Tag Archive: peacocks


Goddess Juno

“Juno’s themes are femininity, love, relationships, romance, kinship, time, protection (women and children) and leadership. Her symbols are the cypress, peacocks, cuckoos, luxurious clothing, figs and the moon (or silver items).  The supreme Goddess of the Roman pantheon, Juno offers a helping hand in every aspect of our relationships, especially the safety and happiness of women and children in those settings. Juno is also a very modern minded Goddess, taking an active role in public life and finances. Beyond this, She rules women’s cycles, giving Her connections with the moon. Art depicts Juno always wearing majestic clothing befitting the ‘Queen of Heaven.’

According to Roman folklore, marrying today ensures a long, happy relationship. So if you’re planning a wedding or an engagement, or even moving in together, Juno can bless that commitment if you time the big step for today! As part of your devotional ritual, don’t forget to wear special clothing (perhaps something your partner especially likes) to invoke Juno’s attention and loving energy.

If you’d like to connect with Juno’s feminine force, Her leadership skills or Her sense of timing within yourself, eat some fig-filled cookies today (or just some figs), saying,

‘Juno, bring_______to my spirit, my wish fulfill. By your power, through my will.’

FIll the black with whatever aspect of Juno you most need to develop.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Hera – Queen of Olympus” by Umina

Patricia Monaghan tells us that Juno was “a very ancient Italian Goddess, [and] was originally quite different from the Greek Hera; both, however, were essentially Goddesses of women.  When the Greek sky queen came to Rome during the days of cultural assimilation, She merged with the Roman Goddess and Her legends were told of Juno.  Juno’s separate mythology was lost, except for the tale that, impregnated by a flower, Juno bore the god Mars – a story never told of Hera” (p. 174).

According to Thalia Took “Juno, or to spell it the Latin way, Iuno, is the Roman Great Goddess, the Queen of the Gods, Sky-Goddess, Protectress of Women, Mother of Mars, Wife of Jupiter, She of the many epithets and a long long history of worship in Rome. She was one of the Capitoline Triad, with Jupiter and Minerva, Who were considered the three main Deities of Rome; She was widely worshipped among the Latins, and Her cult was also important among the Etruscans, who called Her Uni or Cupra. She was an especial protectress of women in marriage and childbirth, and many of Her epithets relate to that aspect, but She could also have a more civic or martial character as protectress of the Roman people.

“Hera” by Canankk

Juno’s name may derive from an Indo-European root with connotations of vitality and youth, and if so would suggest that Her aspect as Birth-Goddess is one of Her oldest. Alternatively, Her name may come from the Etruscan Uni, which means ‘She Who Gives’, and which would refer to Her capacity as a benevolent Goddess of abundance who answers the prayers of those in need.

As each man was believed to have a protective guardian spirit called a genius, so each woman had one called a juno. These guardian spirits (in the plural, junones) may have originally been the ghosts of the ancestors who were believed to watch over and protect their descendents. They were usually represented as snakes (probably relating to the chthonic or underworld aspect of the Dead), and were given offerings on the individual’s birthday at the household altar.

The first days of each Roman month, the calends, were sacred to Juno, as was the entire month of June, which is still named for Her. Five cities in Latium (the region of the Latin tribe) also named a month for Her: Aricia, on the Via Appia; Lanuvium, where She was worshipped as Juno Sospita (‘Juno the Saviouress’), Praeneste (modern Palestrina), Tibur (modern Tivoli, the resort town of Rome), and Laurentum, located between Lavinium and Ostia on the coast. And as Juno is the Roman Goddess of Marriage, it is no coincidence that June is still considered the proper month for weddings.” [1]

“Juno–Supreme Goddess of Women” by MiiSweeTesTSiN

“One of Her most famous names was Moneta, ‘warner’, which was earned many times over: once when Her sacred geese once set up such a squawking that the city was warned of invading Gauls, another time when an earthquake threatened and Juno’s voice from heaven alerted the city, and finally when the underfunded Roman generals came to Juno’s temple for advice and were told that any war fought ethically would find popular (and financial) support.  This last effort made Her matron of the Roman mint, which was located in Her temple, and turned Her title into a word for ‘money’.

