Tag Archive: danu


Goddess Matrona

“Matrona’s themes are the harvest, providence, health, abundance, autumn and love. Her symbols are Swiss cheese and water.  This Teutonic Mother Goddess is the great provider of both food and refreshment, especially freshwater. A benevolent figure, She personifies the earth’s abundance during the fall and offers to share of that wealth freely. Judging from artistic depictions of Matrona in the company of a dog, or carrying palm fronds, She may have also had a connection with the healing arts.

People in the Swiss Alps gather today to enjoy the fruits of their labors, specifically cheese that has been stored in cellars since grazing season in the summer. In many ways this is a harvest rite, rejoicing in Matrona’s ongoing providence.

Consider enjoying a Swiss fondue today, complete with sliced harvest vegetables and breads from Matrona’s storehouse. The melted cheese inspires warm, harmonious love. Matrona makes that love healthy and abundant.For physical well-being and self-love, simply add some sautéed garlic to this blend, or add other herbs known to combat any sickness with which you’re currently coping.

Other ways to enjoy this Goddess and invite her into your day – Have an omelette with cheese and harvest vegetables for breakfast, or grilled cheese and ice water at brunch.  If you own a dog, share a bit of your healthful meal with it!”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

“Goddess Gaia – Great Mother” by ~Umina

“In Celtic mythology, Dea Matrona (‘divine mother Goddess’) was the Goddess of the river Marne in Gaul.

Terracotta relief of the Matres, from Bibracte, city of the Aedui in Gaul

In many areas She was worshipped as a triple Goddess, and known as Deae Matres (or Deae Matronae), with a wider sphere of believed influence. This triadic deity is well attested throughout northern Europe (more generally as the Matres or Matrones), not just in Celtic areas, and was similar to the FatesFuriesNorns, and other such figures.

The Gaulish theonym Mātr-on-ā is interpreted to mean ‘great mother’. The name of Welsh mythological figure Modron, mother of Mabon is derived from the same etymon. By analogy, Dea Matrona may conceivably have been the mother of the Gaulish Maponos.” [1]

“Modron” by Shanina Conway

Conerning Modron: “In Welsh mythology, Modron (‘divine mother’) was a daughter of Afallach, derived from the Gaulish Goddess Matrona. She may have been the prototype of Morgan le Fay from Arthurian legend. She was the mother of Mabon, who bears Her name as ‘Mabon ap Modron’ (‘Mabon, Son of Modron’) and who was stolen away from Her when he was three days old and later rescued by King Arthur.

In the Welsh Triads, Modron becomes impregnated by Urien and gives birth to Owain and Morvydd.

Her Gaulish counterpart Matrona is a Celtic mother Goddess and tutelary Goddess of the River Marne. She is also a fertility and harvest deity often equated with Greece’s Demeter or Ireland’s Danu. In Britain, She appears as a washerwoman, and thus there would seem to be a connection with the Morrígan.” [2]

Relief of three Goddesses, or Matres, Corinium Museum, Cirencester

Pertaining to Deae Matres, Patricia Monaghan tells us that “Their names – bestowed by scholars – may be Latin, but the Deae Matres were Celtic, the primary divine image of the continental tribes.  No legends survived of this trinity of earth Goddesses, although hundreds of inscriptions and sculptures attest to the strength of Their worship.

Their religion was apparently destroyed early in the Roman occupation, but Their names and images survived into the days of the empire.  They were were then called sorceresses of the early days, thus holding the attention and reverence of their people in ancient Gaul and Germany.

The ‘mother Goddesses’ – for this is what their Latin name means – were always shown as three robed women bearing baskets of fruit and flowers; sometimes they also carried babies.  Seated under an archway, They were depicted wearing round halolike headdresses; the central Goddess was distinguished from the others by standing while They sat or by sitting while They stood.  They were probably ancestral Goddesses, rulers of fruitfulness of humanity as well as that of the earth” (p. 99).

