Tag Archive: juno lucina


Goddess Lucina

"Lucina" by Sandra M. Stanton

“Lucina” by Sandra M. Stanton

“Lucina themes are banishing, kindness, charity, health and protection. Her symbols are candles (light sources).  Lucina means light, and judging by Her description and attributes, it is very likely that this Swedish Goddess was the prototype for Saint Lucy. Lucina is a mother and guardian, offering fertility, protection, and well-being. In worship, Lucina is often represented by a simple, lit candle.

To chase away winter’s oppression and darkness, Saint Lucy’s festival is one of lights and charitable acts. Saint Lucy is the patroness who protects against winter throat infections, and commemorating her (or Lucina) today keeps one healthy.

Begin the day in Swedish tradition by lighting a candle to represent the Goddess’s presence. After this a breakfast of coffee, saffron buns, and ginger cookies is traditional fare. Coffee provides energy to give of yourself, saffron is often used is healing spells, and ginger promotes success in all your endeavours today.

To manifest Lucina’s energy and keep the Goddess close by today, carry luminescent stones like moonstone or cat’s eye with you, then visit hospitals or elder homes in the spirit of giving of yourself. Lucina will bless those you visit, and you, with well-being, productivity and safety.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“St. Lucia” by Joanna Powell Colbert

“St. Lucia” by Joanna Powell Colbert

According to Patricia Monaghan, “The little red ladybug was the emblem of this Roman Goddess, later merged with Juno and Diana, and even later converted to Christianity as St. Lucy.  The early Italic Lucina was a Goddess of light and therefore – because birth is the first time we see Her – of labor and childbed as well.  She was variously honored in September and in December – still the times for festivals of Lucina as the candle-bearing saint; Her holidays were enforced by the superstition that any work done on those days would be undone by the morrow” (p. 199).

"Juno" by Moreau

“Juno” by Gustave Moreau

Thalia Took writes: “Lucina is a Roman Goddess of Light, a Moon-Goddess who is especially a Birth-Goddess, for when a baby is born it is brought into the light of the world for the first time. As such, this epithet was applied to both Juno and Diana in their capacity as Childbirth-Goddesses, and together these Goddesses were sometimes called the Lucinae. It could also be used as an epithet of Hecate as Moon-Goddess. The name is probably from the Latin lux, ‘light’ or ‘daylight’, from which we get words like lucidluminous, and that’s right, the name Lucifer, ‘Bringer of Light’ used of the planet Venus as the morning star. (It was also, incidentally, the name of a 4th century bishop who founded his own sect, the Luciferians. Just imagine—’Bishop Lucifer’!) As the Goddess of Childbirth, Lucina protected pregnant women and the newborn child, and She was invoked by women who were having difficulty conceiving and who wanted children.

An ancient bronze mask of Juno Lucina shows Her with Her hair in tight stylized braids; a tiny crescent moon is engraved on Her forehead, as if it is an ornament dangling from Her parted hair. A different image of Her shows Her with a child on Her lap, with two more at Her feet, and holding a flower as a reminder of how She alone conceived Her son Mars, with the help of a magical flower given to Her by Flora.

Juno Lucina had been worshipped from an early age at a grove on the Cispian Hill, one of the heights of the larger Esquiline Hill in Rome. Her worship was said to have been instituted by Titus Tatius, King of the Sabines who had ruled jointly with Romulus, the legendary founder of Rome, making it very old indeed and possibly pointing to an origin for Lucina in a Sabine Moon-Goddess. The slightly later (and still mostly legendary) King Servius Tullius of the 6th century BCE was said to have begun the custom of offering a coin (I’d guess that it was traditionally a silver one, as the shiny disk of the coin could then be symbolic of the Moon) to Juno Lucina on the birth of a child, which would indicate some sort of shrine there at the time. Her main temple was built on the same site in 375 BCE, and dedicated on March 1st. In later times a large wall was added enclosing both the temple and the grove that grew on the slope of the hill. This grove was evidentally an important part of Her worship; some authorities believe that Lucina was originally derived from lucus, grove, and this grove had an ancient and celebrated tree on which offerings of locks of hair were made by the Vestal Virgins, perhaps as acknowledgement that as avowed virgins they had chosen not to be mothers.