Most important, Juno was the Goddess of time.  Daughter of Saturn, She was a symbol of the menstrual cycle as time’s indicator; Goddess of the new moon, She was worshiped by Roman women on the Calends, or first of each lunar month.  In addition to these monthly celebrations, Juno was honored in two festivals: the unrestrained Nonae Caprotinae on July 7, when serving girls staged mock fights under a wild fig tree; and the more sedate Matronalia on March 1 when married women demanded money from their husbands to offer to the Goddess of womanhood” (Monaghan, p. 174).

Like Jupiter, Juno was believed to have the ability to throw thunderbolts.

Also called: Junonis or Iuno.

“Hera’s Eyes” by *Ravenhart

Here, then, is the index for as many of Her aspects as I could find, treated individually; they range from simply descriptive titles such as Conciliatrix that may not have had a use in Her cult, to the more important and unusual facets of Her like Curitis, all the way to separate Goddesses who were assimilated to or equated with Juno, such as the Dea Caelestis of Carthage.

AbeonaAdionaCaelestisCaprotina, Cinxia, Cioxia (ruler of the first undressing by the husband), Conciliatrix, Conservatrix, CubaCuninaCupraCuriatiaCuritis, Comiduca, Dea Caelestis, Dea Statina, Domiduca,EducaEdulicaEmpanadaFebrutis, Fluonia, Gamelia, Inferna, Interduca, JugaJugalis, Juno of Falerii, Lacinia, Lanuvina, Levana, LucetiaLucinaMartialis, Maturna, Matrona, Moneta, Nacio, Natalis, Nundina, Nutrix, Nuxia, Opigena, Ossipaga (who strengthens fetal bones), Panda, Perficia, Pertunda, Perusina, Populonia (Goddess of conception), Potina, Prema, Pronuba (arranger of appropriate matches), QuiritisReginaRumina, Seispita, Sispes, Sororia, Sospita (the labor Goddess), SupraUni, Unxia, Vagitanus, Virginalis, Viriplaca (who settles arguments between spouses), Volumna.” [2]

Sources:

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Juno”.

Took, Thalia. The Obscure Goddess Online Directory, “Juno“.

Suggested Links:

Goddess-Guide.com, “Juno“.

Goddess School, Healing Arts and Pagan Studies with GrannyMoon, “An Hymn to Juno“.

Qu’Aryn Teal Moon. Order of the White Moon, “Juno“.

Revel, Anita. igoddess.com, “Juno: mutual mojo“.

Roman Colosseum, “Myths About the Roman Goddess Juno“.

Wikipedia, “Juno“.

Goddess Anahita

“Ishtar” by Lisa Iris

“Anahita’s themes are spring, relationships, equality, fertility and sexuality.  Her symbols are green branches and water.  This Babylon Goddess of fertility embraces the attributes of fruitful, warm waters that flow from the celestial realms into our lives, especially as the earth is renewed. Her name translates as ‘humid immaculate one’, and art shows Her a a strong maiden who creates life and pours blessings. During the height of Babylonian civilization, She was also the patroness of civic prostitutes.

Sacaea – this day marked the Babylonian new year, during which time heaven and earth were considered married. Therefore, this is an excellent date to plan a wedding, hand fasting, or engagement, or just to spend time with someone you hold dear. Bring them a small green branch from a tree to extend Anahita’s love and equality into your relationship.

Traditional roles are often reversed today to emphasize fairness between people. So, if you’re normally passive in your interactions, become a little more aggressive. As you do, feel how Anahita’s passion and energy flow through you.

