Tag Archive: navajo


“Frozen” by ~RuslanKadiev

“Mina Koya’s themes are weather, health, ghosts and blessings. Her symbol is salt. The salt Goddess of the Pueblo Native Americans, Mina Koya is often venerated during autumn festivals for Her power to cleanse, protect and preserve things, including our homes and traditions. Her healing power becomes all the more important as winter’s chilly hold gets stronger.

A New Mexican festival, Shalako is an all-night ritual of dancing and chanting to bless homes, commemorate the dead, bring good weather, and improve health for all participants. One tradition that honors Mina Koya and draws Her well-being into the sacred place of home is that of noise making. Take a flat-bottomed pan and sprinkle salt on it. Bang this once in every room of the house (so some of the salt shakes off). This banishes negativity and evil, replacing it with Mina Koya’s blessings. To improve the effect, chant and dance afterward, sweeping up the salt and keeping it for the weather charm that follows. Or, flush the salt down the toilet to flush out any maladies.

If it’s been wet or snowy and you need a reprieve, bind a little salt in a white cloth and bury it. The weather should change temporarily soon thereafter. This bundle will also protect your home and its residents from damage by harsh weather for as long as it stays in the ground nearby.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

I could find no information on a Goddess called Mina Koya.  I did however find a related Goddess (similar attributes – perhaps same Goddess, just a different name?) called Ma’l Oyattsik’i.  Ma’l Oyattsik’i is a Zuni Goddess and is called “The Salt Mother. Annual barefoot pilgrimages have been made for centuries on the trail to Her home, the Zuni Salt Lake.” [1]

Aerial photo of Zuni Salt Lake [AirPhoto]

On Preservationnation.org, it states: “Located in a remote region of western New Mexico, Zuni Salt Lake and the surrounding area (known as the Sanctuary Zone) are considered sacred ground by no less than six Native American tribes. The lake is particularly significant to members of the Zuni Tribe, who believe that it gives life to Ma’l Oyattsik’I, Salt Woman, one of the tribe’s central deities, and has long been an important source of salt for domestic and ceremonial use. In recognition of the sites’ significance, the National Park Service listed Zuni Salt Like on the National Register of Historic Places in 1999.” It is currently on the 11 Most Endangered Historic Places list. [2]

Art by josephxengraver

I found a lovely story on Sacred-texts.com about the Goddess of Salt that I’d like to share with you.  “Between Zuni and Pescado is a steep mesa, or table-land, with fantastic rocks weathered into tower and roof-like prominences on its sides, while near it is a high natural monument of stone. Say the Zunis: The Goddess of salt was so troubled by the people who lived near Her domain on the sea-shore, and who took away Her snowy treasures without offering any sacrifice in return, that She forsook the ocean and went to live in the mountains far away. Whenever She stopped beside a pool to rest She made it salt, and She wandered so long about the great basins of the West that much of the water in them is bitter, and the yield of salt from the larger lake near Zuni brings into the Zuni treasury large tolls from other tribes that draw from it.

Here She met the turquoise god, who fell in love with Her at sight, and wooed so warmly that She accepted and married him. For a time they lived happily, but when the people learned that the Goddess had concealed Herself among the mountains of New Mexico they followed Her to that land and troubled Her again until She declared that She would leave their view forever.

She entered this mesa, breaking Her way through a high wall of sandstone as She did so. The arched portal through which She passed is plainly visible. As She went through, one of Her plumes was broken off, and falling into the valley it tipped upon its stem and became the monument that is seen there. The god of turquoise followed his wife, and his footsteps may be traced in outcrops of pale-blue stone.” [3]

In another version of the story, Salt Woman gave salt to the priests who followed Her and instructed them in the proper way to gather salt.  According to the Navajo, Salt Woman was one of the Diyin Dineh, or Holy People. [4]

 

 

 

Sources:

Native American Mythology A to Z, “Salt Woman“.

Preservationnation.org, “Zuni Salt Lake and Sanctuary Zone“.

