“Tesana’s themes are the harvest, light, fertility, abundance, hope, beginnings, growth, opportunity and restoration. Her symbols are the dawn, the color red and fruit. In Etruscan, Tesana means ‘dawn’. As the first rays of light begin to reach through the darkness, Tesana is there, offering the hope of a better tomorrow and the warmth of a new day. Through Her steadfast attendance, the earth and its people bear life and become fruitful.
Mnarja is the primary folk festival in Malta and originated as an orange and lemon harvest celebration. Then name Mnarja means ‘illumination’ and all the ritual fires ignited toady symbolically keep Tesana’s fertility burning. So, light a candle this morning at dawn’s first light to welcome Tesana and invoke Her assistance. Choose the color of the candle to reflect your goal: pink for hope, white for beginnings (a clean slate) and green for growth or restoration. If you like, also carve an emblem of your goal into the wax, leaving the taper to burn until it melts past the symbol (this releases the magic).
In a similar prolific tone, the customary food to encourage Tesana’s fertility and continuing good harvests today is rabbit. If this isn’t a meat you enjoy, make rarebit instead; this was a substitute for costly rabbits in the Middle Ages.”
(Patricia Telesco, “365 Goddess: a daily guide to the magic and inspiration of the goddess”.)
According to Thalia Took, “Thesan is the Etruscan Goddess of the Dawn, Divination and Childbirth, as well as a Love-Goddess. She is depicted on several Etruscan mirror backs, bearing, like many other Etruscan Goddesses, a great pair of wings from Her back, especially appropriate to a Sky-Goddess. One meaning of Her name is simply ‘Dawn’, and related words are thesi, ‘illumination’, and thesviti, ‘clear or famous’. The other meaning of Her name connects Her with the ability to see the future, for thesan also means ‘divination’, as seen in the related Etruscan word thesanthei, ‘divining’ or ‘brilliant’. This relates to Her function as a Dawn Goddess–for as the dawn illuminates what was previously dark, so divination throws light on the dark future and enables one to see what may happen. She is called by some a childbirth Goddess, as She is present at the beginning of the day, which finds its parallel in the beginning of a new baby’s life. Similarly, the Roman Goddess of Light and Childbirth, Lucina, brings the infant into the light of the world.
The Etruscans identified their Thesan with the Greek Goddess of the Dawn Eos. In the Greek legend, Aphrodite had found Eos in bed with Her lover Ares; to punish Eos She ‘cursed’ Her with an insatiable taste for mortal youths, and Eos became infamous for Her many lovers. The Etruscans seemed to quite like these stories and easily transferred them to their Dawn-Goddess Thesan; the stories depicted on the mirrors are generally straight out of Greek myth.
On one relief mirror back (kind of a rarity in Etruscan mirrors since the decoration on the back is almost always engraved rather than cast), Thesan is shown in the act of abducting Kephalos, a young man of Athens who was married to the King’s daughter, Procris. Thesan is winged here, and wears a chiton and diagonal himation that flow in the breeze; about Her head is a halo, to emphasize Her function as Light-Goddess. She runs off to the left carrying Kephalos in Her arms, who is shown as nude and much smaller than She is. He does not look at all distressed at the situation and He rests in Her arms with his right hand on Her shoulder. Like many depictions of Etruscan women and their lovers, She is shown as larger and therefore more important or powerful than the man: this has been taken as an indication of the high status of Etruscan women.
The same scene is depicted on a mirror handle in high relief openwork; Kephalos is again quite a lot smaller (and younger) than Thesan, who is not winged this time, but whose cloak billows behind Her in the breeze. She smiles down at young Kephalos as She lifts him up, and he is nude save for a short cloak and hunting boots.
Another favorite scene of Thesan/Eos depicts a far more somber affair. When Her son Memnon (by Tithonus, another young man She abducted to be Her lover) was killed in the Trojan War, Eos grieved so terribly that She threatened never to bring forth the dawn again. She was finally persuaded to return, but in Her grief She weeps tears of dew every morning for Her beloved son. One mirror-back shows Her before Tinia (Zeus) with Thethis (Thetis), the mother of Achilles. Both Goddesses plead with Tinia to spare their sons’ lives; but both were already doomed to die. The relief mirror mentioned above has been interpreted by some as showing Thesan carrying off the body of Her dead son Memnon (who the Etruscans called Memrun): the figures are not labelled as is usual in Etruscan mirrors, making the differing interpretations possible.
Another more purely Etruscan depiction of Her shows Her with Usil the Sun God and Nethuns (the Roman Neptune), God of the Sea. It would appear that this mirror is to be symbolically read as the dawn preceding the Sun at daybreak as it rises from the Sea (notwithstanding the fact that Etruria is on the west coast of Italy).
Like more than a few Etruscan Goddesses, She seems to have survived into Tuscan folklore at least until the 19th century as a spirit called Tesana. She was said to visit mortals as they dreamt, in the time when the sun is rising but before the sleeper had yet awakened. She was believed to bring words of encouragement and comfort, and Her presence in a dream gave good fortune and blessings for the day.
Took, Thalia. The Obscure Goddess Online Directory, “Thesan“.
Covenofthegoddess.com, “Goddess Eos“.
Mythagora.com, “Eos: Erigeneia, The Dawn“.
The Roman-Colosseum, “Myths about the Roman Goddess Aurora“.
Theoi Greek Mythology, “Eos“.
Took, Thalia. The Obscure Goddess Online Directory, “Etruscan“.
Took, Thalia. The Obscure Goddess Online Directory, “Aurora“.
Wikipedia, “Aurora (mythology)“.