To increase passion or sexual confidence, take a warm bath before meeting your partner. Perhaps add some lusty aromatics to the water (cinnamon, vanilla, mint or violet) to put you in the right fame of mind. Let Anahita’s waters stimulate your skin and your interest, then enjoy!”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Anahita” by Vaezi

One of the earliest of the Great Mothers, Anahita was the ancient Persian Goddess of water, fertility, and patroness of women, as well as a Goddess of war.  She embodied the physical and metaphorical qualities of water, especially the fertilizing flow of water from the fountain in the stars; thus She ruled over all the waters – rivers, streams, lakes, and the sea, as well as the life-giving fluids of mankind, such as semen and mother’s milk. Rivers and lakes were sacred to Her, as they were thought to be the waters of birth. She is depicted as a beautiful young virgin with full breasts. She is dressed in golden robes complete with jewels and a halo crown or diamond tiara, sometimes carrying a water pitcher. Her name means “the immaculate one” and She was viewed as the “Golden Mother” and also as a warrior maiden. The dove and the peacock are Her sacred animals. Anahita is sometimes regarded as the consort of Mithra.

 Anahita She was very popular and is one of the forms of the ‘Great Goddess’ which appears in many ancient eastern religions (such as the Syrian/Phoenician Goddess Anath).  She originated in Babylon and spread throughout Asia Minor, India and to Kemet (ancient Egypt), where She was depicted as an armed and mounted Goddess. The Greeks associated Anahita with Athena, Aphrodite and even Artemis.

In the Middle East, She was associated with Anat. Worship of Anahita spread to Armenia, Persia, and various parts of western Asia. Zoroaster was specifically commanded by his male god to honor Her. When Persia conquered Babylonia (in the 6th century BCE), Anahita began to show some similarities with the Goddess Ishtar. She was identified with the planet Venus, showing how She was possibly descended from Ishtar, the chief Goddess of the region in the pre-lndo-European era. Anahita was also the patroness of women and the Goddess of war who rides in a chariot drawn by four white horses representing wind, rain, clouds, and hail.

Statue of Anahita riding a chariot in Fouman-Gilan, Iran. Chariots figure prominently in Indo-Iranian mythology. Chariots are also important in Hindu and Persion mythologies, in which deities are portrayed as charioteers.

Her cult included the practice of temple prostitution. During the reign of King Artaxerxes (436-358 BCE) many temples were erected in Her honor; in Soesa, Ecbatana, and in Babylon.  Ritual prostitution occurred in Her temples in order to “purify the seed of males and the womb and milk of females,” according to Strabo. Armenians called out to Anahita “Great Lady Anahita, glory and life-giver of our nation, mother of sobriety, and benefactor of humanity.”

“Anahita” by Trashcn

Along with Mithra and Verethragna,  She lost much of Her power during Zoroastrian period but She did not completely disappear.  She became known as an important Yazata (‘adorable ones’, a created spiritual being, worthy of being honored or praised; ever trying to help people, and protect us from evil), Aredvi Sura Anahitaliterally meaning ‘strong, immaculate Anahita’, female Yazad personifying water; also known as Aban Yazad. She resides in the starry regions. Her hymn is preserved in Yasht 5.

 

 

 

Sources:

Avesta — Zoroastrian Archives, “Angels in Zoroastrianism“.

Langdon, S. Journal of the Royal Asiatic Society, January 1924, Vol. 56, Issue 01, “The Babylonian and Persian Sacaea1

Lindemans, Micha F. Encyclopedia Mythica, “Anahita“.

Milo. TeenWitch.com, “Anaitis Anahita“.

Wikipedia, “Anahita“.

 

 

Suggested Links:

Enkidu, Leah. Shrine, “Return of the Holy Prostitute“.

Iranpoliticsclub.net, “Persian Mythology, Gods and Goddesses“.


Goddess Hera

“Hera” by tygodym

“Hera’s themes are love, romance, forgiveness and humor.  Her symbols are oak, myrrh and poppies. Hera rules the earth, its people and the hearts of those people. Using creativity, Hera nudges star-crossed lovers together, chaperones trysts and helps struggling marriages with a case of spring twitterpation!

Legends tells us that Hera refused to return to Zeus’s bed because of a quarrel. Zeus, however, had a plan. He humorously dressed up a wooden figure to look like a bride and declared he was going to marry. When Hera tore off the dummy’s clothes and discovered the ruse, She was so amused and impressed by Zeus’s ingenuity that She forgave him.

