Tag Archive: seawater


Goddess Leucothea

“The Archer” by `Heidi-V-Art

“Leucothea’s themes are creativity, energy, communication, balance, harmony and change. Her symbols are bow and arrow, white items, milk and seawater.  In Greek tradition, this woman gave birth to the centaurs [though there seems to be some conflict in that] and was a wet nurse to Dionysus. Her name translates as ‘milk-white-Goddess’, alluding to a strong maternal nature. In later times She became a sea Goddess, bearing the visage of a mermaid. Through this transformation we see the mingling of the spiritual nature (water) with that of the earth (half-human appearance) to create Sagittarius’s customary energies.

In astrology, Sagittarius is the centurion archer who represents a harmonious mingling of physical and spiritual living. Those born under this sign tend toward idealism, upbeat outlooks, and confidence. Like Leucothea, Saggitarians seem to have a strong drive for justice, especially for those people under their care.

To consume a bit of Leucothea’s maternal nature or invoke Her spiritual balance in your life, make sure to include milk or milk products in your diet today. Or, wear something white to figuratively don Her power.

For help with personal transformations, especially those that encourage personal comfort and tranquillity, soak in a nice, long saltwater or milk bath today. As you do, ask Leucothea to show you the right steps to take next.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Elemental Goddess Water” by `AutumnsGoddess

“In Greek mythology, Leucothea (‘white Goddess’) was one of the aspects under which an ancient sea Goddess was recognized, in this case as a transformed nymph.

In the more familiar variant, Ino, the daughter of Cadmus, sister of Semele, and queen of Athamas, became a Goddess after Hera drove her insane as a punishment for caring for the newborn Dionysus. She leapt into the sea with her son Melicertes in her arms, and out of pity, the Hellenes asserted, the Olympian gods turned them both into sea-gods, transforming Melicertes into Palaemon, the patron of the Isthmian games, and Ino into Leucothea.

In the version sited at Rhodes, a much earlier mythic level is reflected in the genealogy: there, the woman who plunged into the sea and became Leucothea was Halia (‘of the sea’, a personification of the saltiness of the sea) whose parents were from the ancient generation, Thalassa and Pontus or Uranus. She was a local nymph and one of the aboriginal Telchines of the island.

Halia became Poseidon‘s wife and bore him Rhodos/Rhode and six sons; the sons were maddened by Aphrodite in retaliation for an impious affront, assaulted their sister and were confined beneath the Earth by Poseidon. Thus the Rhodians traced their mythic descent from Rhode and the Sun god Helios.

In the Odyssey (5.333 ff.) Leucothea makes a dramatic appearance as a gannet who tells the shipwrecked Odysseus to discard his cloak and raft and offers him a veil (kredemnon) to wind round himself to save his life and reach land. Homer makes Her the transfiguration of Ino. In Laconia, She has a sanctuary, where She answers people’s questions about dreams. This is Her form of the oracle.”

In more modern works, Leucothea is mentioned by Robert Graves in The White Goddess.

In Ezra Pound‘s Cantos, She is one of the Goddess figures who comes to the poet’s aid in Section: Rock-Drill (Cantos 85–95). She is introduced in Canto 91 as “Cadmus’s daughter”:

As the sea-gull Κάδμου θυγάτηρ said to Odysseus
KADMOU THUGATER
“get rid of parap[h]ernalia”

She returns in Cantos 93 (‘Κάδμου θυγάτηρ’) and 95 (‘Κάδμου θυγάτηρ/ bringing light per diafana/ λευκὁς Λευκόθοε/ white foam, a sea-gull… ‘My bikini is worth yr/ raft’. Said Leucothae… Then Leucothea had pity,/’mortal once/ Who now is a sea-god…'”), and reappears at the beginning of Canto 96, the first of the Thrones section (‘Κρήδεμνον…/ κρήδεμνον…/ and the wave concealed her,/ dark mass of great water.’).

Leucothea appears twice in Dialoghi con Leucò (Dialogues with Leucò) by Cesare Pavese.

Leucothoé was the first work by the Irish playwright Isaac Bickerstaffe published in 1756.

A similar name is carried by two other characters in Greek mythology.

Leucothoë: a mortal princess, daughter of Orchamus and sister of Clytia, Leucothoë loved Apollo, who disguised himself as Leucothea’s mother to gain entrance to her chambers. Clytia, jealous of her sister because she wanted Apollo for herself, told Orchamus the truth, betraying her sister’s trust and confidence in her. Enraged, Orchamus ordered Leucothoë buried alive. Apollo refused to forgive Clytia for betraying his beloved, and a grievous Clytia wilted and slowly died. Apollo changed her into an incense plant, either heliotrope or sunflower, which follows the sun every day.