 

 

 

Sources:

Monaghan, Patricia. The New Book of Goddesses and Heroines, “Deae Matres”.

Wikipedia, “Dea Matrona“.

Wikipedia, “Modron“.

 

 

Suggested Links:

Celtnet.org.uk, “Modron: A Cymric, Brythonic and Gaulish Goddess, also known as Matrona: Divine Mother“.

Her Cyclopedia, “The Triple Goddess Deae-Mates“.

Joellessacredgrove.com, “Deae Matres“.

Journal of a Poet, “Morgan Le Fay“.

Spangenberg, Lisa L. Digitalmedievalist.com, “Who is the Celtic Mother Goddess?

Took, Thalia. Amusedgrace.blogspot.com, “Goddess of the Week: Morgana“.

Wikipedia, “Matres and Matrones“.

 

So, I’m very thankful – it’s been a very successful week, both spiritually and mundanely…well, except for this morning when I had to be up at 4:30AM to drive my husband to the airport (Army stuff).  But, then again, I’m thankful for that now that I think about it because this school he is going to and the orders we will receive when he completes it has stopped him from being deployed to Afghanistan…so yes, I can say that I’m thankful for that.

Anyways, spiritually – I’ve made a very long-awaited connection with Epona.  As I’ve stated in comments under my Epona entry, I’ve always loved and had a strong connection with horses.  Equine Science was my first college major until I’d gotten into a car accident on my way to college one early icy morning on my way to the horse barn to groom and take care of the horse that I was responsible for, Briar.  Despite having to be up at 5AM every morning to get to the horse barn, it was well worth it to me as I loved EVERYTHING about it.  I loved the smells, the sounds of the horses whinnying and snorting, and most especially grooming her.  That was when I was at peace in my “happy place” – spending that one on one time with her rubbing, brushing and picking hooves.  I also loved riding – the freedom from all my cares that came with it was amazing…

“Rhiannon” by Amanda Walsh

In my younger days, when confronted, being “cut down” or if someone tried to discourage me from doing something I had set my mind to, I remember “feeling” like a wild horse saying, “I will not be broken!”  Stubborn…very stubborn (if truth be told, I still am).  I’ve felt a faint connection with Epona for several years now; with Her name popping into my head for no apparent reason and calling out to Her when feeling weak, hurt and vulnerable.  For the past few weeks, I’ve been feeling Her energy grow stronger and stronger as She made Her way into my life and really made Her presence known.  Perhaps that began when during our last Druid study group several weeks ago, I pulled the Horse card from the Druid Animal Oracle deck after focusing on the question, “What do I need to focus on today?”  I’ve also felt a spark with Rigantona and Rhiannon, even Macha; but more so with Epona.  Maybe because Her energy just feels so much “older” and primal to me than Rhiannon, Rigantona and Macha.

“Epona the Horse Goddess” by Gene Avery North

It’s been extremely healing, opening up a whole new sense of deeper love, understanding, forgiveness and acceptance that I was afraid that I’d never come to know.  I had a friend a long time ago that said, “Pony medicine is good medicine – healing medicine,” and as far as I’m concerned, he was right on the money!  I’m not sure what finally sealed the deal completed this connection – perhaps when it was when I was riding one of the horses with my daughter at the Renaissance Festival last Sunday – I have no idea.  All I know is that She’s here and I’m so thankful for Her warm, loving and peaceful presence I feel when my anger or feelings of discontent and frustration flare up.  I can “see” Her: a milk-white mare with big soft brown eyes just staring at me and feel Her comforting warmth.

I’ve also decided to try to work with Her as a Gatekeeper, which I understand is usually a male deity.  However, I feel She would make a perfect Gatekeeper as She is associated with protection, keys, the Otherworld and Underworld, being a psychopomptravel, shape-shifting, dreams, the Feminine and magic – just to name a few of Her associations.  As I have more of a Dianic nature, it just feels right.