Ancient Greeks honored Hera and Zeus’s reconciliation today during a festival called Daedala, often in the company of old oak trees. Small pieces of fallen wood are collected to symbolize the divinities, then burned on the ritual fire to keep love warm. To mirror this custom, find a fallen branch and burn a small part of it as an offering to Hera. Keep the rest to use as a Goddess image year-round, burning a few slivers whenever love needs encouragement.

Present someone you love or admire with a poppy today to symbolically bestow Hera’s blessings on your relationship. If you have a loved one away from home, burn some myrrh incense in front of their picture so Hera can watch over them and keep that connection strong.

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Hera” by Soa-Lee

“Hera is the Goddess who has suffered the most at the hands of those who dabbled in Greek mythology. Summed up and dismissed as a shew and a nag, Hera was in fact the most powerful of all the Olympian Goddesses, the queen of the gods. Before that She was the primary divinity of the pre-Hellenic Greeks who honored Her through festivals similar the Olympics.

Long before the Indo-European Hellenes came down from the north to occupy the land and islands of Greece, a Mediterranean race, speaking a language different from the Hellenes, occupied Greece. The older race which are called Minoan and Early Hellenic, had customs and codes different from those of the incoming Hellenes. The older culture was, for example, matriarchal. Society was build around the woman; even on the highest level, where descent was on the female side. A man became king by formal marriage and his daughter succeeded. Therefore the next king was the man who married the daughter.

 

Until the Northerners arrived, religion and custom were dominated by the female and the Goddess.

Hera was the chief divinity of this culture; She was their queen and ancestral mother, and She ruled alone, needing no king to back Her up. The earliest evidence about Her describes Her as Queen of Heaven, great Mother Goddess, ruler of people. In these images, She was associated with the bird, the snake, and the bull, suggesting connections with water, earth, and life energies.

“Hera” by cheungygirl

The ancient Hera passed through three stages: youth, prime and age. First She was the maiden Hebe or Parthenia, called virginal not because She avoided intercourse but because She had no children and was free of responsibility. In this stage She was also called Antheia (‘flowering one’), symbol of both the flower of human youth and the budding earth in springtime. Next She revealed Herself as the mature woman, Nymphenomene, (‘seeking a mate’) or Teleia (‘prefect one’)’; She was the earth in summer, the mother in Her prime of life. Finally She showed herself as Theria (‘crone’), the woman who has passed through and beyond maternity and lives again to Herself.

In all these stages, She represented the epitome of woman’s strength and power. Far from being spiteful and malicious, She was generous and self-assured. The ancient Hera was so beloved that being recast in such negative aspects in the myths created by the conquering northern Hellenes, She was still worshiped and revered. It seems the women refused to give Her up entirely. In spite of the slanderous tales about Her, She would emerge at festivals in Her honor as a Goddess who cared for women.

Hera has three symbols which can be connected with her three ancient phases. The first of these is the cuckoo, a bird in many places connected with springtime. Later myths frequently mentioned that Hera had a tender spot for the cuckoo. At Mycene, a Creatan colony, on the Greek mainland, miniature temples mounted with cuckoos have been found buried in the rubble along with statuettes of a naked Goddess holding the same birds on Her arms. As Hera’s worship goes back to that period, these statutes may represent Her most ancient worship.

Another symbol of Hera is the peacock. Hera’s watchfulness is symbolized by the peacock and the ‘eyes’ in its feathers. The bird was a sacred symbol of Hera and wandered the in temples of Hera. In addition, the peacock is often associated with summer and therefore this may symbolized Hera’s second phase, the mature woman, the mother phase.

“Hera: Queen of Heaven” by iizzard

The third symbol for Hera is the pomegranate which She shares with Persephone. She is often depicted holding the pomegranate but there is no reference in Her myths to its significant. Ripening late in the year, the leathery-skinned pomegranate, so full of juicy seeds, is a marvelous image for a woman in her late years, Her crone years. The deep red juice of this fruit was often likened to blood and in some areas of Greece, was designated as food for the dead, heightening this connection to Her crone phase.