Leucothoë: one of the Nereids.” [1]

“The Etruscan Losna may well be comparable.” [2]

“The Sacrifice of Iphigenia” by Timanthus

Now, concerning Ino, Patricia Monaghan tells us that Ino was the daughter of Harmonia, ‘she who makes sinewy’ and was originally a Goddess of orgiastic agricultural rites in pre-Helleinc Greece, to whom human victims apparently were sacraficed in a magical attempt to make rain fall as freely as blood on the soil.  When later tribes brought their own pantheon into Ino’s realm, the religious conflict that ensued was recorded in the legend that Ino was a rival of the King’s wife Nephele.  Ino brought on a famine and in punishment was pursued into the sea bearing Her son Melicertes.  Both were then ‘transformed’ into sea deities by Greek legend” (p. 163).

Wow, I thought, how could this be?  That seemed a bit of a stretch.  However, going back and reading about Ino from Wikipedia, it states: “In historical times, a sisterhood of maenads of Thebes in the service of Dionysus traced their descent in the female line from Ino; we know this because an inscription at Magnesia on the Maeander summoned three maenads from Thebes, from the house of Ino, to direct the new mysteries of Dionysus at Magnesia.” [3] Ah…there it is – there’s the connection between the orgiastic agricultural rites Monaghan spoke of and the Dionysian Mysteries.

 

 

 

Sources:

Mlahanas.de, “Leucothea“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Ino”.

Wikipedia, “Leucothea“.

 

Suggested Links:

Theoi.com, “INO LEUKOTHEA“.

Wikipedia, “Ino“.

Dahut-Ahes

“Babonneau Ahes Dahud” by Christophe Babonneau

“Ahes’ themes are water, abundance, fertility, passion and courage. Her symbols are seawater and sea creatures.  This ancient pagan Goddess symbolizes the sea’s abundance, fertility and passion. She also teaches us about courage; She fought fervently against Christian influences to turn Her into a monstrous figure akin to a siren.

Ahes was honored with a plethora of beautiful ceremonies around the end of summer. If you have a beech tree nearby, you can follow the custom of gathering beneath it’s bowers or nearby a small pond. Here, wash any white cloth (perhaps an altar cloth). This brings Ahes’s health and productivity to wherever you keep that fabric swatch. For those who can’t find a beech tree or a pond, just add a little salt to your laundry today instead for a similar effect.

To engender this Goddess’s abundance, scent you hair with any earthy shampoo or cream rinse (the Bretons used moss). Definitely include some seafood in your diet today to partake of Her courage. Flavoring the fish with white borage flower, thyme, or a little black tea will accentuate brave energies.  And finally, if you have a seashell or bit of driftwood, find a way to release it back into Ahes’ care today (for example, give it to a river or leave it in a well). This thanks the Goddess for Her providence and encourages Her blessings in your life.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

Art by Luis Royo

I have found in my research that Ahes was also referred to as Dahud-Ahes and Dahut.  According to Patricia Monaghan, “this pagan princess lived in Brittany, the far-western Celtic wilderness of France, during the period when the Christian monks were destroying the remnants of the old European religion – the worship of maternal nature.  These flesh-despising monks ruined the princess’ pleasurs until Dahut begged her father, King Gradlon, to build her a retreat from the cruelties of the new way.

Gradlon seemed to ignore her, but all the while he was secretly building a magnificent city for her.  Located on the rocky Pointe du Raz and called Ys, it was to be hers to do with as she wished.  When he presented it to Dahut, the sensual princess was filled with joy at the splendid homes arranged to catch the setting sun’s rays.

Dahut’s people were rich and happy, but it soon became clear that Ys had been built too close to the sea.  Storms endangered the small fishing craft by which the people of Ys earned their wealth. Dahut asked Gradlon to build them a safe harbor, but the king, threatened with damnation by the monks, built instead a fin new church to the Christian god right in the center of Ys.

Furious, Dahut rowed that night through dangerous coastal waters to a secret island where women – possibly immortals – continued to celebrate the ancient rites.  There she asked them to command the sea spirits, the Korrigans, to help her; she offered eternal fidelity to the old ways in return.