The Matronalia, or the Festival of Mothers, was held at this temple on the anniversary of its founding. Some said it was instituted in honor of the Sabine women who were instrumental in brokering peace between the warring Sabines and early Romans. On the day of the festival, the matrons (married women) of Rome processed to the temple, where offerings and prayers were made to Juno Lucina and Her son Mars: at home, it was the custom for the women to receive gifts from their husbands, and a feast was held in which the matron waited on the slave women.

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Juno Lucina was invoked during childbirth for an easy delivery and healthy child; when worshippers called on Lucina, they let their hair loose and untied any knots in their clothing as an act of sympathetic magic, to symbolically loosen any hindrances to childbirth and allow the energy to flow. When the child was born an altar was set up to Her in the atrium of the house, and a lectisternium, (or probably more properly, asellisternium, which was for Goddesses) or banquet was given to Her.

She was equated with the Greek Eileithyia. In ancient Egypt was a city by the name of Nekheb, of whom the patron Goddess was Nekhbet, the Egyptian Childbirth-Goddess; when the Greeks took over in Ptolemaic times, they renamed the city Eileithyia after their Birth-Goddess; and when the Romans annexed Egypt, they called it Lucina.

Sources:

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Lucina”.

Took, Thalia. Thaliatook.com, “Lucina“.

 

 

Suggested Links:

Benko, Stephen. The Virgin Goddess: Studies in the Pagan and Christian Roots of Mariology.

Brockway, Laurie Sue. The Goddess Pages: A Divine Guide to Finding Love and Happiness, “Saint Lucy (Lucina)” (p. 183 – 189).

Colbert, Joanna. Gaiantarot.typepad.com, “Why We Honor St. Lucia” and “More about Saint Lucia“.

Fitzgerald, Waverly. Schooloftheseasons.com,St. Lucy’s Day“.

Lanzillotta, Peter E. Interfaithservicesofthelowcountry.com, “Santa Lucia: The Saint for the Season of Light“.

Loar, Julie. Goddesses for Every Day: Exploring the Wisdom & Power of the Divine Feminine, “Juno Lucina“.

Lundy, John Patterson. Monumental Christianity, or, the Art and Symbolism of the Primitive Church.

Murphy-Hiscock, Arin. Pagan Pregnancy: A Spiritual Journey from Maiden to Mother, “Lucina“.

Theoi.com, “Eileithyia“.

Wikipedia, “Lucina (goddess)“.

Goddess Juno

“Juno’s themes are femininity, love, relationships, romance, kinship, time, protection (women and children) and leadership. Her symbols are the cypress, peacocks, cuckoos, luxurious clothing, figs and the moon (or silver items).  The supreme Goddess of the Roman pantheon, Juno offers a helping hand in every aspect of our relationships, especially the safety and happiness of women and children in those settings. Juno is also a very modern minded Goddess, taking an active role in public life and finances. Beyond this, She rules women’s cycles, giving Her connections with the moon. Art depicts Juno always wearing majestic clothing befitting the ‘Queen of Heaven.’

According to Roman folklore, marrying today ensures a long, happy relationship. So if you’re planning a wedding or an engagement, or even moving in together, Juno can bless that commitment if you time the big step for today! As part of your devotional ritual, don’t forget to wear special clothing (perhaps something your partner especially likes) to invoke Juno’s attention and loving energy.

If you’d like to connect with Juno’s feminine force, Her leadership skills or Her sense of timing within yourself, eat some fig-filled cookies today (or just some figs), saying,

‘Juno, bring_______to my spirit, my wish fulfill. By your power, through my will.’