“Green Goddess of Beltane” by ArwensGrace

I’ve thought a lot about the Goddesses that I feel connected to and noticed a pattern.  First off, Brighid – Celtic, who goes by many names depending on the region or tribe you’re looking at (i.e. Brìde in Scotland, Brigindū in GaulBrigantia in Great Britain, etc.).  Nemetona – Celtic, worshiped in eastern Gaul.  Sulis – Celtic, another Gaulish Goddess worshiped at the thermal spring of Bath (with associations with Brighid).  And now Epona – another Gaulish Goddess worshiped throughout the Celtic and even Roman world.  I also have an interest in Artio a Celtic/Gaulish bear Goddess, worshiped notably at Bern (Switzerland) and Abnoba, another Gaulish Goddess who was worshipped in the Black Forest and surrounding areas with connections to Diana (another favorite Goddess of mine).  Do you see a pattern?  They’re all Celtic Goddesses, yes, but more specifically, they’re all Gaulish.  I think I’ve found my pantheon 🙂

This kind of surprised me as I had expected it to be more of an Irish pantheon, but the feeling of connectedness just isn’t as strong as it is with the Gaulish pantheon.  Perhaps because of my Ancestors?  I will freely admit that yes, I am a mutt – Sicilian, Polish and Czechoslovakian on my father’s side and Irish, German, Polish, English, French and Dutch on my mother’s side.  Now, I know that there are people who say that ancestry doesn’t have too much of an influence on what deities call to you, and I agree with that; however, I feel that sometimes, it does.

Onto a different topic now…

I’ve just now discovered a very yummy and acceptable offering to the Shining Ones – Jack Daniels Tennessee Honey.  It caught my eye one day as I was walking through the PX looking for a bottle of whiskey to use for my offerings, especially after our very successful garage sale we’ve been running all this past week.  I felt a collective acceptance from the Shining Ones as we gave offerings of thanks for our blessings we had received.

That then inspired my husband…mead making.  Eventually, when he retires from the military, we would really like to live a self-sustainable life.  My aunt and uncle are beekeepers and sell their own honey.  I one day want to learn this skill and sell honey and make soaps and skincare products.  My husband sees an opportunity to make and sell mead as well.  Perhaps some Divine Inspiration?  🙂  Who knows…we’ll see where this dream takes us…

Goddess Macha

“Macha’s themes are victory, success, protection, fertility and fire. Her symbols are red items, the acorn and the crow.  Macha means ‘mighty one.’ Macha used Her potency to clear the land for wheat, giving Her associations with fertility. She also used Her might to protect the Celts’ lands agains invaders, thereby becoming a war Goddess and guardian. Art shows Her dressed in red (color abhorrent to evil) and with blazing red hair, forever chasing off any malevolence that threatens Her children’s success.

Bonfire Night in Scotland takes place around May 22 and is a festival that originally had strong pagan overtones, the fires being lit specifically for ritual offerings that pleased the Gods and Goddesses and invoked their blessings. Additionally, the bright, red fire looked much like Macha’s streaming red hair, and thus it banished any evil spirits from the earth. So don any red-colored clothing today, or maybe temporarily dye your hair red to commemorate this Goddess and draw Her protective energies to your side. Eating red foods (like red peppers) is another alternative for internalizing Macha’s victorious power and overcoming any obstacle standing in your way.

Or, find some acorns and keep them in a Macha fetish bag (any natural-fiber drawstring bag). Anytime you want her power to manifest, simply plant the acorn and express your wish to it. Macha’s potential is in the acorn, ready to sprout!”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

The Morrigan

“Macha (pronounced MOCK-uh) is an Irish war Goddess, strongly linked to the land. Several Goddesses or heroines bear Her name, but She is generally thought of as one aspect of the triple death-Goddess the Mórrígan (the “Great Queen” or “Phantom Queen”), consisting of Macha ‘Raven’, Badb ‘Scald Crow’ or ‘Boiling’, and Nemain ‘Battle Fury’. Macha is associated with both horses and crows.