Schubert, Rebecca. Zunispirits.com, “The Salt Woman“.

Skinnner, Charles M. Sacred-texts.com, “Goddess of Salt“.

Wikipedia, “Zuni Mythology“.

 

 

Suggested Links:

Bastian, Dawn Elaine & Judy K. Mitchel. Handbook of Native American Mythology, “Salt Woman“.

Indianstories.awardspace.com, “Salt Mother Story“.

Skinner, Charles M. Myths and Legends of Our Own Land, Vol. 2, “Goddess of Salt“.

St. Clair, Jeffrey. Counterpunch.org, “The Battle for Zuni Salt Lake“.

Twinrocks.com, “Salt Woman“.

White Painted Woman

“White Painted Woman’s themes are maturity, cycles, femininity and tradition. Her symbols are white colored items.  White Painted Woman taught Her people sacred rituals and She can change Her appearance at will to that of a young girl or an old woman, representing the full cycle of life and all that awaits us in between. When White Painted Woman was a girl, She went away to the mountains, where the sun taught Her how to conduct puberty rites, which is Her function in today’s Apache Puberty Ceremony.

About this time of year, Apache girls participate in a special coming-of-age ritual that takes place over four nights. Part of the ritual commemorates White Painted Woman’s adventure in the mountains and in another part the young women take on Her role so they can prepare for adulthood. In modern times, rites of passage have been somewhat overlooked, but today is definitely a time to consider reinstating them to honor White Painted Woman and draw Her blessings into someone’s life. If you know a child who has reached an important juncture (going to school, getting their driver’s license, graduating) find a way to commemorate that step in their personal growth.

For school, bless a special lunch box or book bag with rosemary oil for mental keenness. For a license, make them a protective automobile amulet (perhaps something to hang off the rearview mirror). Whatever you do, fill this person’s life with magic!”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

For today’s entry, I’d like to share an article with you by Charlotte Kuchinsky entitled, “The Navajo Myth of the Changing Woman”.  It explains both Changing Woman, White Painted, their similarities and their differences.

“The Changing Woman, is a powerful deity among the tribes of the Navajo and Apache (where she is also called the White Painted Woman). She is considered a benevolent goddess that represents both creation and protection. As such, she is recognized as the goddess of fertility and reproduction.

“Changing Woman” by dreamagic

The Changing Woman got Her name from Her ability to change along with the seasons. In the spring and summer, She appears as a young maiden full of life, vitality and, of course, fertility. In the fall and winter she transforms Herself into an old woman, representing the desolateness of age, infertility, and eventual death.

According to Navajo legend, First Man is responsible for discovering the Goddess at the summit of a mountain where She was born. As the story goes, the sun fed Her with pollen to sustain Her while the rain helped Her grow into a full size woman within a mere eighteen days. But still, She was nothing more than a lifeless figure until the great wind gave Her the breath of life.

The sun immediately fell in love with his creation and took Her for his wife. She bore him a son, which was named Monster Slayer. He was to become the salvation of his people by ridding the world of all monsters.

Eventually, the sun built a very special house for his wife; hidden deep within the western woods surrounded by four mountains to the east, west, north, and south. It is said that when the sun sets in the west because he is going home to his beloved.

“The Dancing Princess” by Lee Bogle

So pleased was Changing Woman with Her home, that She danced gleefully upon each of the four mountaintops. As She did so, She bestowed great gifts upon mankind.

Her dancing created rain clouds from the eastern mountain, bringing the soft rain that would sustain all life. Her dance on the southern mountain brought forth beautiful woven fabrics and jewels. Her dance upon the western mountain caused plant life to spring forth in great abundance. Finally, Her dance on the northern mountain created all of the animals that would help sustain the earth.

After Her dance was finished, Changing Woman sat down to rest. As She sat there, She rubbed off the outer layer of Her skin from various parts of Her body. The flakes hit the fertile earth and immediately spring forth new human beings. These became the various clans of the Navajo.

