frescoes found at Cacaxtla, Mexico.” [4]

“Ix Chel Mayan Moon Goddess” by Katherine Skaggs

“There is a lot we can learn from Ix Chel.  Ix Chel is the Goddess who REFUSED to become a victim of oppression.  This was a woman who, when faced with adversity, took control of Her own life and turned it around.  She teaches us that women do not have to be a victim, that we have the power of choice, and we should never let anyone take that away from us. She encourages us to acknowledge the negative forces affecting our lives and prompts us to assert ourselves fully in the face of physical or emotional violence that would diminish our sense of self.” [5] [6]

ASSOCIATIONS:

Related Names: The Queen, Lady Rainbow, Eagle Woman, Our Mother, the White Lady, Goddess of Becoming, Mother Earth, the Womb, the Cave of Life, Keeper of the Bones

Related Patronages: Water, Healing, Medicine, Weaving, Sexuality, Fertility, Childbirth, Magic

Related Animals: Dragonfly (symbolizing sense of self and creative imagination); Feathered Serpent (symbolizing energy of transformation); Snake (symbolizing renovation, renewal and medicine); Rabbit (symbolizing abundance and fertility); Red Jaguar (symbolizing authority and power)

Related essences: Almond, bergamot, marigold, oriental lily, vanilla

Related gemstones: Agate, brown jasper (orange stones), carnelian, coral

 

Sources:

Franklin, Anna. merciangathering.com, “IX CHEL“.

Goddessgift.com, “Ix-Chel, Goddess of the Moon“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Ix Chel”.

MXTODIS123. An Inner Journey: The Moon, Mythology, and You, “Ix Chel“.

Mystic Wicks, “Ix Chel {Goddess of the Week}“.

Sabrina. Goddess A Day, “Ix Chel“.

Took, Thalia. A-Muse-ing Grace Gallery, “Ix Chel“.

Suggested Links:

Artemisia. Order of the White Moon, “Ixchel“.

The Blue Roebuck, “Ix Chel“.

Carol. Tribe.net, “Ix Chel – Goddess of the Moon“.

Home, Shonagh. Ix Chel Wisdom: 7 Teachings from the Mayan Sacred Feminine.

Revel, Anita. igoddess.com, “IxChel: romantic radiance“.

Wikipedia, “Ixchel“.

Goddess Nut

“Queen of the Sky” by MyWorld1

“Nut’s themes are air and health.  Her symbols are a pot, turquoise, musk, a star, wind and cow images.  This great Egyptian sky Goddess bears a star-spangled belly that stretches over the earth like a protective atmosphere. Today She breaths on us with a late-March zephyr bearing health and well-being.  Legend tells us that when Ra went to escape the earth, Nut offered Her aid by becoming a huge cow who lifted him into heaven. When Nut found Herself dizzy from the effort, four gods rushed to Her aid. They later became the four pillars of creation – the four winds.

If the weather permits, I highly recommend a brisk, refreshing walk. Breathe deeply of the air, which has rejuvenating, healthy energies today. As you exhale, repeat the Goddess’s name, Nut, and listen as She responds in the breeze.

Any type of wind magic honors Nut, and it is certainly fitting today. If the wind blows from the west, sprinkle water into it for emotional healing. If it blows from the east, toss a feather out so it can return to you with healthy outlooks. If it blows from the north, sift a little soil into the wind to give fruitful foundations to a generating idea, and if it blows from the south, burn musk incense to manifest vital energy and a little passion.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Nut’s name is translated to mean ‘sky’ and She is considered one of the oldest deities among the Egyptian pantheon, with Her origins being found on the creation story of Heliopolis. She was originally the Goddess of the nighttime sky, but eventually became referred to as simply the Sky Goddess. Her headdress was the hieroglyphic of part of Her name, a pot, which may also symbolize the uterus. Mostly depicted in nude human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens, a sycamore tree, or as a giant sow, suckling many piglets (representing the stars).” [1]

“Nut” by Lisa Hunt

“Nut is the Mother of Osiris, Horus the Elder, Seth, Isis and Nephthys. Her brother and husband is the earth-god Geb, and Their parents are Shu (air) and Tefnut (moisture). Nut and Geb were married in secret against the will of Ra, the one-time King of the Gods. When Ra found Them coupling, He had Shu the air-god violently seperate Them, forcing Geb to the earth, where His body’s contours became the hills, and lifting Nut into the sky (which implies that, like Lilith, Nut preferred the top position). Since then They have always been seperated, and Geb has been inconsolable.