But then Dahut’s ambition poisoned her.  Granted the aid Ys needed, Dahut asked for yet another miracle: that magical powers would raise her palace high above the Christian church.  She was granted that, too, but her selfish desire took its toll.  For many years Dahut and her people lived in splendor and pleasure.  But the princess’ sickness grew.  Eventually she began to take one-night lovers, having them destroyed immediately after they left her.  The powers of passion and ambition that Dahut had stirred grew so strong that finally the king of the waters himself came to claim the princess – and he drowned the entire city of Ys when he did.

Although the above story is told as a local historical legend, it is possible that Dahut was originally a Breton Goddess – possibly Celtic, for her image recalls that of the Welsh Arianhod, who similarly mated with the ocean king.  But Brittany was also a center for pre-Celtic civilizations of note, including that of the megalith builders whose alignments to the winter solstice surround the hamlet of Carnac.  Dahut’s heritage could thus, like that of Celtic Brigid, include ancient material transformed as times changed” (p. 95 – 96).

“Dahut” by maelinn

At Joellessacredgrove.com, it states that “modern legends tell that her city was swept away by a wave caused by an intervening Christian saint. Pagan stories tell how she asked a city of Korrigans, the Breton sea faeries, to disguise her sea world until it was safe again for them to emerge again in a world without religious persecution. In this way she is similar to the sleeping deities, such s King Arthur, who lie in a state of suspended animation waiting until their people call upon them again.

Dahud was dubbed a Goddess of ‘debauchery’ by her detractors, while some more recent legends go so far as to make her the destroyer of her realm through her excesses and her worship of ‘idols’. Patriarchal legends say her father, recognizing her as evil, either escaped her world, or drowned her.

She is hailed as a Goddess of earthly pleasure by her followers. Archetypally she can be viewed as a mother Goddess cradling the reborn infant of the Old Religion, and as a rebel against patriarchy and its new rules.” [1]

“Morgan La Fay” by Wendy Andrew

Upon further research, I also found links between Dahut and Morgan le Fay.  According to Arthurianadventure.com, “Once stories of Morgan had crossed the English Channel, Morgan became linked to a favourite Breton Goddess, named Dahut (or Ahes) Dahut was a princess, who had caused the destruction of her city Ys. But, we also read in earlier tales, that Dahut (or Ahes) was originally a Breton sea goddess. Later accounts say that she had died when the sea had flooded Ys, or that she had escaped by being transformed into a mermaid. It is interesting to note that the word Mor, in Breton, means the sea, and this draws out the connection between Morgan and the sea. Perhaps, they believed that she was a sea or water goddess.” [2]

 

 

 

Sources:

Arthurianadventure.com, Morgan le Fay” (down to section labeled “Brittany”).

Joellessacredgrove.com, Celtic Gods and Goddesses D,E,F“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Dahut”.

 

 

Suggested Links:

Covenofthegoddess.com, “Goddess Dahut“.

Covenofthegoddess.com,Goddess Dahut Vision Ritual“.

Deamatre.wordpress.com, “Dahud“.

O’Keeffe, Christine. Tartanplace.com, Dahut, Dagosoitis (Guardian of the Waters) Dahud Ahes, Ahès (Good Witch) Marie-Morgane (Born of the Sea) Sirona, Syrene, Seraine (Star)“.

Timelessmyths.com, Dahut“.

Wikipedia, “Dahut“.

Goddess Doris

“Goddess of The Sea” by xxstarslayerxx

“Doris’ themes are abundance, providence and water. Her symbols are seawater, plants and animals (especially fish).  The daughter of Oceanus, this Grecian sea Goddess is associated with sea’s gifts and its wealth. She joins in today’s festivities by bringing an abundance of seafood to nourish the body, as well as spiritual sustenance to fulfill our souls.

The Fairhope Jubilee takes place in Mobile Bay, Alabama, sometime in August when there’s an overcast sky, an easterly wind and a rising tide. When these three factors are in place an odd phenomenon occurs: bottom-dwelling fish get trapped between the shore and low-oxygen water. So people rush out with any containers they can find and gather up Doris’s plenty! For us, this equates to gathering up the sea’s plenty, figuratively, perhaps by having fish for dinner. Remember to thank Doris as you eat so that you internalize her providence.

To make a Doris charm that will draw abundance into any area of your life in need, find a seashell, a tumbled sea stone or something similar that comes from the ocean. Place the token in seawater for three hours by a waxing moon so that abundance will grow like the moon. Bless it, saying,

‘Doris, by this gift from your seas, draw abundance and wealth to me.
Like a wave upon high tide, let your blessings here abide.’