Changing Woman taught humankind how to appreciate earth’s many gifts as well as how to control the elements of nature. She also bestowed gifts upon them through various rituals referred to as Blessingways.

Each Blessingway served a particular purpose such as blessing a wedding, childbirth, or other happy occasions among the Navajo. It took several days to complete each Blessingway ritual, which contained songs, prayers, and ceremonial baths in the milk of cacti.

One such important Blessingway was called the Kinaalda. It recognized a girl’s growth from childhood to maturity. Much of the honoree’s time during the early stages of that ritual was spent grinding in excess of 100 pounds of corn and wheat.

These, along with prepared cornhusks, were used to form a giant cornmeal cake, which was cooked underground during the Kinaalda.

The ritual also involved the honoree running from west to east while singing and continuing her prayers. She would then take part in a ritual ‘molding’ which is similar in nature to the Apache Sunrise Ceremony. One major difference between the ceremonies, was that in the Kinaalda the girl had to remain awake both the dayand night of her initial ceremony. She was to spend that time in contemplation and prayer.

The last day of the ceremony, the girl ran toward the sunrise one final time and then blessed the cake that she had prepared. The first piece was offered to the sun, while the remainder was used to feed her people.

While many of the Apache and Navajo beliefs and rituals in this respect are the same, there are some differences as well. According to Apache legend, White Painted Woman (another name for Changing Woman) survived the flood in an abalone shell. She was then impregnated twice; first by the sun for whom She bore a son named Killer of Enemies. Later, She was also impregnated by the rain for whom She bore a son named Son of Water.

White Painted Woman also had the ability to change form. When She became old, She would walk east until She met Her younger self and merged to become young once again.

White Painted Woman also taught Her people in a ceremonial ritual. One of the most important was for young girls who had just reached puberty. It represented the rights of womanhood. The ceremony always took place at sunrise and, therefore, became known as The Sunrise Ritual.  Photos of such an ceremony can be seen here and here.

The first part of the ceremony always re-enacted the creation myth. It was meant to help the young girl get in touch with the spiritual side of her people. It also emphasized her strength and ability to overcome the dark side of her nature by tapping into her own inner spirituality.

Next, she was taught what it meant to become a woman, with emphasis on menstruation and sexuality. But it was also an exercise in physical strength and endurance as the girl took part in a four-day ritual involving both dance and running. The sacred ordeal was meant to strengthen the girl physically, mentally, and emotionally.

Finally, the girl experienced the reality of womanhood and all that it entailed; hard work, the numerous cultural demands of the tribe, as well as her commitment to all of humankind. During this time, the girl was expected to give gifts of herself to her people. These might include food, clothing, assistance with daily chores, personal prayers and much more. In return, her people responded with wishes for her prosperity and long-life.

However, the ceremony wasn’t just for the girl. It also brought the community together to recognize binding ties and to form new bonds of family and friendship.

The songs and prayers of both tribes, with regard to their spiritual rituals, are both moving and insightful. The spirituality with which these Native Americans approached life is awe inspiring indeed. It is a shame that the whiteman’s greed and selfishness managed to rob us of such rich history. Without it, we are all greatly diminished.” [1]

Also see my entry on the Goddess Estsanatlehi and White Shell Woman.

 

 

Here is a preview of a documentary entitled “The Sunrise Dance”, showing the ancient, sacred Apache ritual that has never before been filmed.

 

 

 

 

 

Sources:

Kuchinsky, Charlotte. Yahoo! Voices, “The Navajo Myth of Changing Woman“.

 

 

Suggested Links:

American Studies at the University of Virginia, “Changing Woman: Myth, Metaphor, and Pragmatics“.

Cosmic Dust. Earth-Age, “Sunrise Dance“.

Daughters of the Earth, “The Feminine Divine“.

Eller, Jack David. Womennewsnetwork.net, “Documentary: The Sunrise Dance“.

Sharp, Jay W. Desertusa.com, “Profile of an Apache Woman“.

Yupanqui, Tika (Tracy Marks). Web Winds, “Becoming Woman: Apache Female Puberty Sunrise“.