Ra then forbade Nut to have Her children on any day of the year. But Thoth, god of wisdom, helped Her, by winning at gaming with the Moon. From His winnings–which were a little of the Moon’s light–Thoth made five extra days that were outside the year, and Nut was able to give birth to Her five children. These five days in the Egyptian calendar did not belong to any month, and with the twelve months of thirty days each brought the total of days up to 365 (and no, they made no allowance for leap-year, though they knew perfectly well.)

Like Hathor, who is also a sky-Goddess, Nut can take the form of a cow. She is also depicted as a slender woman whose arched body touches the earth with only the tips of Her fingers and Her tippy-toes, Her starry body forming the heavens. Nut’s fingers and toes were believed to touch the four cardinal points or directions of north, south, east, and west.

“Nut” by Hrana Janto

Ra once grew disillusioned with rebellious mankind, so Nut in the form of a cow lifted Him to heaven on Her back. Stretching higher and higher, She grew dizzy, and four gods (who represent the pillars of the sky) were needed to steady Her legs.” [2]

“Nut arches over the earth morning from between her thighs. She is the arching vault of the heavens, Her body sparkling with starlight. Through Her mouth the Sky-boat of the Sun passes each evening, from her vulva the it re-emerges and the day is reborn each morning. She retains some weather working functions; the thunder is Her voice.

As Mother Night, Nut represents the unconscious, luna, moon, feminine, the emotional body. Her glyph often depicts two crossed arrows against a leopard skin. Nut is associated with the element air, rainbows and sycamore trees.” [3]

“Nut is also the barrier separating the forces of chaos from the ordered cosmos in the world.  Because of Her role in saving Osiris, Nut was seen as a friend and protector of the dead, who appealed to Her as a child appeals to its mother: ‘O my Mother Nut, stretch Yourself over me, that I may be placed among the imperishable stars which are in You, and that I may not die.’ Nut was thought to draw the dead into Her star-filled sky, and refresh them with food and wine: ‘I am Nut, and I have come so that I may enfold and protect you from all things evil.’

“Nuit” by indigodeep

She was often painted on the inside lid of the sarcophagus, protecting the deceased. The vault of tombs often were painted dark blue with many stars as a representation of Nut. The Book of the Dead says, ‘Hail, thou Sycamore Tree of the Goddess Nut! Give me of the water and of the air which is in thee. I embrace that throne which is in Unu, and I keep guard over the Egg of Nekek-ur. It flourisheth, and I flourish; it liveth, and I live; it snuffeth the air, and I snuff the air, I the Osiris Ani, whose word is truth, in peace.'” [4]

 

 

 

Sources:

Crystalinks, “Goddesses Nut – Nuit“.

Took, Thalia. A-Muse-ing Grace Gallery, “Nut“.

Wikipedia, “Nut (goddess)“.

 

 

Suggested Links:

Crystalinks, “Goddesses Nut – Nuit“.

GoddessGift.com, “Nut, Egyptian Goddess and the ‘Mother of All Gods’“.

Hill, J. Ancient Egypt Online, “Nut“.

Seawright, Caroline. Kunoichi’s Home Page, “Nut, Sky Goddess, Mother of the Gods…

Egypt World, “The Goddess Nut“.


Goddess Yemaja

“Yemaja’s themes are providence, blessing, luck and fertility.  Her symbols are fish, the color blue and the crescent moon.  Yemaja, the Nigerian Goddess of flowering water, bears a name that literally means ‘fish mother!’ As such, Yemaja generates providence and fertility, especially on the physical plane. In legends She gave birth to eleven deities, the sun, the moon, and two streams of water that formed a lake. In art she’s often shown as a mermaid or a crescent moon, and Her favorite color is blue.

The name for the day is definitely fishy. Not surprisingly, new year festivities in Nigeria mark the beginning of the fishing season. Having a teeming net today portends prosperity for the rest of the season. So, what is it that you hope to catch today? Cast out your spiritual line to Yemaja for help in meeting or exceeding any goal.

To bite into a little luck, follow the example of Nigerian children. They make candies in fish shapes before this event, then dunk for them. The one to retrieve the most gets the most good fortune. Check out your local supermarket’s bulk candy section. Ours carries gummy fish that work very well for this activity.

Consider including some type of fish in your menu today (even canned tuna will do the trick). Eat it to internalize good luck and a little of Yemaja’s blessings.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Yemaya” by Sandra M. Stanton

Yemaya is the Yoruban Orisha, a very powerful nature spirit or Goddess of the living Ocean, considered the Mother of All. She is the source of all the waters, including the rivers of Western Africa, especially the River Ogun. Her name is a contraction of Yey Omo Eja, which means “Mother Whose Children are the Fish”. As all life is thought to have begun in the Sea, all life is held to have begun with Yemaya. She is motherly and strongly protective, and cares deeply for all Her children, comforting them and cleansing them of sorrow. She is said to be able to cure infertility in women, and cowrie shells represent Her wealth.She does not easily lose Her temper, but when angered She can be quite destructive and violent, as the Sea in a storm.