FIll the black with whatever aspect of Juno you most need to develop.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Hera – Queen of Olympus” by Umina

Patricia Monaghan tells us that Juno was “a very ancient Italian Goddess, [and] was originally quite different from the Greek Hera; both, however, were essentially Goddesses of women.  When the Greek sky queen came to Rome during the days of cultural assimilation, She merged with the Roman Goddess and Her legends were told of Juno.  Juno’s separate mythology was lost, except for the tale that, impregnated by a flower, Juno bore the god Mars – a story never told of Hera” (p. 174).

According to Thalia Took “Juno, or to spell it the Latin way, Iuno, is the Roman Great Goddess, the Queen of the Gods, Sky-Goddess, Protectress of Women, Mother of Mars, Wife of Jupiter, She of the many epithets and a long long history of worship in Rome. She was one of the Capitoline Triad, with Jupiter and Minerva, Who were considered the three main Deities of Rome; She was widely worshipped among the Latins, and Her cult was also important among the Etruscans, who called Her Uni or Cupra. She was an especial protectress of women in marriage and childbirth, and many of Her epithets relate to that aspect, but She could also have a more civic or martial character as protectress of the Roman people.

“Hera” by Canankk

Juno’s name may derive from an Indo-European root with connotations of vitality and youth, and if so would suggest that Her aspect as Birth-Goddess is one of Her oldest. Alternatively, Her name may come from the Etruscan Uni, which means ‘She Who Gives’, and which would refer to Her capacity as a benevolent Goddess of abundance who answers the prayers of those in need.

As each man was believed to have a protective guardian spirit called a genius, so each woman had one called a juno. These guardian spirits (in the plural, junones) may have originally been the ghosts of the ancestors who were believed to watch over and protect their descendents. They were usually represented as snakes (probably relating to the chthonic or underworld aspect of the Dead), and were given offerings on the individual’s birthday at the household altar.

The first days of each Roman month, the calends, were sacred to Juno, as was the entire month of June, which is still named for Her. Five cities in Latium (the region of the Latin tribe) also named a month for Her: Aricia, on the Via Appia; Lanuvium, where She was worshipped as Juno Sospita (‘Juno the Saviouress’), Praeneste (modern Palestrina), Tibur (modern Tivoli, the resort town of Rome), and Laurentum, located between Lavinium and Ostia on the coast. And as Juno is the Roman Goddess of Marriage, it is no coincidence that June is still considered the proper month for weddings.” [1]

“Juno–Supreme Goddess of Women” by MiiSweeTesTSiN

“One of Her most famous names was Moneta, ‘warner’, which was earned many times over: once when Her sacred geese once set up such a squawking that the city was warned of invading Gauls, another time when an earthquake threatened and Juno’s voice from heaven alerted the city, and finally when the underfunded Roman generals came to Juno’s temple for advice and were told that any war fought ethically would find popular (and financial) support.  This last effort made Her matron of the Roman mint, which was located in Her temple, and turned Her title into a word for ‘money’.

Most important, Juno was the Goddess of time.  Daughter of Saturn, She was a symbol of the menstrual cycle as time’s indicator; Goddess of the new moon, She was worshiped by Roman women on the Calends, or first of each lunar month.  In addition to these monthly celebrations, Juno was honored in two festivals: the unrestrained Nonae Caprotinae on July 7, when serving girls staged mock fights under a wild fig tree; and the more sedate Matronalia on March 1 when married women demanded money from their husbands to offer to the Goddess of womanhood” (Monaghan, p. 174).

Like Jupiter, Juno was believed to have the ability to throw thunderbolts.

Also called: Junonis or Iuno.

“Hera’s Eyes” by *Ravenhart

Here, then, is the index for as many of Her aspects as I could find, treated individually; they range from simply descriptive titles such as Conciliatrix that may not have had a use in Her cult, to the more important and unusual facets of Her like Curitis, all the way to separate Goddesses who were assimilated to or equated with Juno, such as the Dea Caelestis of Carthage.