The Mórrígan is both sex and battle Goddess, and Her personality is usually described as both war-like and alluring. She is known to be a prophetess: the Washer at the Ford is said to be one aspect of Her, who appears to those about to die. She is commonly shown washing bloody clothes at a river ford; when approached, She tells the enquirer the clothes are theirs. Like the bean sidhe (banshee), who She is believed related to, She is an omen of death.

As Goddess of the land, the Mórrígan are said to be cognate with Ana or Danu, and Macha is said to be one of the Tuatha de Danann.

Three other aspects of Macha feature in Irish folklore, which likely derive from a common Goddess, as they are all said to have a mother named Ernmas (also considered to be the mother to Ériu, Banba, and Fódla, sacred names for Ireland). One Macha, a seeress, was the wife of Nemed ‘Sacred’, who invaded Ireland and fought the Fomorians in Irish legend. Emain Macha, a bronze-age hill fort in Northern Ireland, and legendary capital of Ulster, is said to have been named for Her.

The second Macha, titled Mong Ruadh (“red-haired”), was a warrior and Queen, who overpowered Her rivals and forced them to build Emain Macha for Her.

“Curse of Macha” by Stephen Reid

The third Macha, and probably the most well-known, was said to be the wife of Crunniuc. Like many supernatural lovers, She warns him to tell no one of Her existence; but he boasts to the king of Ulster that his wife can outrun the fastest chariot. The king then seizes the very pregnant Macha and forces Her to run a race, against Her protests. In spite of this, She does win, and as She crosses the finish line She gives birth. In Her dying pain and anger She curses the men of Ulster to nine times nine generations, that in their time of worst peril they should suffer the pain of childbirth.” [1]

The Goddesses of Ireland and their “fall” as Christianity spread into Ireland

“The Goddess was a ‘dual-natured female figure, beautiful and hag-like by turns in whose gift was great power’.  The Goddesses were especially depicted in three’s, such as Eriu, Banba, and Fotla, all Goddesses of sovereignty. In the 11th century, Ireland was often called Eire (a form of Eriu) and also called ‘the island of Banba of the women’. Goddesses were often hybridized by Roman and Greek influences, but this did not seem to obscure the native elements. For example, Julius Caesar likened one Celtic Goddess to Minerva, a classical deity. In fact, some Celtic Goddesses seemed to share certain of their characteristics. However, there were no Celtic Goddesses of love. There were Goddesses more often associated with fertility and the natural cycle of life, including death. Perhaps most importantly, the Goddesses represented creativity especially as it related to giving life, in all its aspects.

The female warrior Goddesses respect for death, as a natural part of life, which seemed in translate into ‘real’ life as well. This is best seen in the symbolic marriage between the king and the Goddess of sovereignty. This union was to ‘ensure fertility for the land and for his people in the year to come.’

“Triple Goddess” by Amy Swagman

The role of the Goddess in Celtic Ireland was important in to the inter-relatedness with human woman: ‘Since the source of life was so integrally associated with women, it would seem to follow that the origins of life were female. At times of joy or moments of pain, humans would turn to the Goddess who was honored in Her many guises’ (Condren). It would not seem strange then to worship a female deity and consequently treat her female subjects with respect and honor. Descent was also often traced through the mother and a strong emphasis was placed on the mother relationship. However, conservative scholars are quick to point out that the power did not entirely rest on women, rather the focus appears to be on women. Life was of tremendous value in what appears to be the most natural, physical sense. Hence the importance of the woman, Goddess or human.

‘Women were highly honored, female symbolism formed the most sacred images in the religious cosmos, and the relationship with motherhood was the central elements of the social fabric the society was held together by common allegiance to the customs of the tribe loosely organized around the traditions of the Goddess’ (Condren).