Estsanatlehi from The Book of Goddesses by Kris Waldherr.

“Estsanatlehi’s themes are fertility, beauty, blessing, summer, weather, time, and cycles.  Her symbols are apples, apple seeds, apple blossoms, and rainwater.  This Native American Goddess inspires the earth’s blossoming, and that of our spirits, with Her productive energies. Having the power of self-rejuvenation, She warms the earth with wind in the spring, then brings soft summer rains to keep the fields growing. As the seasons change, so does Her appearance, reminding us of time’s movement and the earth’s cycles.

The Apple Blossom Festival is the oldest flower fair in the United States and actually takes its conceptualization form a New Zealand custom of celebrating the apple orchards in bloom – a place filled with Estsanatlehi’s glory. When you get up today, check outside. If it’s sprinkling lightly, it is a very good omen, meaning Estsanatlehi is fertilizing the Earth. Gather a little of this rainwater and use it in a ritual for cleansing and blessing the sacred space, or as a libation.

If you can get outside to appreciate the spring flowers, it pleases Estsanatlehi and initiates Her renewal in your spirit. At some point in the day, have a tall glass of apple juice (apples plus water) to quaff a bit of Estsanatlehi’s resourcefulness. Or, enjoy a fruit salad that includes apples and a garnish of fresh flowers (many of which are edible) so Her beauty will grow within you.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

Estsanatlehi (pronounced es-tan-AHT-lu-hee), or Changing Woman – “The Apache called the earth Goddess by this name, for She never grew old. When Her age began to show, She simply walked toward the east until she saw Her form coming toward herself. She kept walking until Her young self merged with Her aging self and then, renewed, returned to Her home. Among the Chiricahua Apache, the name of this eternal Goddess was Painted Woman. ‘Turquoise Woman’ was the Navaho sky-Goddess, wife of Tsohanoai, the sun. She lived in a turquoise palace at the western horizon, where each night she received her luminous husband. Sister (or twin or double) of Yolkai Estsan (also known as White Shell Woman), the moon’s wife, Estsanatlehi was able to make Herself young each time She began to age, thus Her name, which means the ‘self-renewing one.’

Here is Her story: the ancestral Goddess Atse Estsan (First Woman), discovering Estsanatlehi on the ground beneath a mountain, reared Her to be the savior of earth’s people. When She was grown, Estsanatlehi met a young man; each day they went to the woods to make love. When Her parents looked on the ground and saw only one set of footprints, they knew their daughter had taken the sun as a lover.

“Sacred Bond” by Lee Bogle

Delighted at the honor granted their family, they were delighted again when Estsanatlehi gave birth to twins, who grew so miraculously that eight days after birth they were men, ready to seek their father. But when they found his house, the twins found another woman there. Angry at the intrusion, She threatened them with their father’s anger as well.

Undeterred, the twins remained and won from their father magic weapons, which they needed to clear the earth of monsters. This they did. After dancing with their Mother in celebration, the twins built Estsanatlehi a magnificent home at the sky’s end, so that the sun could visit Her again.

But the twins’ wars with the monsters had depopulated the earth. Estsanatlehi brushed the dust from Her breasts. From the white flour that fell from Her right breast and the yellow meal from Her left, She made paste and molded a man and a woman. Placing them beneath a magical blanket, Estsanatlehi left them. The next morning they were alive and breathing, and Estsanatlehi blessed the creation. For the next four days, the pair reproduced constantly, forming the four great Navaho clans. But the creative urge of Estsanatlehi was not fulfilled. She made four more groups of people, this time from the dust of Her nipples-and the women of these clans were thereafter famous for their nipples.

“Changing Woman/ Estsanatlehi” by Hrana Janto

Feeling Her creation to be complete, Estsanatlehi retired to Her turquoise palace from which she continued to bestow blessings on her people: seasons, plants and food, and the tender sprouts of spring. Only four monsters survived her sons’ wars on evil: age, winter, poverty, and famine, which She allowed to live on so that Her people would treasure Her gifts the more.” [1]

 

 

Sources:

Monaghan, Patricia. The New Book of Goddesses & Heroines, “Estsanatlehi”.

