“Izanami-no-kami’s themes are art, creativity and excellence. Her symbol is poetry. In Japan, this creative Goddess is considered to have made all things, and She inspires similar inventiveness within us. Traditionally, She is honored through artistic displays, including dance, song, music, and poetry reading.
Every September, poets from across Japan come to the Imperial Palace to compose verses. Upon receiving a cup of sake floated down the river, each poet must create an impromptu verse. The winner becomes the nation’s poet laureate. In keeping with this idea, concentrate on trying your own hand at a little sacred poetry today, perhaps even a haiku. Traditional haiku contains seven syllables in the first line, five syllables in the second line and seven or five in the last; each line evokes an image or feeling in the reader’s mind. Here’s one example:
paints the universe
radiant – eternity
If poetry isn’t your forte, engage in another art form through which Izanami-no-kami’s imaginative spirit can shine. Ask for Her assistance and inspiration before you begin, and see what wonders Her nudge can arouse in you. Or, visit an art gallery, making notes of the things that really strike a harmonious chord in your spirit.”
(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)
So, I’m not exactly sure where Patricia Telesco’s description of Izanami comes from, because the descriptions I found paint Her as a creatrix and Queen of the Underworld, sharing some common elements with Persephone‘s story.
Patricia Monaghan writes: “Before this world, there was only a chaos of oil and slime, which slowly congealed to produce unnamed and innumerable divinities. [The first gods according to Wikipedia were Kunitokotachi and Amenominakanushi who] finally, said the Japanese, [summoned] two distinct [divine beings]: Izanami, the inviting woman, and Her consort, Izanagi, the inviting man. Standing on the rainbow, they stirred chaos with a spear [named Ame-no-nuboko] until a bit of matter formed. Placing this island on the oily sea, they descended to create and populate the earth.
But they did not, at first, know how. It was only after watching two water birds mating that they understood the necessary procreative act. So they too mated, and Izanami gave birth to the islands of Japan, to its waterfalls and mountains, and then to the animals and plants that live there.
Last to be conceived was fire, which virually exploed from Izanami’s body, leaving Her retching and bleeding. From all Her excretions – from Her blood, Her vomit, Her urine – new creatures sprang up and established themselves on the new land. But Izanami Herself died.
She traveled to the underworld – Yomi (‘gloomy land’). Izanagi, however, desperate without Her, traveled to Yomi to ask Her to return. She, however, had already established Herself in the world of death and refused [a few sources state that She had already eaten the food of the underworld and was now one with the land of the dead. She could no longer return to the living]. But She suggested that he speak to the lord of death, asking for Her release. Izanami warned him, though, not tot enter the palace.
Heedlessly curious, Izanagi approached the dark building; then he took a broken comb and broke off its last tooth. Lighting it, he looked inside, where the body of Izanami was decomposing. Her spirit attacked him, humiliated at having been seen that way; She drove him from the underworld and, as they parted, claimed his actions constituted a final divorce. Some say that Izanami rules still as queen of death from Her home in gloomy Yomi” (Monaghan, p. 168 – 169).
The actions that Monaghan writes of were Izanagi pushing a boulder in the mouth of the Yomotsuhirasaka (cavern that was the entrance of Yomi) thus creating a boundary between the world of the living and the world of the dead. This infuriated Izanami-no-Mikoto and She screamed from behind this impenetrable barricade that if he left Her She would destroy 1,000 residents of the living every day to which he replied he would give life to 1,500.
To purify himself after coming into contact with the dead, Izanagi bathed in the sea and as he bathed, a number of deities came into being to include the sun Goddess Amaterasu, born of a tear from his left eye.
Monaghan, Patricia. The New Book of Goddesses and Heroines, “Izanami”.
Britannica.com, “Izanagi and Izanami“.
Mythencyclopedia.com, “Izanagi and Izanami“.
University of Georgia: Department of Geology, “The Origin of Japan and her People“.