What appears to have dismantled this society was the warrior culture and the spread of Christianity into Ireland. The story of Macha is an instructive example of the ‘fall’ of the Celtic Goddess and in some sense the fall of the Celtic woman. Macha (Ulster Epona, the horse Goddess) marries Crunnchua mac Angnoman a rich widower. The two prosper together until one day, Crunnchua wishes to go to the annual assembly of the Ulsterman. Macha pleads with him not to go, but Crunnchua insists. While at the assembly, Crunnchua witnesses a horse race. Those in attendance with him, including the king himself, declare that none can run faster than these horses. Crunnchua knows that his wife can outrun these horses with no problem and decides to challenge the declaration. The king, angered at Crunnchua’s arrogance insists that Crunnchua bring Macha to them for a match. Macha comes reluctantly, but before doing so, pleads, ‘Help me, for a mother bore each of you. Give me, oh, King, but a short delay until I am delivered.’ Macha is pregnant.

“Macha” by Caroline Bradley

This request and the king’s subsequent refusal are striking reminders of the changes that took place not only in the Irish sagas such as this one, but also the changes in the societies that ‘authored’ such work that became, significantly, myth. The king’s ultimate responsibility was to allow the ‘creativity of women to prosper.’ Kings were to promise that no one would die in childbirth, food should grow plentifully, and the traditional dyeing (a woman’s art) would not fail. These promises were related to the ‘needs and concerns of women, and unless the king could be seen to take care of the cultural and fertility needs of the clan, symbolized by these women’s activities, the king would be overthrown’. The king as evidenced in this story, violated the promises he made and instead of being overthrown, is permitted to continue his reign with no apparent resistance from his constituents. This portrayal of Macha is actually the last of three major cycles. In the first She is a brilliant, strong mother-Goddess. In the second She is a helpless (but wise) wife, and the third She is relegated to an existence of shame and forced to abandon Her life-giving gifts, adapting to the new warrior ethos. This is how She had traditionally become associated with the three war-Goddess spiral, joining Badb and Morrigan. The appearance of the war-Goddess appears to develop as a result of the change in Celtic society to one of violence and paradoxically, Christianity.

“Gift of Peace to a War Goddess” by Portia St.Luke

Macha evolves into a warrior-Goddess as the simultaneously the status of women decline in societies constantly under attack, where emphasis is placed on death and bloodlust rather than on life and respect for death. With this, men began to feel threatened by women as well, by any force seen as competition. Importantly another aspect of the decline of Macha (and other Goddesses) was the Christian clerics who began to satirize the Goddesses because their patriarchal system of beliefs stood in direct contrast especially to the worship of a female deity. Goddesses were becoming as violent as the society that ‘created’ them. They were raped, murdered and often died in child birth.

Peter Berresford Ellis in his book, Celtic Women, Women in Celtic Society and Literature, concurs with Condren that Goddesses in literature were often raped, died in childbirth and their status was destroyed by the symbolism of the rape.

The Goddesses, however, gave birth to great men who would in turn become great warriors. Indeed, ‘the famous warrior society triumphed over the culture of the wise women’. Several sources consulted point to the war-Goddess as a symbolic adaptation to the culture who called on Her to wreak death and destruction. The war-Goddess is often portrayed too with a voracious sexual appetite. Ellis quotes Moyra Caldecott:

‘Her twin appetites for sexual gratification and for bringing about violent death are a travesty of the very necessary and natural forces of creation and destruction that keep the universe functioning and imbalance of which brings about disaster’. [2]