“Hera Base Card Art – Hanie Mohd” by Pernastudios

Others symbols for Hera include lilies and cows. In ancient Greece at Hera’s temple in Argos, Her priestesses gathered lilies of the valley and garlanded Her alter with them. The lily is a powerful symbol of the feminine and can be given as an offering to honor the Goddess and to invoke Her presence. The cow, a less frequent symbol of Hera, was associated with Her because She was said to have cow eyes, and disguised Herself as a cow in one myth. Also cows were often sacrificed to her. Hera’s cow identity shows Her to be a heavenly Goddess ruling the celestial vault and its luminaries.

Another symbol with Hera is the apple. At Her forced marriage to Zeus, Hera was given a special magic garden in the West where She kept Her apples of immortality. This magical garden was called the Hesperides, probably a symbol of Her regenerating womb; Her apples were guarded by Her sacred serpent.”  [1] <– Click here to continue reading this informative entry by Anne Morgan on the Order of the White Moon’s site, including information on building an altar to Hera, information on Her feasts and rituals and a very thorough bibliography.

 

 

ASSOCIATIONS:

General: Milky Way (our galaxy), the seasons of the year, diadem (diamond crown) or tiara, spas and baths.

Animals: Peacock, cow, eagle, crabs, snails, and other creatures with shells.

Plants: Lilies, poppies, stephanotis, cypress, coconut, iris, white rose, waterlily, maple trees, and all white flowers.

Perfumes/Scents: Rose, iris, myrrh, civet, jasmine, patchouli, and stehanotis.

Gems and Metals: Silver, pearls, garnet, citrine, amber, diamond, platinum and star sapphire.

Colors: White, royal blue, purple, rose, dark green, silver and grey. [2]

 

 

 

Sources:

Goddessgift.com, “Goddess Symbols: Hera

Morgan, Anne.  Order of the White Moon, “Hera: Great Mother Goddess“.

 

 

Suggested Links:

Goddessgift.com, “Hera, Greek Goddess of Love and Marriage“.

Heckart, Kelley. Kelley Heckart, author of Historical Celtic fantasy romances, “Pre-Hellenic Goddesses“.

Regula, deTraci. About.com, “Fast Facts on: Hera

Sosa, Sylvia. Sweet Biar College {History of Art Program}, “Hera: The First Greek Goddess“.

Theoi Greek Mythology, “Hera“.

Theoi Greek Mythology, “Hera and HPH“.

Goddess Yemaja

“Yemaja’s themes are providence, blessing, luck and fertility.  Her symbols are fish, the color blue and the crescent moon.  Yemaja, the Nigerian Goddess of flowering water, bears a name that literally means ‘fish mother!’ As such, Yemaja generates providence and fertility, especially on the physical plane. In legends She gave birth to eleven deities, the sun, the moon, and two streams of water that formed a lake. In art she’s often shown as a mermaid or a crescent moon, and Her favorite color is blue.

The name for the day is definitely fishy. Not surprisingly, new year festivities in Nigeria mark the beginning of the fishing season. Having a teeming net today portends prosperity for the rest of the season. So, what is it that you hope to catch today? Cast out your spiritual line to Yemaja for help in meeting or exceeding any goal.

To bite into a little luck, follow the example of Nigerian children. They make candies in fish shapes before this event, then dunk for them. The one to retrieve the most gets the most good fortune. Check out your local supermarket’s bulk candy section. Ours carries gummy fish that work very well for this activity.

Consider including some type of fish in your menu today (even canned tuna will do the trick). Eat it to internalize good luck and a little of Yemaja’s blessings.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Yemaya” by Sandra M. Stanton

Yemaya is the Yoruban Orisha, a very powerful nature spirit or Goddess of the living Ocean, considered the Mother of All. She is the source of all the waters, including the rivers of Western Africa, especially the River Ogun. Her name is a contraction of Yey Omo Eja, which means “Mother Whose Children are the Fish”. As all life is thought to have begun in the Sea, all life is held to have begun with Yemaya. She is motherly and strongly protective, and cares deeply for all Her children, comforting them and cleansing them of sorrow. She is said to be able to cure infertility in women, and cowrie shells represent Her wealth.She does not easily lose Her temper, but when angered She can be quite destructive and violent, as the Sea in a storm.