AbeonaAdionaCaelestisCaprotina, Cinxia, Cioxia (ruler of the first undressing by the husband), Conciliatrix, Conservatrix, CubaCuninaCupraCuriatiaCuritis, Comiduca, Dea Caelestis, Dea Statina, Domiduca,EducaEdulicaEmpanadaFebrutis, Fluonia, Gamelia, Inferna, Interduca, JugaJugalis, Juno of Falerii, Lacinia, Lanuvina, Levana, LucetiaLucinaMartialis, Maturna, Matrona, Moneta, Nacio, Natalis, Nundina, Nutrix, Nuxia, Opigena, Ossipaga (who strengthens fetal bones), Panda, Perficia, Pertunda, Perusina, Populonia (Goddess of conception), Potina, Prema, Pronuba (arranger of appropriate matches), QuiritisReginaRumina, Seispita, Sispes, Sororia, Sospita (the labor Goddess), SupraUni, Unxia, Vagitanus, Virginalis, Viriplaca (who settles arguments between spouses), Volumna.” [2]

Sources:

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Juno”.

Took, Thalia. The Obscure Goddess Online Directory, “Juno“.

Suggested Links:

Goddess-Guide.com, “Juno“.

Goddess School, Healing Arts and Pagan Studies with GrannyMoon, “An Hymn to Juno“.

Qu’Aryn Teal Moon. Order of the White Moon, “Juno“.

Revel, Anita. igoddess.com, “Juno: mutual mojo“.

Roman Colosseum, “Myths About the Roman Goddess Juno“.

Wikipedia, “Juno“.

Goddess Tanat

“Tanit, Ibicenco Godess” by Dominique Sanson

“Tanat’s themes are unity, joy and luck.  Her symbols are flowers and triangles.  In Cornwall, Tanat is the mother Goddess of fertility who has given all Her attention to nursing spring into its fullness. She also staunchly protects Her children (nature and people) so that our spirits can come to know similar fulfillment.

The Furry Dance is an ancient festival that rejoices in Tanat’s fine work manifested in spring’s warmth and beauty. To bring this Goddess’s lucky energy into your life, it’s customary to dance with a partner. In fact, the more people you can get dancing, the more fortunate the energy! Usually this is done on the streets throughout a town as a show of regional unity, but when propriety won’t allow such a display, just dance around a room together instead. Don’t worry about the steps – just do what feels right.

Wearing something with floral or triangular motifs (guys, wear a necktie, and gals, pull out a square scarf and fold it in half crosswise) activates Tanat’s happiness in your life and in any region where you have the token on today. As you don the item, say:

‘Liberate happiness in and around
by Tanat’s blossoming power
joy will be found!’

Or, if you want to use the same thing to generate unity and harmony, use this incantation:

 ‘Harmony and unity
Tanat’s blessings come to me!’

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Temple of Tanit” by hold-steady

According to Edain McCoy, the Goddess “Tanit (Cornish) [was] a Phoenician moon and fertility Goddess.  Many scholars and mythologists believe She came into the Celtic pantheon as Dana or Dôn, both mother Goddesses.  Tanit was worshiped as Tanat in Cornwall on Beltaine.” [1]  As I couldn’t find any other information on the Celtic Tanat, I will continue this entry on the Phoenician-Carthaginian Goddess Tanit.

“Tanit” by suburbanbeatnik

“Tanit, or Tanith, is the Great Goddess of Carthage, worshipped there as its chief Deity as ‘the Lady of Carthage’. She is a Sky Goddess who ruled over the Sun, Stars, and Moon; and as a Mother Goddess She was invoked for fertility. The palm tree is Hers, as the desert version of the Tree of Life; and as symbolic of the life-force of the Earth the serpent is Hers as well—in fact Her name means ‘Serpent Lady’. She is identified with both Ashtart (Astarte) and Athirat, and Her other symbols include the dove, grapes and the pomegranate (both symbolic of fruitfulness and fertility), the crescent moon, and, like Ashtart, the lion.