Carry the token regularly.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Sea Goddess” by russhorseman

Patricia Monaghan tells us that Doris is “an ancient, probable pre-Hellenic Goddess of the waters, She may have been the ancestor Goddess of the Dorians.  She was the mother of the Nereids and, possibly, Thetis” (p. 106).

According to Wikipedia, “Doris, an Oceanid, was a sea nymph in Greek mythology, whose name represented the bounty of the sea. She was the daughter of Oceanus and Tethys and the wife of Nereus. She was also aunt to Atlas, the titan who was made to carry the sky upon his shoulders, whose mother Clymene was a sister of Doris. Doris was mother to the fifty Nereids, including Thetis, who was the mother of Achilles, and AmphitritePoseidon‘s wife, and grandmother of Triton.” [1]

 

 

 

 

Sources:

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Doris”.

Wikipedia, “Doris (mythology)“.

 

 

Suggested Links:

Crystalinks.com, “Amphibious Gods“.

Mythography.com, “Doris in Greek Mythology“.

Theoi Greek Mythology, “Doris“.

Theoi Greek Mythology, “Nereids“.

Wikipedia, “Oceanid“.

Wikipedia, “Nereid“.

Goddess Tiamat

“Guardian of the Seas” by yangzeninja

“Tiamat’s themes are history, change, spirituality, fertility, birth and creativity. Her symbols are reptiles and seawater.  The personification of creative, fertile forces in Assyro-Babylonian traditions, Tiamat gave birth to the world. She is the inventive power of chaos, whose ever-changing energy hones the human soul and creates unending possibilities for its enlightenment. In later accounts, Tiamat took on the visage of a half-dinosaur or dragon-like creature, symbolizing the higher and lower self, which must work together for positive change and harmonious diversity.

Taking place at the Dinosaur National Monument, Dinosaur Days in Colorado celebrates the ancient, mysterious dinosaurs that speak of the earth’s long-forgotten past – a past that Tiamat observed and nurtured. One fun activity to consider for today is getting an archaeology dinosaur kit at a local science shop and starting to ‘dig up’ the past yourself! As you work, meditate on the meaning of Tiamat’s energy in your life. The more of the bones you uncover, the more you’ll understand and integrate her transformative energy.

Carry a fossil in your pocket today to help keep you connected to Tiamat and her spiritual inventiveness. Or, wash your hands with a little saltwater so that everything you touch is blessed with Tiamat’s productive nature and cleansing.”

Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

Patricia Monaghan says, “Before our world was created, said the Babylonians, there was only Tiamat, the dragon woman of bitter waters, and Her name mate was Apsu, god of fresh water.  In those timeless days in a frenzy of creativity, Tiamat began to bring forth offspring: monsters, storms, and quadrupeds, the like of which exist today only in our dreams.  Finally, the gods came forth from the almighty womb of Tiamat and, growing swiftly, set up housekeeping in another part of the universe.  But they were a rowdy bunch, who disturbed Apsu with their noise.  He approached Tiamat with the suggestion that, because She had created  them, She could readily do away with the gods.  Mummu Tiamat (‘Tiamat the mother’) was taken aback by the suggestion and refused.

But the gods got wind of the conversation and, in retaliation, killed Apsu, the Goddess’ lover.  At that Her fury exploded and, with Kingu, Her firstborn son [other sources say consort], She attacked the gods.  They waged a battle that, some say, goes on annually to this day, with the hero Marduk each year swallowed by the enormous dragon.  Tiamat, according to this version of the story, became a civilizing fish mother (like Atargatis) to the people of the earth.  But others contend that Marduk, hero of the new gods, killed his mother in the battle.  Her body fell into the lower universe, one half became the dome of heaven, the other half the wall to contain the waters” (p. 296).

I believe that it is said best that “the essence of this story is the violent conflict between the older mythologies of the Mother Goddess, Tiamat, representing prehistory fertility worship of gods and Goddess and the new myths of the father gods, struggle for supremacy between the two with the eventual birth of patriarchy.” [2]

“Nammu” by Max Dashu

As one blogger, Carisa Cegavske, explains in one of her blogs about the Goddess Nammu (the Sumerian equivalent of Tiamat): “The Babylonians said Marduk created the heavens and earth by murdering  Tiamat (Nammu’s Babylonian name) and forming the universe from Her body. Tiamat did not go out quietly.  The tale of how Tiamat, primordial Sea Goddess and source of all things created demonic monsters to fight against the hero god Marduk and of how Marduk defeated Her, claiming kingship of the gods and creating heaven and earth from Her body is told in the Enuma Elish.