Wow…After reading this excerpt from the University of Idaho’s site, it all made so much more sense and brought it all home for me.  I had read in several books that stated that many peaceful agricultural societies worshipped a mother Goddess type deity(ies) who presided mainly over life cycles, vegetation, and agriculture; that it wasn’t until the invasions of the violent war-faring Indo-Europeans that “swept through Old Europe, the Middle East and India bring[ing] their priests, warriors and male gods of war and mountains” [3] with them that the Goddesses started becoming less important, more subservient and taking on more violent and warlike qualities.  Truly, this is not limited to the Celtic culture – look at Inanna for example; or Minerva who evolved from an Italic moon Goddess, into an Etruscan virgin Goddess of poetry, medicine, widsdom, commerce, weaving, dyeing, crafts, the arts, science and magic and later, the Romanized Goddess became associated with war.  Venus who originally was a vegetation Goddess and patroness of gardens and vineyards who had no original myths of Her own became associated with love, fertility and even war under the name Venus Victrix, the Goddess of victory in war.  And let us not forget how Goddesses like Inanna, Asherah and Lilith were demonized by the Abrahamic patriarchal religions for refusing to submit to them and their “all powerful” male deity.

“Morrigan” by Michael C. Hayes

I think it only appropriate to conclude with some words from Jani Farrell-Roberts, “Women often had to fight in the wars. They needed a Goddess of the Battlefield as did the men (thus their talk of heads being ‘the mast of Macha’) – and so grew the myth of the Morrigan into which the kinder harvest Goddess Macha was subsumed as part of a triple Goddess with Her two sisters, Badb and Morrigan. In Britain She was probably Morgan. The Morrigan however came to be hated by men who dreaded the female power She represented – so men tended to depict Her as a hag – or as three hags (perhaps as reflected in Shakespeare‘s Macbeth).

But in the old sagas Her role is much more that of the healer of the wounded and of the taker of the spirits of the dead into the next world. For example, Macha is depicted in these myths as the Sacred Cow whose milk is an antidote to the poison of weapons. She had become the Mother on the Battlefield.” [4]

ASSOCIATIONS:

Pantheon: Celtic

Element: Earth

Sphere of Influence: Protection and sex

Preferred Colors: Red, black

Associated Symbol: Raven

Animals Associated with: Raven, crow

Best Day to Work with: Monday

Strongest Around: Lughnasadh

Suitable Offerings: Acorns

Associated Planet: Moon      [5]

 

 

And now, a tribute to the great Goddess Macha and Her stories…

 

 
Sources:

Eisler, Riane. Iowa State University, “The Chalice and Blade“.

Farrell-Roberts, Jani. The Web Inquirer, “Macha, Brighid, the Ancient Goddess of Ireland“.

PaganNews.com, “Macha“.

Took, Thalia. A-Muse-ing Grace Gallery, “Macha“.

University of Idaho, “Celtic Women: Myth and Symbol“.

 

 

Suggested Links:

Aisling. Order of the White Moon, “Macha“.

AncientWorlds, “Epona“.

Bar, Tala. Bewildering Stories, “Goddesses of War“.

Jones, Mary. Maryjones.us, “Macha“.

Shee-Eire.com, “Macha“.

Skye, Michelle. Goddess Afoot!: Practicing Magic with Celtic & Norse Goddesses, “Macha” (p. 166 – 181).

Wikipedia, “Macha“.

Goddess Tamra

“Tamra’s themes are air, earth, nature, health, longevity, devotion, wishes and relationships.  Her symbols are feathers and birdseed.  In Hindu tradition, this Goddess was the ancestor of all birds, She can teach us their special language, which often bears communications from the divine. As the consort of the turtle god, Kashyapa, She also represents a potent union between earth and air elements.

People in Nebraska spend six weeks watching the cranes who rest and feed here during the migratory season. This region of the United States boats the largest group of sand hill cranes, about fifty thousand birds.

Magically speaking, these creatures represent health, longevity and devotion. Visualise a crane residing in your heart chakra anytime you need improved well-being.

Birds offer numerous magical applications. For warmth in a relationship, scatter feathers to the winds with your wish. The birds will use the feathers in their nests, symbolically keeping your nest intact and affectionate.