Carthage was a city of the Phoenician colony in northern Africa, not far from the modern city of Tunis in Tunisia. Carthage, the Roman rendition of the Phoenician name Karthadasht, which means ‘New Town’, was founded in around the 9th century BCE, by Dido (‘Giver’ or ‘Grantor [of prayers]’, or alternately ‘Wanderer’) or Elissa (from the Phoenician Elishat), the daughter of the King of Tyre in Roman legend. Dido, however, being also used as an epithet of the Phoenician Moon-Goddess, is probably to be considered an aspect of or alternate name for Tanit, the patron Goddess of Carthage. Worship of Tanit dates to the 5th century BCE, and it is unsure whether Tanit was a local deity adapted by the Phoenician colonists or a version of Ashtart/Athirat they had brought with them from Phoenicia.

With Her consort Ba’al-Hammon, the God of the Sky, She watched over and protected Carthage. As a protective Deity She had some martial aspects, and like Ashtart could be depicted riding a lion holding a spear or long sceptre. In Carthage She was said to have an Oracle; perhaps this is connected to Her role as Star-Goddess.

The Sign of the Goddess Tanit. Carthage. c. 5th century BCE to 2nd century CE

Tanit has Her own abstract symbol, peculiarly Hers (and accordingly called the ‘symbol of Tanit’): a triangle with a circle at the top, with a horizontal line between the two; sometimes two additional vertical bars come from the ends of the horizontal. This has been interpreted as either a stylization of an altar, or a woman or Goddess in a long dress, Her arms upraised in an attitude of worship or blessing.

From Carthage (modern Tunisia), north Africa 1st century CE

Some stelae do show a more realistic depiction of the Goddess in this attitude, so my money is on it as an abstract depiction of a woman. This symbol is found all over Carthage, though there is only one example of it in Phoenicia itself.

Carthage was at once time the great enemy of Rome, and three bitter wars were fought between the two powers over the course of more than a hundred years in the 3rd and 2nd centuries BCE. The Romans eventually were the victors, and in their hatred utterly destroyed the city; according to tradition the city was razed and the site plowed with salt so that nothing would ever grow there again.

The utter destruction of the city notwithstanding, remains of a sanctuary to Tanit and Ba’al-Hammon have been found, with a children’s cemetery adjacent. The Carthaginians and Phoenicians had a reputation for the sacrifice of children, though many of the accounts of it come from peoples who were not unbiased, such as the Hebrews or the Romans. In Phoenicia, the Hebrews claimed that the Phoenicians burned children to their God ‘Moloch‘ (of whom there is little to no other evidence) by burning them alive.

            

In Carthage, the great children’s cemetery has been taken as indication of child sacrifice to both Ba’al-Hammon and Tanit, for many of the stelae above the remains are inscribed to those Deities. The cemetery was named in modern times the Tophet, from a Biblical word for ‘Hell’, referring to the place in Jerusalem where the children were allegedly given to Moloch. Much of the evidence for infanticide among the Phoenicians is questionable at best; the accounts from the Bible and Rabbinical tradition especially are subject to mistranslations and biases. Among other ancient writers the idea of child sacrifice among the Phoenicians is not mentioned, even though some of them were avowed enemies of Phoenicia. This issue is still being debated on both sides; my take on it (which is of course subject to my own bias) is to seriously doubt that children were sacrificed, and to attribute most of the stories to propaganda, repeated by different enemy cultures (especially the Romans). Why would people sacrifice children to an otherwise benevolent Mother Goddess? And given the number of remains that have been found—20,000 urns dating from 400-200 BCE—what civilization is going to kill that many of its own children? I suspect that the graves found in the so-called ‘Tophet’ of Carthage are simply the remains of children who died naturally in a time when infant mortality was much higher than in modern times, and during which several wars were fought—tough times when it might be expected less children would survive. That the stelae are inscribed to Tanit and Ba’al-Hammon is not surprising; it does not mean that they were sacrificed to those Deities, rather that they were committed to the safekeeping of the Goddess and God after death.