Eventually, when the priests of Judah rewrote the tale, the Goddess [Nammu] would disappear altogether from the narrative .  Well, almost disappear.  She is traceable still by linguistics, for when God hovers over ‘the deep’ in the opening scene of Genesis (Chapter 1, Verse 2), the word  translated here is tehom, meaning the deeps, the abyss, and linguistically the Semitic form of Tiamat, the name of the Babylonian Goddess.  In time, Nammu would be forgotten, but now, thanks to archaeologists, we can remember the Goddess who came before Heaven and Earth, before the sky gods ascended the throne of history, before even the Bible, before ever the priest put pen to scroll to write the words  ‘In the Beginning….’” [3]

 

 

 

Sources:

Cegavske, Carisa. Thequeenofheaven.wordpress.com, In the Beginning: How the Goddess Nammu created the world and then was forgotten“.

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Tiamat”.

Mxtodis123. An Inner Journey: The Moon, Mythology and You, “Tiamat“.

 

 

Suggested Links:

Beautyofnight.blogspot.com, Dark Goddess: Tiamat”.

Dragondreaming.wordpress.com, “The 11:11:11 Gateway & Tiamat“.

Gatewaystobabylon.com, “Tiamat“.

Hefner, Alan G. Mythical-Folk, “Tiamat“.

Iles, Susanne. Susanneiles.com, “The Dragon & Creation: Reclaiming the Sacred“.

Sea Dragon. Order of the White Moon, “Tiamat“.

Sabrina. Goddess A Day, “Tiamat“.

Sitarik, Jessica. Crystalvaults.com, “Tiamat“.

Spiritblogger. Spiritblogger’s Blog, “The Goddess Tiamat“.

Tannim. Order of the White Moon, “Tiamat“.

Wikipedia, “Tiamat“.

Goddess Yemaja

“Yemaja’s themes are providence, blessing, luck and fertility.  Her symbols are fish, the color blue and the crescent moon.  Yemaja, the Nigerian Goddess of flowering water, bears a name that literally means ‘fish mother!’ As such, Yemaja generates providence and fertility, especially on the physical plane. In legends She gave birth to eleven deities, the sun, the moon, and two streams of water that formed a lake. In art she’s often shown as a mermaid or a crescent moon, and Her favorite color is blue.

The name for the day is definitely fishy. Not surprisingly, new year festivities in Nigeria mark the beginning of the fishing season. Having a teeming net today portends prosperity for the rest of the season. So, what is it that you hope to catch today? Cast out your spiritual line to Yemaja for help in meeting or exceeding any goal.

To bite into a little luck, follow the example of Nigerian children. They make candies in fish shapes before this event, then dunk for them. The one to retrieve the most gets the most good fortune. Check out your local supermarket’s bulk candy section. Ours carries gummy fish that work very well for this activity.

Consider including some type of fish in your menu today (even canned tuna will do the trick). Eat it to internalize good luck and a little of Yemaja’s blessings.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Yemaya” by Sandra M. Stanton

Yemaya is the Yoruban Orisha, a very powerful nature spirit or Goddess of the living Ocean, considered the Mother of All. She is the source of all the waters, including the rivers of Western Africa, especially the River Ogun. Her name is a contraction of Yey Omo Eja, which means “Mother Whose Children are the Fish”. As all life is thought to have begun in the Sea, all life is held to have begun with Yemaya. She is motherly and strongly protective, and cares deeply for all Her children, comforting them and cleansing them of sorrow. She is said to be able to cure infertility in women, and cowrie shells represent Her wealth.She does not easily lose Her temper, but when angered She can be quite destructive and violent, as the Sea in a storm.

In Her myth, it is said that she was brutally raped by Her son. After this She fled to a mountaintop and cursed Her son until he died. In Her sorrows She decided to take Her own life. As She died She gave birth to fourteen powerful orisha, when Her water broke it created a great flood which made the seven seas.

Yemaya was brought to the New World with the African diaspora and She is now worshipped in many cultures besides Her original Africa. In Brazilian Candomblé, where She is known as Yemanja or Imanje, She is the Sea Mother who brings fish to the fishermen, and the crescent moon is Her sign. As Yemanja Afodo, also of Brazil, She protects boats travelling on the Sea and grants safe passage. In Haitian Vodou She is worshipped as a Moon-Goddess, and is believed to protect mothers and their children. She is associated with the mermaid-spirits of Lasirenn (Herself a form of Erzulie) who brings seduction and wealth, and Labalenn, Her sister the whale.