 

 

Suggested Links:

American Studies at the University of Virginia, “Changing Woman: Myth, Metaphor, and Pragmatics“.

Auset, Brandi. RED ~ The Official Website of Brandi Auset, “Goddess of the Month: Estsanatlehi

Goddard, Carla. Shaman Medicine Woman, “The Story of Changing Woman – ‘Estsanatlehi’“.

Her Cyclopedia, “The Goddess Estsan-Atlehi“.

The Judicial Branch of the Navajo Nation, “How White Shell Woman Became Known as Changing Woman“.

Old and Sold: Turn-of-the-century wisdom for today, “The Navaho and Their Gods“.

Old and Sold: Turn-of-the-century wisdom for today, “The Navaho Creation Story“.

Sabrina. Goddess A Day, “Changing Woman“.

Sitarik, Jessica. Crystal Vaults, “Estsanatlehi: The Native American Goddess of Change“.

Stanton, Sandra M. The Goddesses in World Mythology, “ESTSAN–AH-TLEHAY (CHANGING WOMAN) & NATSEELIT

White Shell Woman

"White Shell Woman" by Hanehepi Mani Dylan

“White Shell Woman’s themes are magic, overcoming, spirituality, freedom, hope, success, protection, joy and dreams.  Her symbols are eagles, rattles and the color white.  In Native American tradition, White Shell Woman came to earth bearing elemental blankets and the sunshine of protection, dreams and renewed hope. When She arrived a rainbow appeared, banishing sadness with the promise of eventually reuniting humankind with the gods. Today She renews this promise to us, whispering Her message on March’s winds and bearing it on the wings of an eagle.

Sometime in spring, the Pueblos of New Mexico hold an Eagle Dance to bring rain and ensure the tribe’s success in difficult situations. The mimelike movements of the dance unite the dancers with the Eagle spirit, connecting them with the sacred powers.

To adapt this in your own life, grab a feather duster and dance a little of White Shell Woman’s hope into your heart while you clean up your house!

If you have young children in your life, work with them on a Shell Woman anti-nightmare blanket or happiness charm. Take four strips of cloth in elemental colors, or seven in the colors of the rainbow. Sew them together to form a blanket or portable swatch. Bless the charm. saying:

‘Love and joy within each seam brings me only happy dreams Shell Woman, shine through the night Keep me safe till dawn’s first light.'”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

"White Shell Woman" by Susan Seddon Boulet

“White Shell Woman appears in the creation stories of various Native American tribes, including the Navajo, Zuni, and Apache. In Zuni myth, White Shell Woman is an ancestor of the Sun Father, a creator god and the source of life. She lives with him in the West.

In the Navajo creation story, White Shell Woman (Yoolgai asdzáá) is the sister of the Goddess Changing Woman and a wife of Water. Created when the Talking God and the Wind breathed life into two shells, the Sisters grew lonely and sought company—Changing Woman with the Sun and White Shell Woman with a mountain stream. Eventually They gave birth to two sons, who grew up to battle the monsters that roamed the earth. In some Navajo tales, White Shell Woman and Changing Woman become the same character.

According to the Navajo, when White Shell Woman went to live on Her own, the Talking God and other deities came to visit Her. They brought ears of corn that they covered with sacred blankets to create a man and a woman. White Shell Woman was overjoyed with this couple, who along with the descendants of Changing Woman became the ancestors of the Navajo people.” [1]

 

 

 

Sources:

Myths Encyclopedia, “White Shell Woman“.

 

Suggested Links:

American Studies at the University of Virginia, “Changing Woman: Myth, Metaphor, and Pragmatics“.

The Judicial Branch of the Navajo Nation, “How White Shell Woman Became Known as Changing Woman“.