In Her myth, it is said that she was brutally raped by Her son. After this She fled to a mountaintop and cursed Her son until he died. In Her sorrows She decided to take Her own life. As She died She gave birth to fourteen powerful orisha, when Her water broke it created a great flood which made the seven seas.

Yemaya was brought to the New World with the African diaspora and She is now worshipped in many cultures besides Her original Africa. In Brazilian Candomblé, where She is known as Yemanja or Imanje, She is the Sea Mother who brings fish to the fishermen, and the crescent moon is Her sign. As Yemanja Afodo, also of Brazil, She protects boats travelling on the Sea and grants safe passage. In Haitian Vodou She is worshipped as a Moon-Goddess, and is believed to protect mothers and their children. She is associated with the mermaid-spirits of Lasirenn (Herself a form of Erzulie) who brings seduction and wealth, and Labalenn, Her sister the whale.

Yemaya rules over the surface of the ocean, where life is concentrated. She is associated with the Orisha Olokin (who is variously described as female, male, or hermaphrodite) who represents the depths of the Ocean and the unconscious, and together They form a balance. She is the sister and wife of Aganju, the god of the soil, and the mother of Oya, Goddess of the winds.

Our Lady of Regla in Brazil may be linked to Her, and She is equated elsewhere in the Americas with the Virgin Mary  as the Great Mother. In parts of Brazil She is honored as the Ocean Goddess at the summer solstice, while in the north east of the country Her festival is held on February 2nd (a day that is also associated with Her daughter Oya, as well as being the feast day of the Celtic Bride), with offerings of blue and white flowers cast into the Sea.

Yemaya’s colors are blue, turquoise and white, and She is said to wear a dress with seven skirts that represent the seven seas. Her symbols are shells, especially cowrie shells. Since She is often  depicted as a mermaid as well so this too is a symbol of Her. Sacred to Her are peacocks, with their beautiful blue/green iridescence, and ducks. The number seven is sacred to Her, also for the seven seas.

“Yamana” by Lisa Iris

Yemaya represents the ebb and flow of life much like the flow of the ocean. Yemaya can bring forth life, but just like the ocean she can also cause great destruction, and change. She teaches us to move freely through the waves of change and cycles of life.

On your altar to Yemaya, have water, salt water if you have access to it. Shells, representations of sea life, crystals of turquoise and white quartz, colors of the ocean, a mermaid and a picture or statue of the Goddess.

Alternate spellings: Yemanja, Yemojá, Yemonja, Yemalla, Yemana, Ymoja, Iamanje, Iemonja, Imanje

Epithets: Achabba, in Her strict aspect; Oqqutte in Her violent aspect: Atarmagwa, the wealthy queen of the sea; Olokun or Olokum as Goddess of dreams

Also called: Mama Watta, “Mother of the Waters” [1] [2]

Symbols and Correspondences:

General: Ocean, rivers, mermaids, the Virgin Mary, New Year’s Eve, February 2, the North Star, half moon, rivers, dreams, pound cake, boats and ships, fans, sacred dance, the number 7

Animals: Fish, ducks, doves, peacocks, feathers, chickens, snakes, and all sea creatures

Plants: Oranges, tropical flowers, yams, grain, seaweed, other plants that grow in the ocean

Perfumes/scents: Scented soaps, raspberry, cinnamon, balsam

Gems and metals: Silver, pearls, mother of pearl, coral, moonstone, crystal quartz, turquoise, and any blue gem or bead

Colors: Sky blue, silver, white, green, and especially a blue dress with full skirt of 7 layers to represent ocean waves or the seven seas. [3]

Sources:

Goddessgift.com, “Goddess Symbols and Sacred Objects of Yemaya“.

Suggested Links:

Alvarado, Denise & Doktor Snake. The Voodoo Hoodoo Spellbook, “Yemayá (Yemoja, Iemanja)“.

Goddessgift.com, “Yemaya, Goddess of the Ocean and the New Year“.

Illes, Judika. Encyclopedia of Spirits.

Luckymojo.com, “The Seven African Powers“.

Monaghan, Patricia. The Book of Goddesses and Heriones, “Yemaya“.

Tzeenj, Rafh. Spiralnature.com, “Yemaya“.

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