“Lucina” by Sandra M. Stanton

The Romans, despite their hatred for the Carthaginians, identified Tanit with their Juno Lucina, an aspect of their Great Goddess as Mother and Patroness of Childbirth, a Light-Goddess who brings forth children into the day. As Tanit was also a Goddess of the Sky, the Romans named Her Dea Caelestis, ‘the Heavenly Goddess’, or Virgo Caelestis, ‘the Heavenly Virgin’.

In Roman legend, Hannibal, the great general of Carthage, raided a temple of Juno Lucina, near Crotona, a city in southern Italy originally founded by the Greeks (therefore technically the temple is to Hera Lacinia). This temple was famous for having a column of solid gold; Hannibal, to test the story, drilled into the column. Finding that it was indeed solid, he decided he would take it as plunder. That night, however, he dreamt that the Goddess warned him not to despoil Her temple, telling him that She’d destroy his remaining eye if he did. In Juno Lacinia Hannibal recognized his own hometown Goddess, Tanit, so left the column unmolested in the temple. From the filings of the column he had a golden cow cast, which was then placed on the top of the column.

4th century BCE Carthaginian coin featuring the Goddess Tanit.

On coins of the 4th and 3rd centuries BCE She is occasionally depicted riding a lion and holding a lance; generally She is shown in portrait form wearing a diadem or crown, with wheat sheaves bound in Her hair as a wreath, the crescent moon behind.

Tanit’s worship was spread from Carthage to SpainMalta and Sardinia, especially by soldiers. The temple on the acropolis of Selinus in Sicily may be Hers, for examples of Her symbol have been found there. Under Her name Virgo Caelestis, Tanit/Juno had a shrine in Rome on the north side of the Capitoline Hill.

“Tanit” by Monica Sjöö

Tanit’s statue was brought to Rome by the young Emperor Elagabalus, who reigned 218-222 CE, and who was notoriously reviled as a depraved pervert (he was quite obviously gay, though who knows how much of his legend is true and how much is exaggerated). He was murdered at age 18 in a latrine, his body dragged through the streets before being thrown into the Tiber like a common criminal. He was, however, also a big fan of the eastern Deities, and gets his name from his worship of the Sun-God Elagabal. He had a great temple to Elagabal built in Rome, and installed the statue of Tanit there, calling Her Caelestis.Also called: Tanith, Tent, Thinit, Tinnit, Rat-tanit; Tanis is the Greek version of Her name. She was called ‘Lady of Carthage’, ‘Lady of the Sanctuary’, and ‘the Face of Ba’al’. The Romans called Her Dea Caelestis, ‘the Heavenly Goddess’, Virgo Caelestis ‘the Heavenly Virgin’, and Caelestis Afrorum Dea, ‘the African/Carthaginian Heavenly Goddess’, as well as the assimilated name Juno Caelestis.

She was identified with Aphrodite, Demeter, and Artemis by the Greeks and with Juno by the Romans, especially their Juno Lucina, Goddess of Light and Childbirth. The Romans also associated Her with the Magna Mater, the Great Mother, Rhea or Kybele. [2]

Sources:

McCoy, Edain. Celtic Women’s Spirituality: Accessing the Cauldron of Life, “Tanit“.

Took, Thalia. The Obscure Goddess Online Directory, “Tanit“.

Suggested Links:

Sheldon, Natasha. Archeology@Suite 101, “The Trophet of Carthage: Site of Human Sacrifice to Baal and Tanit or a Children’s Graveyard?

Sjöö, Monica. Goddess Alive!The Mysteries of Tanit – 1: The Phoenicians in Spain“.

Sjöö, Monica. Goddess Alive! The Mysteries of Tanit – 2: Tanit of Ibiza“.

Wikipedia, “Tanit“.

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