Spider Woman

"Spider Woman" by Susan Seddon Boulet

“Spider Woman’s themes are magical charms and growth.  Her symbols are spiders and woven items.  Spider Woman appears in the myths of the south-western Native Americans as a resourceful helper who spins magical charms and each person’s fate. No matter what problems or obstacles you face, Spider Woman creates the right network of energy to put you on the road toward accomplishment.

In metaphysical traditions, all life is seen as a network within which each individual is one strand. Spider Woman reveals the power and purpose of each strand psychically and keeps you aware of those important connections in your life. To augment this, get a Native American dream catcher, which looks like a web, and hang it over your bed so Spider Woman can reveal her lessons while you sleep. Or, carry a woven item with you today. It will strengthen your relationship with this ancient helpmate and extend positive energy for success in all you do.

 In Mexico, the Native Americans perform the Hikuli dance today, searching for peyote for their religious rites. As part of this ceremony, worshippers dance to reach altered states of awareness, honor the ancestors and help crops to grow. So, if your schedule allows, put on some music and boogie! Visualize a web as you move, and empower your future path with the sacred energies of Spider Woman’s dance.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Grandmother Spider is an important Goddess amongst the many Native American tribes.  They call Her the “Great Teacher” and “The Creator of Life”.  She has also been called ‘Spider Woman’ which is a metaphor for She who creates from a central source. Her webs represents the matrix of our societies.  She is the guardian of everything that exists on Earth and uses Her magickal power to weave the fabric of time.  Although She can occasionally be destructive, She is almost always portrayed the beneficent Goddess who created everything that there is with Her thoughts and dreams.  It is She who brought the sun and the fire; She taught pottery, weaving, and the making of ceremonial magic.  She created the Moon.

Her legends are a part of the creation mythology for several southwestern tribes including the Hopi, Pueblo, and Navajo.  One myth says that in the beginning of time only two beings were in existence…Tawa, the Sun God, who held all the powers from above, and Grandmother Spider, the Earth Goddess, with all the powers from below.

It was Tawa who imagined all of the creatures of Earth and Grandmother spider who turned these thoughts into living things.  And, for every person She created, She spun a fine line of spider silk that She attached to their heads so they would always be connected to Her and have access to Her wisdom and Her teachings. And for as long as they kept the doorway from the top of their heads open, to let the spider silk in, they would be protected by Her.” [1]

The legend of Spider Woman in the Americas goes back to Pre-Columbian times. In fact, as far back as the Maya, Olmec, and pre-Toltec civilizations. Teotihuacan is an archaeological site in Mexico, and early city there, that existed from about 200 BCE until the 7th or 8th century CE (AD).  The Great Goddess of Teotihuacan (or Teotihuacan Spider Woman) is thought to have been a Goddess of the underworld, darkness, the earth, water, war, and possibly even creation itself. To the ancient civilizations of Mesoamerica, the jaguar, the owl, and especially the spider were considered creatures of darkness, often found in caves and during the night. The fact that the Great Goddess is frequently depicted with all of these creatures further supports the idea of her underworld connections.  However, we know Her to be a goddess of both creation and destruction. It is possible that Coatlicue is a later version of this Spider Woman. Coatlicue is the Aztec Goddess who gave birth to the Sun and the Stars, and is the patron goddess of women who die in childbirth. She is also the giver of death, by Her knife that cuts the cords or strand of the Web that ties one to the Web of Life. She gives life, and She takes life. [2]

In many murals, the Great Goddess is shown with many of the scurrying arachnids in the background, on her clothing, or hanging from her arms. It has been concluded that the figures in these murals represented a vegetation and fertility Goddess that was a predecessor of the much later Aztec goddess Xochiquetzal. The Great Goddess is often seen with shields decorated with spider webs, further suggesting her relationship with warfare. Her nosepiece is the single most recognizable adornment of the deity, finalizing her transformation into the arachnid-like goddess.

Mural from the Tepantitla compound showing what has been identified as an aspect of the Great Goddess of Teotihuacan, from a reproduction in the National Museum of Anthropology in Mexico City.