In Her myth, it is said that she was brutally raped by Her son. After this She fled to a mountaintop and cursed Her son until he died. In Her sorrows She decided to take Her own life. As She died She gave birth to fourteen powerful orisha, when Her water broke it created a great flood which made the seven seas.

Yemaya was brought to the New World with the African diaspora and She is now worshipped in many cultures besides Her original Africa. In Brazilian Candomblé, where She is known as Yemanja or Imanje, She is the Sea Mother who brings fish to the fishermen, and the crescent moon is Her sign. As Yemanja Afodo, also of Brazil, She protects boats travelling on the Sea and grants safe passage. In Haitian Vodou She is worshipped as a Moon-Goddess, and is believed to protect mothers and their children. She is associated with the mermaid-spirits of Lasirenn (Herself a form of Erzulie) who brings seduction and wealth, and Labalenn, Her sister the whale.

Yemaya rules over the surface of the ocean, where life is concentrated. She is associated with the Orisha Olokin (who is variously described as female, male, or hermaphrodite) who represents the depths of the Ocean and the unconscious, and together They form a balance. She is the sister and wife of Aganju, the god of the soil, and the mother of Oya, Goddess of the winds.

Our Lady of Regla in Brazil may be linked to Her, and She is equated elsewhere in the Americas with the Virgin Mary  as the Great Mother. In parts of Brazil She is honored as the Ocean Goddess at the summer solstice, while in the north east of the country Her festival is held on February 2nd (a day that is also associated with Her daughter Oya, as well as being the feast day of the Celtic Bride), with offerings of blue and white flowers cast into the Sea.

Yemaya’s colors are blue, turquoise and white, and She is said to wear a dress with seven skirts that represent the seven seas. Her symbols are shells, especially cowrie shells. Since She is often  depicted as a mermaid as well so this too is a symbol of Her. Sacred to Her are peacocks, with their beautiful blue/green iridescence, and ducks. The number seven is sacred to Her, also for the seven seas.

“Yamana” by Lisa Iris

Yemaya represents the ebb and flow of life much like the flow of the ocean. Yemaya can bring forth life, but just like the ocean she can also cause great destruction, and change. She teaches us to move freely through the waves of change and cycles of life.

On your altar to Yemaya, have water, salt water if you have access to it. Shells, representations of sea life, crystals of turquoise and white quartz, colors of the ocean, a mermaid and a picture or statue of the Goddess.

Alternate spellings: Yemanja, Yemojá, Yemonja, Yemalla, Yemana, Ymoja, Iamanje, Iemonja, Imanje

Epithets: Achabba, in Her strict aspect; Oqqutte in Her violent aspect: Atarmagwa, the wealthy queen of the sea; Olokun or Olokum as Goddess of dreams

Also called: Mama Watta, “Mother of the Waters” [1] [2]

Symbols and Correspondences:

General: Ocean, rivers, mermaids, the Virgin Mary, New Year’s Eve, February 2, the North Star, half moon, rivers, dreams, pound cake, boats and ships, fans, sacred dance, the number 7

Animals: Fish, ducks, doves, peacocks, feathers, chickens, snakes, and all sea creatures

Plants: Oranges, tropical flowers, yams, grain, seaweed, other plants that grow in the ocean

Perfumes/scents: Scented soaps, raspberry, cinnamon, balsam

Gems and metals: Silver, pearls, mother of pearl, coral, moonstone, crystal quartz, turquoise, and any blue gem or bead

Colors: Sky blue, silver, white, green, and especially a blue dress with full skirt of 7 layers to represent ocean waves or the seven seas. [3]

Sources:

Goddessgift.com, “Goddess Symbols and Sacred Objects of Yemaya“.

Suggested Links:

Alvarado, Denise & Doktor Snake. The Voodoo Hoodoo Spellbook, “Yemayá (Yemoja, Iemanja)“.

Goddessgift.com, “Yemaya, Goddess of the Ocean and the New Year“.

Illes, Judika. Encyclopedia of Spirits.

Luckymojo.com, “The Seven African Powers“.

Monaghan, Patricia. The Book of Goddesses and Heriones, “Yemaya“.

Tzeenj, Rafh. Spiralnature.com, “Yemaya“.

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