Yemaya rules over the surface of the ocean, where life is concentrated. She is associated with the Orisha Olokin (who is variously described as female, male, or hermaphrodite) who represents the depths of the Ocean and the unconscious, and together They form a balance. She is the sister and wife of Aganju, the god of the soil, and the mother of Oya, Goddess of the winds.

Our Lady of Regla in Brazil may be linked to Her, and She is equated elsewhere in the Americas with the Virgin Mary  as the Great Mother. In parts of Brazil She is honored as the Ocean Goddess at the summer solstice, while in the north east of the country Her festival is held on February 2nd (a day that is also associated with Her daughter Oya, as well as being the feast day of the Celtic Bride), with offerings of blue and white flowers cast into the Sea.

Yemaya’s colors are blue, turquoise and white, and She is said to wear a dress with seven skirts that represent the seven seas. Her symbols are shells, especially cowrie shells. Since She is often  depicted as a mermaid as well so this too is a symbol of Her. Sacred to Her are peacocks, with their beautiful blue/green iridescence, and ducks. The number seven is sacred to Her, also for the seven seas.

“Yamana” by Lisa Iris

Yemaya represents the ebb and flow of life much like the flow of the ocean. Yemaya can bring forth life, but just like the ocean she can also cause great destruction, and change. She teaches us to move freely through the waves of change and cycles of life.

On your altar to Yemaya, have water, salt water if you have access to it. Shells, representations of sea life, crystals of turquoise and white quartz, colors of the ocean, a mermaid and a picture or statue of the Goddess.

Alternate spellings: Yemanja, Yemojá, Yemonja, Yemalla, Yemana, Ymoja, Iamanje, Iemonja, Imanje

Epithets: Achabba, in Her strict aspect; Oqqutte in Her violent aspect: Atarmagwa, the wealthy queen of the sea; Olokun or Olokum as Goddess of dreams

Also called: Mama Watta, “Mother of the Waters” [1] [2]

Symbols and Correspondences:

General: Ocean, rivers, mermaids, the Virgin Mary, New Year’s Eve, February 2, the North Star, half moon, rivers, dreams, pound cake, boats and ships, fans, sacred dance, the number 7

Animals: Fish, ducks, doves, peacocks, feathers, chickens, snakes, and all sea creatures

Plants: Oranges, tropical flowers, yams, grain, seaweed, other plants that grow in the ocean

Perfumes/scents: Scented soaps, raspberry, cinnamon, balsam

Gems and metals: Silver, pearls, mother of pearl, coral, moonstone, crystal quartz, turquoise, and any blue gem or bead

Colors: Sky blue, silver, white, green, and especially a blue dress with full skirt of 7 layers to represent ocean waves or the seven seas. [3]

Sources:

Goddessgift.com, “Goddess Symbols and Sacred Objects of Yemaya“.

Suggested Links:

Alvarado, Denise & Doktor Snake. The Voodoo Hoodoo Spellbook, “Yemayá (Yemoja, Iemanja)“.

Goddessgift.com, “Yemaya, Goddess of the Ocean and the New Year“.

Illes, Judika. Encyclopedia of Spirits.

Luckymojo.com, “The Seven African Powers“.

Monaghan, Patricia. The Book of Goddesses and Heriones, “Yemaya“.

Tzeenj, Rafh. Spiralnature.com, “Yemaya“.

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Heathen's in Georgia

Mystic Fire Blog

A Spiritual Blog by Dipali Desai. Awaken to your true nature.

art and healing Blog

Art heals yourself, others, community and the earth

My Moonlit Path.....

The Story of My Everyday Life.....

Raising Natural Kids

Because knowledge is the key to making informed decisions for your family.

Her Breath

Fused with the Fire of Inspiration

Philip Carr-Gomm

Philip Carr Gomm

Works of Literata

The art of living with a broken heart.

The Northern Grove

Celebrating Pagan History and Culture of Northern Europe

The Belle Jar

"Let me live, love and say it well in good sentences." - Sylvia Plath

The Witch of Forest Grove

Animism, Folk Magic, and Spirit Work in the Pacific Northwest

WoodsPriestess

Exploring the intersection between Nature, the Goddess, art, and poetry as well as the practical work of priestessing.