In the Tepantitla and Tetitla murals, the Great Goddess wears a frame headdress that includes the face of a green bird, generally identified as an owl or quetzal.  She is shown among several spiders and with a yellow body coloration, further distinguishing Her from other Mesoamerican deities. Her single most distinguishing feature is a nosepiece consisting of a rectangular bar with three circles. Immediately below this bar hang three or five “fangs”. The outer fangs curl away from the center, while the middle fang points down.

In the depiction from the Tepantitla compound, the Great Goddess appears with vegetation growing out of her head, perhaps a world tree or hallucinogenic morning glory vines.  Spiders and butterflies appear on the vegetation and water drips from its branches and flows from the hands of the Great Goddess. Water also appears to be flowing from her lower body. It was these many representations of water that led Caso to declare this to be a representation of the rain god, Tlaloc. [3]

If you’re interested in researching Spider Woman further, I highly suggest visiting Michelle Phillip’s site, Sacred Spirituality and read Spider Woman and Spider Symbolism.  It packed full of great information, how Spider Woman has had an impact on her life, links to Spider Woman’s many stories and Native American lore.

crdmwritingroad

Coralie Raia's Writing Road Blog

Moody Moons

A Celebration of the Seasons & the Spirit

Nicole Evelina - USA Today Bestselling Author

Stories of Strong Women from History and Today

Eternal Haunted Summer

pagan songs & tales

Whispers of Yggdrasil

A personal journal to share my artistic works, to write about Norse shamanism and traditional paganism, European History, Archaeology, Runes, Working with the Gods and my personal experiences in Norse shamanic practices.

Sleeping Bee Studio

Art, Design, Batik & Murals

Pagan at Heart

At peace with myself and the world... or at least headed that way

McGlaun Massage Therapy, LLC

Real Healing for the Real You

TheVikingQueen

A modern Viking Blog written by an ancient soul

The World According to Hazey

I'm not good, I'm not nice, I'm just right. I'm the Witch. You're the world.

Migdalit Or

Veils and Shadows

Of Axe and Plough

Anglo-Saxon Heathenry and Roman Polytheism

Walking the Druid Path

Just another WordPress.com site

body divine yoga

unlock your kundalini power, ignite your third eye, awaken your inner oracle

Joyous Woman! with Sukhvinder Sircar

Leadership of the Divine Feminine

The Raven's Knoll Quork

Spirituality - Nature - Community - Sacred Spaces - Celebration

Journeying to the Goddess

Journey with me as I research, rediscover and explore the Goddess in Her many aspects, forms and guises...

witchery

trapped in the broom closet

Rune Wisdom

Ancient Sacred Knowledge-Daily Wisdom Practices: A place to explore Runic relevance in today's world.

Sarenth Odinsson's Blog

Exploring Myself and the Northern Shaman Path

Stone of Destiny

Musings of a Polytheistic Nature

1000 petals by axinia

the only truth I know is my own experience

Adventures in Vanaheim

Musings on Vanic Paganism (and life in general) from a lesbian feminist geek

Flame in Bloom

Dancing for Freyja

Golden Trail

A wayfarer's path

The Druid's Well

Falling in Love with the Whole World

Georgia Heathen Society's Blog

Heathen's in Georgia

Mystic Fire Blog

A Spiritual Blog by Dipali Desai. Awaken to your true nature.

art and healing Blog

Art heals yourself, others, community and the earth

My Moonlit Path.....

The Story of My Everyday Life.....

Raising Natural Kids

Because knowledge is the key to making informed decisions for your family.

Philip Carr-Gomm

Philip Carr Gomm

Works of Literata

Magic, fiber, cats

The Northern Grove

Celebrating Pagan History and Culture of Northern Europe

The Belle Jar

"Let me live, love and say it well in good sentences." - Sylvia Plath

The Witch of Forest Grove

Animism, Folk Magic, and Spirit Work in the Pacific Northwest

WoodsPriestess

Exploring the intersection between Nature, the Goddess, art, and poetry as well as the practical work of priestessing.