Or, disperse birdseed while thinking of a question. As the birds fly away, watch their movement. Flight to the right indicates a positive response; to the left is negative. If the birds scatter, things are iffy. If they fly straight up overhead, a heartfelt wish is being taken to Tamra.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

Yet, another Goddess that proved to be elusive.  Apparently, She was one of the 13 daughters of the Prajapati Daksha (AditiDitiKadruDanu, Arishta, Surasa, SurabhiVinata, Tamra, Krodhavaśā, Ida, Khasa and Muni) all of whom were given in marriage to Kashyapa.[1]  The only real mention I found of Her was in the Agni Purāṇa (a genre of Hindu religious texts, containing the descriptions and details of various incarnations (avatars) of Vishnu).  It states, “Kasyapa was the son of Marici, who was the son of Brahma. Kasyapa’s wife Tamra had many daughters like Kaki, Syeni, Bhasi, Grdhrka, Suki and Griva. From Kaki were born the crows in the world.” [2]

“Tamra had six daughters. These were the mothers of the birds and of goats, horse, sheep, camels and donkeys.” [3]

Sources:

Bharatadesam: everything about india, “Matsya Purana” (down to subheading “Daksha’s Descendants“).

Parmeshwaranand, Swami. Encyclopaedic Dictionary of Purāṇas: S-Z, “Kaka (Crow)” at p. 717.

Wikipedia, “Kashyap“.

Suggested Links:

Hamilton, Francis. Genealogies of the Hindus: Extracted From Their Sacred Writings… 

International Gita Society, “1. Brahma Purana

Yahoo! Answers: India, “Hinduism – Why the Crows are referred our ancestors? What about other birds?

Goddess Banba

Banba is the Celtic Goddess of the spirit of Ireland. She is one of the Tuatha de Danaan.

“Banba’s themes are protection. Her symbol is soil. A Celtic war goddess, Banba extends safety to those who follow her, wielding magic in their support. In Irish tradition, she protected the land from invaders. As a reward for her sorcery’s assistance, Banba’s name became linked with ancient poetic designations for parts of Ireland. Interestingly enough, Banba translates as ‘unploughed land’, meaning it is left safe and untouched to grow fertile.
Considering crime and other societal problems, a little extra protection from Banba seems like something we could all use year-round. Think of your home and possessions as the ‘land’ she guards. Gather a pinch of dirt from near your residence, take it inside, and keep it in a special spot. Light a candle (white is good) near this anytime you feel you need Banba’s diligent sheltering.

On this day the Scots burn a pole attached to a barrel of tar (a Clavie) and take it around town to banish evil influences, especially magical ones. The Clavie’s remaining ashes are gathered by people as an anti-curse amulet. In keeping with this custom, burn a small bit of wood (perhaps oak) on a safe fire source. As it burns, recite an incantation like this:
‘Banba, burn away negativity, burn away mal-intent
Let the energy return from where it was sent.’

Keep the ashes as an anti-negativity talisman.”

(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)

For more information on Banba and her sisters Eriu and Fodla who make up their powerful triad, click here.

There are claims that this Banba may have been worshipped as Macha which would’ve given her associations with war as claimed by Seathrún Céitinn.

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The Druid's Well

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Georgia Heathen Society's Blog

Heathen's in Georgia

Mystic Fire Blog

A Spiritual Blog by Dipali Desai. Awaken to your true nature.

art and healing Blog

Art heals yourself, others, community and the earth

My Moonlit Path.....

The Story of My Everyday Life.....

Raising Natural Kids

Because knowledge is the key to making informed decisions for your family.

Philip Carr-Gomm

Philip Carr Gomm

Works of Literata

Magic, fiber, cats

The Northern Grove

Celebrating Pagan History and Culture of Northern Europe

The Belle Jar

"Let me live, love and say it well in good sentences." - Sylvia Plath

The Witch of Forest Grove

Animism, Folk Magic, and Spirit Work in the Pacific Northwest

WoodsPriestess

Exploring the intersection between Nature, the Goddess, art, and poetry as well as the practical work of priestessing.